Phoebe Bridgers – Punisher
Label: |
Dead Oceans – DOC200lp-C3 |
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Format: |
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Country: |
UK |
Released: |
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Genre: |
Folk, World, & Country |
Style: |
Folk |
Tracklist
| A1 | DVD Menu | |
| A2 | Garden Song | |
| A3 | Kyoto | |
| A4 | Punisher | |
| A5 | Halloween | |
| A6 | Chinese Satellite | |
| B1 | Moon Song | |
| B2 | Savior Complex | |
| B3 | ICU | |
| B4 | Graceland Too | |
| B5 | I Know The End |
Companies, etc.
- Recorded At – Sound City Studios
- Mixed At – ARC Studios, Omaha, NE
- Mastered At – Gateway Mastering
- Designed At – Open Sea Design Co.
- Published By – Whatever Mom Music
- Published By – Corn Fox Publishing
- Published By – Goldmeyn Music
- Published By – Bedrooms; Bedrooms And Spiders
- Published By – Pizza Money Music
- Published By – Sliondelion
Credits
- Acoustic Guitar – Ethan Gruska (tracks: B3)
- Arranged By [Horns] – Nathaniel Walcott*
- Arranged By [Strings] – Rob Moose
- Autoharp – Tony Berg (tracks: A3)
- Banjo – Tony Berg (tracks: B4)
- Baritone Guitar – Phoebe Bridgers (tracks: A1, A3, A6, B5)
- Bass – Anna Butterss (tracks: B3)
- Drum Machine [Syndrum] – Tony Berg (tracks: A4)
- Effects [Fader Performance] – Phoebe Bridgers (tracks: A4)
- Electric Guitar – Tony Berg (tracks: A3, A6, B2, B3)
- Engineer – Will Maclellan
- Guitar [Hi Strung] – Phoebe Bridgers (tracks: B3, B4)
- Guitar [Nylon] – Phoebe Bridgers (tracks: B1)
- Guitar [Rubber Bridgers Guitar] – Phoebe Bridgers (tracks: A2, B3)
- Illustration – Chris Riddell
- Layout [Booklet], Design [Booklet] – Travis DeMello
- Layout, Design – Nathaniel David Utesch
- Management – Darin Harmon
- Mellotron – Tony Berg (tracks: B1)
- Mixed By – Mike Mogis
- Photography By – Olof Grind
- Piano – Ethan Gruska (tracks: A4, A5, B1)
- Producer – Tony Berg
- Programmed By – Ethan Gruska (tracks: A2)
- Sound Designer – Ethan Gruska (tracks: A1, A5 to B2, B5)
- Synth – Ethan Gruska (tracks: A2, A3, A5, B5)
- Vocals – Lukas Frank (tracks: B5)
Notes
UK independent record stores exclusive.
Gatefold sleeve.
Including booklet with lyrics and drawings
Early copies included signed prints
Including code.
© & ℗ 2020 Dead Oceans, Inc.
First sticker on front: "Phoebe Bridgers Punisher".
Second sticker on front: "Limited Edition Colored Vinyl" "Dead Oceans" "Blue and Green and Swirly"
Barcode sticker on back: "Peacock Splash"
Gatefold sleeve.
Including booklet with lyrics and drawings
Early copies included signed prints
Including code.
© & ℗ 2020 Dead Oceans, Inc.
First sticker on front: "Phoebe Bridgers Punisher".
Second sticker on front: "Limited Edition Colored Vinyl" "Dead Oceans" "Blue and Green and Swirly"
Barcode sticker on back: "Peacock Splash"
Barcode and Other Identifiers
- Barcode (Back Cover): 656605150017
- Barcode (Sticker): 656605150093
- Label Code: LC29265
- Matrix / Runout: DOC200-LP A cut 3-11-20 ♡ CM ♡
- Matrix / Runout: DOC200-LP B CM
- Rights Society: ASCAP
- Rights Society: BMI
Other Versions (5 of 25)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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Punisher (LP, Album, Limited Edition, Blue With Kind Of Swirly Silver) | Dead Oceans | DOC200, DOC200lp-C2 | US | 2020 | ||
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Recently Edited
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Punisher (LP, Album, Limited Edition, Red And Swirly [Merlot Wave]) | Dead Oceans | DOC200 | US | 2020 | ||
| Punisher (LP, Album) | Dead Oceans | DOC200 | US | 2020 | |||
| Punisher (CD, Album) | Dead Oceans | DOC200 | US | 2020 | |||
|
New Submission
|
Punisher (LP, Album, Limited Edition, Seaglass Wave) | Dead Oceans | DOC200lp-C4 | Europe | 2020 |
Recommendations
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2019 USVinyl —LP, Album, Limited Edition -
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2023 WorldwideVinyl —LP, Album, Record Store Day, Reissue -
Reviews
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Edited one year agoI’m not sure if I just got lucky, or if I’m missing something, but my copy sounds great! Didn’t need any more than a standard brush before playing. I Know the End sounds PHENOMENAL. It’s a gorgeous swirly peacock marble, and it sounds great to me!
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Really noisy pressing on the verge of being unlistenable at first but after a couple of cleans on the manual cleaning machine it was fine. Really bad QC by the manufacturers tho'. -
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The mastering on this one leaves so much to be desired. It sounds like it was mastered down a pay phone, distant and mildly distorted. One of the worst mastered vinyl records I own, the Qobuz hi res stream absolutely destroys it. Such a shame, as usual Dead Oceans have no idea how to master for vinyl and instead focus on pretty colours.
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Sounds horrible, I am very disappointed with the quality of the pressing. I will probably never listen to this pressing again. -
Finally played my copy after picking it up on release day ... really happy with mine, must be one of the lucky ones! -
Edited 4 years agoJust like beardymusicguy, I'm surprised by the other reviews on here because my copy sounds great! On my first play, there were some pops and crackles in the first two tracks of Side A but a light clean was able to remove it almost instantly. By my fourth play, it played smoothly without any surface noise, pops, or crackles that diminished the listening experience. The color variant on this pressing is quite a beauty too. Would recommend this variant if you get your hands on a good copy!
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Edited 4 years agoI’m surprised by the other reviews, or maybe just lucky, but my copy sounds lush - there’s the slightest warp, without any perceptible effect to the sound, there’s no surface noise or popping. I’ve listened to the album digitally extensively since it’s release and only had the record on twice now, and the record - to my ears - is the superior listen. Plenty of detail providing atmosphere the digital experience lacks. There is a slightly dusty sound to much of the album, but that’s absolutely the mixes/mastering present both digitally and on the vinyl, which err on the “hot” side occasionally, as opposed to the effects of a particular format. At least, that’s my perception. The vinyl I have playing now sounds fantastic.
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