Phoebe Bridgers – Punisher
Label: |
Dead Oceans – DOC200lp-C2 |
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Format: |
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Country: |
US |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Folk |
Tracklist
A1 | DVD Menu | |
A2 | Garden Song | |
A3 | Kyoto | |
A4 | Punisher | |
A5 | Halloween | |
A6 | Chinese Satellite | |
B7 | Moon Song | |
B8 | Savior Complex | |
B9 | ICU | |
B10 | Graceland Too | |
B11 | I Know The End |
Companies, etc.
- Copyright © – Dead Oceans, Inc.
- Phonographic Copyright ℗ – Dead Oceans, Inc.
- Recorded At – Sound City Studios
- Mixed At – ARC Studios, Omaha, NE
- Mastered At – Gateway Mastering
- Designed At – Open Sea Design Co.
- Published By – Whatever Mom Music
- Published By – Corn Fox Publishing
- Published By – Goldmeyn Music
- Published By – Bedrooms; Bedrooms And Spiders
- Published By – Pizza Money Music
- Published By – Sliondelion
- Pressed By – Independent Record Pressing
Credits
- 12-String Acoustic Guitar – Harrison Whitford (tracks: A3)
- Acoustic Guitar – Harrison Whitford (tracks: B10)
- Acoustic Guitar [Hi Strung Acoustic Guitar] – Harrison Whitford (tracks: A3)
- Arranged By [Horns Arranged By] – Nathaniel Walcott*
- Arranged By [Strings Arranged By] – Rob Moose
- Autoharp – Tony Berg (tracks: A3)
- Bandura – Tony Berg (tracks: B7)
- Banjo – Tony Berg (tracks: B10)
- Baritone Guitar [Baritone Electric Guitar] – Phoebe Bridgers (tracks: A1, A3, A6, B11)
- Bass – Jenny Lee Lindberg (tracks: A3, B9, B11)
- Bass [Bowed Bass] – Sebastian Steinberg (tracks: B10)
- Bass [Sub Bass] – Ethan Gruska (tracks: A4)
- Bass [Tenor Bass] – Ethan Gruska (tracks: A4)
- Celesta – Christian Lee Hutson (tracks: B8)
- Clarinet – Blake Mills (tracks: B8)
- Classical Guitar [Nylon Guitar] – Phoebe Bridgers (tracks: B7)
- Double Bass [Upright Bass] – Sebastian Steinberg (tracks: A5, B8)
- Drum [Slat Drum] – Blake Mills (tracks: A5)
- Drums – Marshall Vore (tracks: A3, A6, B7, B9, B11)
- Electric Guitar – Tony Berg (tracks: A3, A6, B8, B9)
- Electronic Drums [Syndrum] – Tony Berg (tracks: A4)
- Engineer – Will Maclellan
- Fiddle – Sara Watkins (tracks: B10)
- Guitar [Hi Strung Guitar] – Phoebe Bridgers (tracks: B8, B10)
- Guitar [Rubber Bridgers Guitar] – Phoebe Bridgers (tracks: A2, B9)
- Horns – Nathaniel Walcott* (tracks: A3, B11)
- Illustration [Booklet Illustrations] – Chris Riddell
- Instruments [Fader Performance] – Phoebe Bridgers (tracks: A4)
- Keyboards [Optigan Flutes] – Ethan Gruska (tracks: A5, B11)
- Lacquer Cut By – CM*
- Layout [Booklet Layout], Design [Booklet Design] – Travis DeMello
- Layout, Design – Nathaniel David Utesch
- Liner Notes [Insert Poetry] – Carmen Maria Machado
- Lyrics By [Emotional And Lyrical ] – Nicholas White* (tracks: B9)
- Management – Darin Harmon
- Mastered By – Bob Ludwig
- Mellotron – Tony Berg (tracks: B7)
- Mixed By – Mike Mogis
- Organ [Pump Organ] – Ethan Gruska (tracks: B10)
- Percussion – Marshall Vore (tracks: A3, A4, A6, B9, B11)
- Performer – Jeroen Vrijhoef (tracks: A2, B11)
- Photography By – Olof Grind
- Piano – Nick White (tracks: B11)
- Piano [Pocket Piano] – Ethan Gruska (tracks: B7)
- Producer – Tony Berg
- Programmed By – Ethan Gruska (tracks: A2)
- Sampler [Sampling] – Ethan Gruska (tracks: B9)
- Songwriter – Phoebe Bridgers
- Sound Designer – Ethan Gruska (tracks: A1, A5 to B8, B11)
- Strings – Rob Moose (tracks: A1, A4, A6, B8, B11)
- Synth – Ethan Gruska (tracks: A2, A3, A5, B11)
- Twelve-String Guitar – Christian Lee Hutson (tracks: A2)
- Twelve-String Guitar [12 String Electric Guitar] – Harrison Whitford (tracks: A3)
- Vocals – Tomberlin (tracks: B11)
- Vocoder – Ethan Gruska (tracks: A4)
Notes
Secretly Store/bandcamp exclusive.
"LP pre-orders will come with an exclusive 12x12 print featuring artwork from Open Sea on one side, and a piece entitled 'Yesterday, Tomorrow.' written by the venerable Carmen Maria Machado on the other."
Gatefold sleeve.
Includes a code.
Includes a lyrics booklet.
Tracks are numbered sequentially across sides on the release.
©&℗ 2020 Dead Oceans, Inc.
Recorded at Sound City Studios, Van Nuys, CA
Mixed [...] at ARC Studios, Omaha, NE
Mastered [...] at Gateway Mastering Studios, Portland, ME
Publishers:
Phoebe Bridgers, Whatever Mom Music | ASCAP
Christian Lee Hutson, Corn Fox Publishing | ASCAP
Morgan Nagler, Goldmeyn Music | BMI
Conor Oberst, Bedrooms; Bedrooms and Spiders | BMI
Marshall Vore, Pizza Money Music | ASCAP
Nicholas White, Sliondelion | BMI
The uncredited pressing company is derived from their own Instagram posts.
"LP pre-orders will come with an exclusive 12x12 print featuring artwork from Open Sea on one side, and a piece entitled 'Yesterday, Tomorrow.' written by the venerable Carmen Maria Machado on the other."
Gatefold sleeve.
Includes a code.
Includes a lyrics booklet.
Tracks are numbered sequentially across sides on the release.
©&℗ 2020 Dead Oceans, Inc.
Recorded at Sound City Studios, Van Nuys, CA
Mixed [...] at ARC Studios, Omaha, NE
Mastered [...] at Gateway Mastering Studios, Portland, ME
Publishers:
Phoebe Bridgers, Whatever Mom Music | ASCAP
Christian Lee Hutson, Corn Fox Publishing | ASCAP
Morgan Nagler, Goldmeyn Music | BMI
Conor Oberst, Bedrooms; Bedrooms and Spiders | BMI
Marshall Vore, Pizza Money Music | ASCAP
Nicholas White, Sliondelion | BMI
The uncredited pressing company is derived from their own Instagram posts.
Barcode and Other Identifiers
- Barcode (Back cover): 656605150017
- Barcode (Sticker): 656605150048
- Label Code: LC 29265
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Side A): DOC200LP-A cut 3-11-20 ♡ CM ♡
- Matrix / Runout (Side B): DOC200LP-B CM
Other Versions (5 of 25)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Punisher (LP, Album, Limited Edition, Red And Swirly [Merlot Wave]) | Dead Oceans | DOC200 | US | 2020 | ||
Punisher (LP, Album) | Dead Oceans | DOC200 | US | 2020 | |||
New Submission
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Punisher (LP, Album, Limited Edition, Blue And Green And Swirly [Peacock Splash]) | Dead Oceans | DOC200, DOC200lp-C3 | UK | 2020 | ||
Punisher (CD, Album) | Dead Oceans | DOC200 | US | 2020 | |||
New Submission
|
Punisher (LP, Album, Limited Edition, Seaglass Wave) | Dead Oceans | DOC200lp-C4 | Europe | 2020 |
Recommendations
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2019 USVinyl —LP, Album, Limited Edition
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Reviews
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9.8/10 pressing. At first i was scared to get this from reading the reviews here but I still bit the bullet for the colors and damn I was suprised on how excellent the sound quality is. Literally little to no surface noise on the quiet part, the bass is punchy and the highs are very clean, no sibilance AT ALL.
For comparison, the sound quality of side A of my standard black pressing is very good, surface noise on the quiet parts but not too distracting. but Side B on the other hand, it is full of surface noise the sibilance on each track (starting from Savior Complex) is very distracting. In fact, the sibilance drags out until the the last track, which is... weird.
The QC of her albums is definitely hit or miss, if you somehow got a nice copy, consider yourself lucky. -
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As a gen xer way too old to have any right to be listening to Phoebe Bridgers, I'll throw my hat in the ring to say this album is fantastic. Got my copy from the restock on her bandcamp... dead quiet, holographic imaging. Some surface noise here and there that disappeared after a cleaning. Bob Ludwig dude... Zeppelin to this?? Dark, perfect sounding pressing of this dark, perfect album. (Gerrard/DL-103/McIntosh/Zu)
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Just got my copy from the restock and the lyric booklet is so so beautiful. Luckily, my copy doesn't have any major sound issues and the color of the pressing is magnificent. Glad I decided to pick this one up!
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There is a restock coming via Secretly Store, FYI: https://www.secretlystore.com/punisher-phoebe-bridgers?fbclid=IwAR1GXBUOS20NXCFKPoGpVy8-PWsbByoRJ_Q95hMhCj_940tbyuDxVYnyLFM
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10/10.
A perfectly emotional and meaningful album with great high moments of bliss and low moments of hopelessness. The cinematic and musical references are perfectly placed and homaged. Finally, the last song and outro is absolutely gorgeous. It's that of an apocalypse, with a slow-building intensity, triumphant key change, and raw screaming. The end makes me cry; it's beautiful. Also, I’ve probably listened to this album 20 times now.
ALBUM ARTWORK: Absolutely tremendous artwork. Bridgers is iconically in her skeleton costume, looking into the sky just as her music does, with celestial and astrological themes throughout. The blue and red color scheme, with the black and gray shadows, is not only gorgeous, but it's symbolic of the tone of the music, being a dark, melancholy album, yet with a hit of heartbroken romance and tranquility. -
Edited 4 years agoPressing - i.e. the edition from the Secretly Store as detailed in this entry - is poor. What's the point of doing fancy colored vinyl if it's allowed to sound crap?
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My copy happens to be a really nice pressing. Pretty silent (very few pops) and dynamic. Amazing songwriting and production as always from her and the team :)
Release
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