Rolling Stones* – Let It Bleed
Label: |
ABKCO – 882 332-1 |
|---|---|
Series: |
The Rolling Stones Remastered Series |
Format: |
Vinyl
, LP, Album, Reissue, Remastered, Stereo
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Country Rock |
Tracklist
| A1 | Gimmie Shelter | |
| A2 | Love In Vain | |
| A3 | Country Honk | |
| A4 | Live With Me | |
| A5 | Let It Bleed | |
| B1 | Midnight Rambler | |
| B2 | You Got The Silver | |
| B3 | Monkey Man | |
| B4 | You Can't Always Get What You Want |
Companies, etc.
- Record Company – ABKCO Music And Records, Inc.
- Manufactured By – ABKCO Records
- Phonographic Copyright ℗ – ABKCO Records
- Copyright © – ABKCO Records
- Published By – ABKCO Music, Inc.
- Published By – King Of Spades Music
- Engineered At – The Magic Shop
- Mastered At – Gateway Mastering
- Designed At – AGI (4)
Credits
- Art Direction [Repackage Art Direction] – Iris W. Keitel
- Artwork [Art Production Assistant] – Patricia Sheppard
- Concept By [Conception] – Lenne Allik
- Cover [Original Cover], Design [Liner Design] – Robert Brownjohn
- Design [Original Sleeve Design] – Victor Kahn (2)
- Design [Repackage Design] – Zane Peterson
- Engineer [Also] – George Chiantz*
- Engineer [Assistant] – Jerry Hansen
- Engineer [Chief] – Glyn Johns
- Engineer [DSD Engineer] – Gus Skinas
- Mastered By [Mastering] – Bob Ludwig
- Photography By – Don McAllester
- Producer [Produced By] – Jimmy Miller
- Producer [Production Assistant] – Maria Papazahariou
- Reissue Producer [Restoration Producer] – Jody H. Klein
- Research [Additional Tape Archive Research] – Mick McKenna
- Restoration [Sound Restoration], Coordinator [Archive Coordinator] – Steve Rosenthal
- Tape Op [Tape Operators] – Steve*
- Transferred By [Additional Analog To Digital Transfers] – Pascal Byrne*
- Transferred By [Analog To Digital Transfers], Research [Tape Archive Research] – Teri Landi
- Written-By – Mick Jagger & Keith Richards* (tracks: A1, A3 to B4)
Notes
Marketed as 180 gram but this is not labelled on the release or packaging.
ABKCO's The Rolling Stones DSD Remastered
[On spine, inner sleeve and labels]
THE ROLLING STONES
[On inner sleeve]
GIMMIE SHELTER [A1]
HARD KNOX AND DURTY SOX
All Selections Published by ABKCO Music, Inc. except #2 Published by King Of Spades Music
Sound Restoration & Archive Coordinator: Steve Rosenthal/The Magic Shop
THIS RECORD SHOULD BE PLAYED LOUD
[On labels]
GIMME SHELTER [A1]
©2003 ℗1969 ABKCO Records. Manufactured by ABKCO Records a division of ABKCO Music & Records, Inc Made in EU
THIS RECORD SHOULD BE PLAYED LOUD
[On back]
GIMMIE SHELTER [A1]
©2003 ABKCO Records. Printed in EU.
DSD [Direct Stream Digital] & SBM Direct [Super Bit Mapping Direct] are Trademarks of Sony & Philips
ABKCO's The Rolling Stones DSD Remastered
[On spine, inner sleeve and labels]
THE ROLLING STONES
[On inner sleeve]
GIMMIE SHELTER [A1]
HARD KNOX AND DURTY SOX
All Selections Published by ABKCO Music, Inc. except #2 Published by King Of Spades Music
Sound Restoration & Archive Coordinator: Steve Rosenthal/The Magic Shop
THIS RECORD SHOULD BE PLAYED LOUD
[On labels]
GIMME SHELTER [A1]
©2003 ℗1969 ABKCO Records. Manufactured by ABKCO Records a division of ABKCO Music & Records, Inc Made in EU
THIS RECORD SHOULD BE PLAYED LOUD
[On back]
GIMMIE SHELTER [A1]
©2003 ABKCO Records. Printed in EU.
DSD [Direct Stream Digital] & SBM Direct [Super Bit Mapping Direct] are Trademarks of Sony & Philips
Barcode and Other Identifiers
- Barcode (Text): 0 42288 23321 3
- Barcode (Scanned): 042288233213
- Rights Society: BIEM/MS
- Label Code: LC0171
- Matrix / Runout (Runout side A etched, variant 1): 882 332-1 A 9004-1A
- Matrix / Runout (Runout side B etched, variant 1): 882 332-1 B 9004-1B
- Matrix / Runout (Runout side A stamped, 9004-1A etched, variant 2): 5̶ ̶A̶2̶2̶5̶ 8823321-A 9004-1A
- Matrix / Runout (Runout side B etched, variant 2): 8823321 9004-1B
Other Versions (5 of 469)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Let It Bleed (LP, Album, Terre Haute Pressing) | London Records | NPS-4 | US | 1969 | ||
| Let It Bleed (LP, Album, Stereo, Royal Sound Labels) | Decca | SLK 16 640-P, SLK 16 640 P | 1969 | ||||
|
Recently Edited
|
Let It Bleed (LP, Album, Stereo, Unboxed Labels) | Decca | SKL 5025, SKL. 5025 | UK | 1969 | ||
|
Recently Edited
|
Let It Bleed (LP, Album, Stereo) | Decca | SKLM 5025, SKLM.5025 | New Zealand | 1969 | ||
|
Recently Edited
|
Let It Bleed (LP, Album, Mono) | Decca | LK 5025 | UK | 1969 |
Recommendations
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2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo -
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Reviews
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Good pressing. Sounds good but has a little digital glare. Still, good clarity. Prob as good as anything MoFi would do. -
I agree with most of comments here, this one is remarkably good sounding copy. I have 1st press Canadian and Japanese, this one is right there with these copies (actually slight fuller sounding than Japanese). For the price and new quiet vinyl this is no brainer.
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Now, this is a fantastic pressing. The instruments are well separated. It sounds like they play in your room. Great low frequencies without overdoing it. Great drum sound. Vocals nice and clear. Highly recommended!
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Very good sounding pressing. Great value for money! If you can get it in good shape sure get it. -
The labels and inner sleeve could have been done a lot better - comes off looking quite bootleg-y. -
Edited one year agoHoly smokes! Get this, sounds like they're playing in the room. Snappy drums, thick bass, a joy to listen to. Extremely impressed, especially considering how cheaply you can pick this up. -
I have a copy of this with the label for side B stuck to both sides. Side A and B are still imprinted upon the vinyl though. Is this worthy of creating a new sub? -
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If you don’t have anything else this will do. Music sounds good, the vocal has been lost. I find with all these reissues that the vocal suffers the most, not even close to an older analog cut. This is compressed and all the same, very little dynamics. At least they were upfront with “DSD” the vinyl is well pressed and quiet. Recommend spending more and getting an older cut. -
I think it sounds great and the price/condition calculus is a no brainer for mere mortals.
that being said, there's a London Records first press in what i recall to be excellent condition boxed up in my moms basement 3000 miles away I would surely love to shootout against this now that I have a real hifi.
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