Iggy And The Stooges* – Raw Power
Tracklist
Remastered Original 1973 David Bowie Mix | |||
A1 | Search And Destroy | ||
A2 | Gimme Danger | ||
A3 | Your Pretty Face Is Going To Hell (Originally Titled "Hard To Beat") | ||
A4 | Penetration | ||
B1 | Raw Power | ||
B2 | I Need Somebody | ||
B3 | Shake Appeal | ||
B4 | Death Trip | ||
Remastered 1997 Iggy Pop Mix | |||
C1 | Search And Destroy | ||
C2 | Gimme Danger | ||
C3 | Your Pretty Face Is Going To Hell (Originally Titled "Hard To Beat") | ||
C4 | Penetration | ||
D1 | Raw Power | ||
D2 | I Need Somebody | ||
D3 | Shake Appeal | ||
D4 | Death Trip |
Companies, etc.
- Record Company – Sony Music Entertainment
- Record Company – Sony Music Entertainment International Services GmbH
- Phonographic Copyright ℗ – Columbia Records
- Copyright © – Columbia Records
- Published By – Mainman Ltd.
- Published By – EMI Music Publishing
- Published By – Bug Music Ltd.
- Produced For – Mainman
- Distributed By – Sony Music Entertainment
- Recorded At – CBS Studios, London
- Mixed At – Western Recorders
- Pressed By – Record Industry – 85976
Credits
- Engineer [1997 Edition Mix Engineer] – Danny Kadar (tracks: C1 to D4)
- Engineer [Assistant Engineer] – David Swope (tracks: C1 to D4)
- Liner Notes – Scott Asheton
- Liner Notes [Aylesbury, January 2010] – Kris Needs
- Liner Notes [Saugatuck Mich., January 2010] – Brian J. Bowe
- Management – MainMan, Ltd.
- Mixed By – Iggy Pop (tracks: A1 to B4)
- Mixed By [1997 Edition Remixed By] – Iggy Pop (tracks: C1 to D4)
- Musician, Bass, Vocals – Ron Asheton
- Musician, Drums – Scott Asheton
- Musician, Guitar – James Williamson
- Musician, Vocals – Iggy Pop
- Photography By – Seth Tiven
- Producer [Produced By] – Iggy Pop
- Remastered By [Original 1973 Edition And 1997 Edition] – Mark Wilder
- Written-By [All Tunes Were Written By] – James Williamson
Notes
There is also a French release with the same runouts, please see Raw Power.
Glossy cover and gatefold.
Gatefold contains a 16-page booklet with liner notes and pics
Front cover:
Red round sticker on plastic wrap:
Special Edition 2LP
Includes Remastered Original
1973 David Bowie Mix and
Remastered 1997 Iggy Pop Mix
+ 16-page full color booklet
88985375171
Back cover:
All selections published by MainMan, Ltd. (ASCAP)
Recorded at CBS Studios, London.
[1973 version] Mixed at Western Sound, Hollywood.
℗ 1973, 1997 Columbia Records, a division of Sony Music Entertainment
© 1973, 2010, 2016 Columbia Records, a division of Sony Music Entertainment
Made in the EU.
Labels:
All tracks published by EMI Music Publishing / Bug Music Ltd.
LP1:
℗ 1973 Columbia Records, a division of Sony Music Entertainment
© 1973, 2016 Columbia Records, a division of Sony Music Entertainment
Made in the EU.
LP2:
℗ 1997 Columbia Records, a division of Sony Music Entertainment
© 1973, 2016 Columbia Records, a division of Sony Music Entertainment
Made in the EU.
Runouts:
Everything is stamped, except 85976 1 A̶ C MOVLP 070 / 85976 1 B̶ D MOVLP 070 which are laser-etched.
Glossy cover and gatefold.
Gatefold contains a 16-page booklet with liner notes and pics
Front cover:
Red round sticker on plastic wrap:
Special Edition 2LP
Includes Remastered Original
1973 David Bowie Mix and
Remastered 1997 Iggy Pop Mix
+ 16-page full color booklet
88985375171
Back cover:
All selections published by MainMan, Ltd. (ASCAP)
Recorded at CBS Studios, London.
[1973 version] Mixed at Western Sound, Hollywood.
℗ 1973, 1997 Columbia Records, a division of Sony Music Entertainment
© 1973, 2010, 2016 Columbia Records, a division of Sony Music Entertainment
Made in the EU.
Labels:
All tracks published by EMI Music Publishing / Bug Music Ltd.
LP1:
℗ 1973 Columbia Records, a division of Sony Music Entertainment
© 1973, 2016 Columbia Records, a division of Sony Music Entertainment
Made in the EU.
LP2:
℗ 1997 Columbia Records, a division of Sony Music Entertainment
© 1973, 2016 Columbia Records, a division of Sony Music Entertainment
Made in the EU.
Runouts:
Everything is stamped, except 85976 1 A̶ C MOVLP 070 / 85976 1 B̶ D MOVLP 070 which are laser-etched.
Barcode and Other Identifiers
- Barcode (Text): 8 89853 75171 6
- Barcode (Scanned): 889853751716
- Label Code: LC 00162
- Rights Society: BIEM/GEMA
- Rights Society: ASCAP
- Matrix / Runout (Runout side A): 85976 2A MOVLP 070
- Matrix / Runout (Runout side B): 85976 2B MOVLP 070
- Matrix / Runout (Runout side C): 85976 1 A̶ C MOVLP 070 31 65586 20 1A1
- Matrix / Runout (Runout side D): 85976 1 B̶ D MOVLP 070 31 65586 20 1B1
Other Versions (5 of 180)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
Raw Power (Acetate, LP, Album) | Columbia | KC 32111 | US | 1972 | ||
Recently Edited
|
Raw Power (LP, Album, Stereo, Pitman pressing) | Columbia | KC 32111 | US | 1973 | ||
Recently Edited
|
Raw Power (LP, Album) | CBS | 65586, S 65586 | UK | 1973 | ||
New Submission
|
Raw Power (LP, Album, Stereo) | CBS | S 65586 | Netherlands | 1973 | ||
Raw Power (LP, Album) | CBS | S 65586 | Spain | 1973 |
Recommendations
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2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo
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Reviews
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Edited 11 months ago"Search and Destroy" on the first LP, the so-called David Bowie mix, is not actually Bowie's mix. The mix of SAD on LP1 is The Stooges' mix from 1973, the only track on the U.S. vinyl release of Raw Power that features Iggy and The Stooges' original mix. The remaining tracks on the U.S. vinyl version are Bowie mixes. In the U.K., a slew of 1970s (and early 1980s?) vinyl pressings on the "Embassy" label retained Bowie's mix of SAD. His mix has beefy bass and guitars. But, oddly, the drums are drowned in reverb. It's not a perfect mix, but, it is arguably more ballsy than the SAD we've been used to in the States for the past 50 years.
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Edited one year ago
This album is solely responsible for my love of Punk rock! (some argue it is a Rock record - I disagree, it's Punk! - I have similar arguments over "New York Dolls" 1973 debut - it's a Punk rock record!)
What we have here is a double black vinyl 2017 repress. LP 1 is the original 1973 Bowie mix. LP 2 is the 1997 Iggy mix.
I personally consider this album one of the most influential, uncompromising, in your face records ever. When an album begins with the lyric " I'm a street walking cheetah with a heart full of napalm" you know where this album is going, yet it is not all crashing guitars musically - there is some beauty and influential music here ("Gimme Danger"), ("Penetration") & ("I need somebody").
Listen to "Death Trip" and (in my humble opinion) try not to think surely Kurt Cobain must have took influence!
As to which mix? - They are both well worth having and is purely a matter of opinion. I consider the Iggy 1997 mix as my go to version as everything is "full whack", aggressive, dark and pure "Raw power" (as the name suggests!), this is no way a criticism of the Bowie (original) mix, just my personal opinion - others do and will disagree, that is what makes this a great record - we are still talking about it in 2024!
LP is 2 x 180g quality, perfectly flat, plays silent between tracks, no scratches or marks, comes in poly lined inner bags (always a plus!). Artwork is a quality reproduction - updated for this release. Contains a 16 page booklet. Sounds amazing on my mid priced Marantz/ Audio Technica system.
If you are into Rock or Punk (whatever!!) you will love this!
Play it loud as nature intended! -
Amazing reissue. Great booklet, dead flat vinyl with no pops or clicks, nice inner sleeves. Get this while it's still in print.
Now for the two mixes. I will be brief:
Bowie Mix -> You are at a Stooges gig but in one of the back rows in a good spot, where the music is less direct but a comfortable experience.
Iggy Mix -> You are at a Stooges gig in the first row and the sheer power of the music blows your head off. BUT everything is distorted and harsh, short impulses which have less room to breathe compared to the Bowie mix.
I personally prefer the Iggy mix even though it is purely digital, because let's face it it is a punk record! It's not about fidelity but about the punch, the attack, the rock n' roll feeling getting you off your seat. The Iggy Mix does a way better job delivering this atmosphere. However, I can't deny that someone growing up and hearing the Bowie Mix all the time, will just prefer it because that's how it sunk in. -
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Lovely flat flawless vinyl records. No pops clicks of other assorted badness (and a nice booklet). Bowies mix is okay, but for me Iggys blows it away...........due to its raw power!
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Edited 3 years agoIggy’s ‘97 mix is absolutely the way “Raw Power” was meant to be heard! If that mix sounds like “ass”, as a previous commenter claimed, then it’s a dang fine ass at that. Bowie’s mix is very much the cleaned up, polished mix-almost a different album entirely, which is not what The Stooges were all about. Compare the first 30 seconds of “Search & Destroy” from both mixes & you’ll be like “Wow, Iggy’s mix absolutely crushes it.” It’s all up in the reds, and I wouldn’t want it any other way. Happy to finally have this in my collection so I can have the best of both worlds.
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Edited 2 years agoFive stars for the Bowie Mix. The '97 Iggy remix still sounds like ass, on vinyl, but I won't let it drag down the grade because it's basically a bonus disc.
A couple of the Rough Power mixes originally released on the boots — "Penetration" and "Death Trip" — are in my opinion superior to the Bowie mix, but definitely not the title track.
The '97 versions? Even Ig's bandmates found them pointless. -
Simply the greatest album ever made! It’s so sweet to have both versions of the album in this collection (Iggy’s rework is best of course)
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I don't know if anyone else has had this problem, but the hole in middle of both records are really small and I nearly broke the second one trying to get it off my turntable.
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