Phoebe Bridgers – Punisher
Label: |
Dead Oceans – DOC200 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Folk |
Tracklist
| A1 | DVD Menu | |
| A2 | Garden Song | |
| A3 | Kyoto | |
| A4 | Punisher | |
| A5 | Halloween | |
| A6 | Chinese Satellite | |
| B7 | Moon Song | |
| B8 | Savior Complex | |
| B9 | ICU | |
| B10 | Graceland Too | |
| B11 | I Know The End |
Companies, etc.
- Phonographic Copyright ℗ – Dead Oceans, Inc.
- Copyright © – Dead Oceans, Inc.
- Recorded At – Sound City Studios
- Mixed At – ARC Studios, Omaha, NE
- Mastered At – Gateway Mastering
- Pressed By – Independent Record Pressing
- Exclusive Retailer – Target (11)
- Published By – Whatever Mom Music
- Published By – Corn Fox Publishing
- Published By – Goldmeyn Music
- Published By – Bedrooms; Bedrooms And Spiders
- Published By – Pizza Money Music
- Published By – Sliondelion
Credits
- 12-String Acoustic Guitar – Harrison Whitford (tracks: A3)
- Acoustic Guitar – Harrison Whitford (tracks: B4)
- Acoustic Guitar [Hi Strung] – Harrison Whitford (tracks: A3)
- Arranged By [Horns] – Nathaniel Walcott*
- Arranged By [Strings] – Rob Moose
- Autoharp – Tony Berg (tracks: A3)
- Bandura – Tony Berg (tracks: B1)
- Banjo – Tony Berg (tracks: B4)
- Baritone Guitar [Electric] – Phoebe Bridgers (tracks: A1, A3, A6, B5)
- Bass – Jenny Lee Lindberg (tracks: A3, B3, B5)
- Bass [Bowed] – Sebastian Steinberg (tracks: B4)
- Bass [Sub Bass] – Ethan Gruska (tracks: A4)
- Bass [Tenor Bass] – Ethan Gruska (tracks: A4)
- Celesta – Christian Lee Hutson (tracks: B2)
- Clarinet – Blake Mills (tracks: B2)
- Classical Guitar [Nylon Guitar] – Phoebe Bridgers (tracks: B1)
- Double Bass [Upright Bass] – Sebastian Steinberg (tracks: A5, B2)
- Drums – Marshall Vore (tracks: A3, A6, B1, B3, B5)
- Electric Guitar – Tony Berg (tracks: A3, A6, B2, B3)
- Electronic Drums [Syndrum] – Tony Berg (tracks: A4)
- Engineer [Engineered By] – Will Maclellan
- Fiddle – Sara Watkins (tracks: B4)
- Guitar [Hi Strung] – Phoebe Bridgers (tracks: B2, B4)
- Guitar [Rubber Bridgers Guitar] – Phoebe Bridgers (tracks: A2, B3)
- Horns – Nathaniel Walcott* (tracks: A3, B5)
- Illustration [Booklet Illustrations] – Chris Riddell
- Instruments [Fader Performance] – Phoebe Bridgers (tracks: A4)
- Keyboards [Optigan Flutes] – Ethan Gruska (tracks: A5, B5)
- Lacquer Cut By – CM*
- Layout [Booklet], Design [Booklet] – Travis DeMello
- Layout, Design – Nathaniel David Utesch
- Lyrics By [Emotional And Lyrical ] – Nicholas White* (tracks: B3)
- Management – Darin Harmon
- Mastered By – Bob Ludwig
- Mellotron – Tony Berg (tracks: B1)
- Mixed By – Mike Mogis
- Organ [Pump Organ] – Ethan Gruska (tracks: B4)
- Percussion – Marshall Vore (tracks: A3, A4, A6, B3, B5)
- Percussion [Slat Drum] – Blake Mills (tracks: A5)
- Performer – Jeroen Vrijhoef (tracks: A2, B5)
- Photography By – Olof Grind
- Piano – Nick White (tracks: B5)
- Piano [Pocket] – Ethan Gruska (tracks: B1)
- Producer [Produced By] – Tony Berg
- Programmed By [Programming] – Ethan Gruska (tracks: A2)
- Sampler [Sampling] – Ethan Gruska (tracks: B3)
- Songwriter [All Songs Written By] – Phoebe Bridgers
- Sound Designer – Ethan Gruska (tracks: A1, A5 to B2, B5)
- Strings – Rob Moose (tracks: A1, A4, A6, B2, B5)
- Synth [Synths] – Ethan Gruska (tracks: A2, A3, A5, B5)
- Twelve-String Guitar – Christian Lee Hutson (tracks: A2)
- Twelve-String Guitar [Electric] – Harrison Whitford (tracks: A3)
- Vocals – Tomberlin (tracks: B5)
- Vocoder – Ethan Gruska (tracks: A4)
Notes
© & ℗ 2020 Dead Oceans, Inc.
Target limited edition
Dubbed "Radioactive Swamp" on front sticker.
Dubbed "Green Seafoam" on barcode sticker on the back.
— Production locations:
Recorded at Sound City Studios, Van Nuys, CA
Mixed at ARC Studios, Omaha, NE
Mastered at Gateway Mastering Studios, Portland, ME
— Publishing information:
All songs written by Phoebe Bridgers, Whatever Mom Music / ASCAP
With emotional and lyrical by
Christian Lee Hutson, Corn Fox Publishing / ASCAP [A2, A5, B2, B4, B5]
Morgan Nagler, Goldmeyn Music / BMI [A3]
Conor Oberst, Bedrooms; Bedrooms and Spiders / BMI [A4, A5, A6, B2, B5]
Marshall Vore, Pizza Money Music / ASCAP [A2, A3, A4, A6, B3, B5]
Nicholas White, Sliondelion / BMI [B3]
— Additional information
• Tracks are listed sequentially as designated on the back of the record jacket.
— Courtesies:
Julien Baker and Lucy Dacus appear coutesy of Matador Records
Ethan Gruska appears courtesy of Warner Bros. Records
Blake Mills appears courtesy of New Deal/Verve Records
Target limited edition
Dubbed "Radioactive Swamp" on front sticker.
Dubbed "Green Seafoam" on barcode sticker on the back.
— Production locations:
Recorded at Sound City Studios, Van Nuys, CA
Mixed at ARC Studios, Omaha, NE
Mastered at Gateway Mastering Studios, Portland, ME
— Publishing information:
All songs written by Phoebe Bridgers, Whatever Mom Music / ASCAP
With emotional and lyrical by
Christian Lee Hutson, Corn Fox Publishing / ASCAP [A2, A5, B2, B4, B5]
Morgan Nagler, Goldmeyn Music / BMI [A3]
Conor Oberst, Bedrooms; Bedrooms and Spiders / BMI [A4, A5, A6, B2, B5]
Marshall Vore, Pizza Money Music / ASCAP [A2, A3, A4, A6, B3, B5]
Nicholas White, Sliondelion / BMI [B3]
— Additional information
• Tracks are listed sequentially as designated on the back of the record jacket.
— Courtesies:
Julien Baker and Lucy Dacus appear coutesy of Matador Records
Ethan Gruska appears courtesy of Warner Bros. Records
Blake Mills appears courtesy of New Deal/Verve Records
Barcode and Other Identifiers
- Barcode (Text, Barcode sticker upon shrinkwrap ): 6 7401 - 29250 - 0 4
- Barcode (Scanned, Barcode sticker upon shrinkwrap ): 674012925004
- Barcode (Text, Cover): 6 56605 15001 7
- Barcode (Scanned, Cover): 656605150017
- Label Code: LC 29265
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Side A runout): DOC200LP-A cut 3-11-20 ♡ cm ♡
- Matrix / Runout (Side B runout): DOC200LP-B cm
- Other (Barcode Sticker upon Shrinkwrap): DOC200LP-C12
Other Versions (5 of 25)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Punisher (LP, Album, Limited Edition, Blue With Kind Of Swirly Silver) | Dead Oceans | DOC200, DOC200lp-C2 | US | 2020 | ||
|
Recently Edited
|
Punisher (LP, Album, Limited Edition, Red And Swirly [Merlot Wave]) | Dead Oceans | DOC200 | US | 2020 | ||
| Punisher (LP, Album) | Dead Oceans | DOC200 | US | 2020 | |||
|
New Submission
|
Punisher (LP, Album, Limited Edition, Blue And Green And Swirly [Peacock Splash]) | Dead Oceans | DOC200, DOC200lp-C3 | UK | 2020 | ||
| Punisher (CD, Album) | Dead Oceans | DOC200 | US | 2020 |
Recommendations
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2023 WorldwideVinyl —LP, Album, Record Store Day, Reissue -
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Reviews
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Much better than the black vinyl version….minimal static after a couple of wet cleans. Worth the price
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Edited one year agoTraded my regular black in for this one awhile ago, and this one is way better. It is unusual some black is typically the way to go for being more silent. Only the first few seconds of each side have some crackle and otherwise absolutely none as others have said. Very well mastered
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Edited one year agoMy copy sounds very good, surprisingly better than my normal black vinyl that has light static and surface noise, comparatively this one is completely quiet. I will say Target needs to do a better jobs at shipping vinyls, this is my first time ordering for them and the vinyl came loosely in the box so the corners were slightly dinged from all the moving. Not at all the same as the mock up but it’s pretty and surprisingly fits the album.
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Edited one year agodvd menu and garden song have a lot of static and noise, but the rest of the vinyl sounds really good -
Got the sea foam color which is ok, but quite a bit of static popping noise especially in the beginning of each side. Cleaned and didn’t help. I bought another copy and it sounded even worse so I returned that one. -
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I’m surprised to see people experiencing noises. Mine is perfect. The sound is amazing and crisp.
Beautiful color too -
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Quite a bit of noise at the beginning of each side, but sounds good otherwise. Hopefully it’ll come out with a deep clean, but knowing the reputation around Dead Oceans pressings, I’m not holding my breath. -
This is hands down the best sounding version of this album. Previously It was the I Love Record Stores Day copy from the UK. This one gets the edge though. Fucking fabulous sounding.
Release
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