Peter GabrielSecurity

Label:

Geffen Records – GHS 2011

Format:

Vinyl , LP, Album , Specialty Pressing

Country:

US

Released:

Genre:

Rock

Style:

Prog Rock

Tracklist

A1 The Rhythm Of The Heat 5:15
A2 San Jacinto 6:21
A3 I Have The Touch 4:30
A4 The Family And The Fishing Net 7:00
B1 Shock The Monkey 5:23
B2 Lay Your Hands On Me 6:03
B3 Wallflower 6:30
B4 Kiss Of Life 4:17

Companies, etc.

  • Manufactured ByWarner Bros. Records Inc.
  • Pressed BySpecialty Records Corporation
  • Phonographic Copyright ℗The David Geffen Company
  • Copyright ©The David Geffen Company
  • Published ByPeter Gabriel Ltd.
  • Published ByCliofine Ltd.
  • Recorded AtMobile One
  • Mixed AtCrescent Studios
  • Remixed AtSarm East Studios
  • Edited AtAdvision Studios
  • Lacquer Cut AtThe Town House
  • Mastered AtSheffield Lab Matrix – △2301

Credits

  • Artwork [Based On Video Images By]Peter Gabriel
  • Backing VocalsPeter Hammill (tracks: A4, B1, B2)
  • BassTony Levin (tracks: A1, B2 to B4)
  • Chapman StickTony Levin (tracks: A2 to B1)
  • Drum Machine [Linn Programming]Peter Gabriel (tracks: A1 to B2)
  • DrumsPeter Gabriel (tracks: A2)
  • EngineerDavid Lord
  • Engineer [Assistant]Neil Perry
  • GuitarJohn Ellis (2) (tracks: A2, A4)
  • ManagementGailforce*
  • PercussionMorris Pert (tracks: B3)
  • Percussion [Ghanaian Drums Section]Ekome Dance Company* (tracks: A1)
  • Photography By [Photos And Gluing]dj (11)
  • PianoPeter Gabriel (tracks: B4)
  • ProducerPeter Gabriel
  • Producer [Electronic Production And Processing]Peter Gabriel
  • Programmed By [Fairlight CMI], Recorded By [Fairlight CMI]Stephen Paine
  • Programmed By [Fairlight CMI], Recorded By [Fairlight CMI]Peter Gabriel
  • Recorded By [Mobile One]Tim Wybrow
  • RemixJulian Mendelsohn (tracks: B1)
  • Remix [Assistant]Danny Heaps (tracks: B1)
  • SaxophoneStephen Paine (tracks: A4)
  • SurdoPeter Gabriel (tracks: A1, B3)
  • SynthesizerTony Levin (tracks: A1)
  • Technician [Equipment]Mal Craggs
  • TimbalesMorris Pert (tracks: B2)
  • Typography [Typesetting]Ron Hart
  • Written-By, Arranged ByPeter Gabriel

Notes

Specialty Records Corporation pressing identifiable by "E A S T" deboss near spindle hole on on Side 2.
Similar to Security, but lacks Specialty "B-#####" sequence in runout string.

Lyrics printed on inner picture sleeve.

Recorded at home (the first two weeks with Mobile One) and mixed at Crescent Studios, Bath
B1 remixed at Sarm Studio
Digitally edited at Advision Studios

© ℗ 1982 The David Geffen Company
A1, A2, A4, B3 published by Peter Gabriel Ltd. ASCAP except:
A3, B1, B3, B4 published by Cliofine Ltd. ASCAP

David Rhodes courtesy of Self Control

Barcode and Other Identifiers

  • Barcode (Printed): 0 7599-22011-1
  • Barcode (Scanned): 075992201117
  • Rights Society: ASCAP
  • Pressing Plant ID (Embossed Around Center Hole Side 2): E A S T
  • Matrix / Runout (Runout A, variant 1): GHS-1-2011-Re1-SR-1 SLM + △2301 0-1SM1-2 TOWNHOUSE LONDON
  • Matrix / Runout (Runout B, variant 1): GHS-2-2011-Re1-SR-1 △2301-X + 0-1SM2-3 SLM TOWNHOUSE LONDON
  • Matrix / Runout (Runout A, variant 2): GHS-1-2011-Re1-SR-1 SLM + △2301 0-1SM1-1 TOWNHOUSE LONDON
  • Matrix / Runout (Runout B, variant 2): GHS-2-2011-Re1-SR-1 △2301-X + 0-1SM3-2 SLM TOWNHOUSE LONDON
  • Matrix / Runout (Runout A, variant 3): GHS-1-2011-Re1-SR-1 SLM + △2301 0-1SM1-3 TOWNHOUSE LONDON
  • Matrix / Runout (Runout B, variant 3): GHS-2-2011-Re1-SR-1 △2301-X +0-1SM2 -1 SLM TOWNHOUSE LONDON
  • Matrix / Runout (Runout A, variant 4): GHS-1-2011-Re1-SR-1 SLM + △2301 0-1SM4-1 TOWNHOUSE LONDON
  • Matrix / Runout (Runout B, variant 4): GHS-2-2011-Re1-SR-1 △2301-X + 0-1SM2 -3 SLM TOWNHOUSE LONDON
  • Matrix / Runout (Runout A, variant 5): GHS-1-2011-Re1-SR1 SLM TOWNHOUSE LONDON + △2301 0-1504-2
  • Matrix / Runout (Runout B, variant 5): GHS-2-2011-Re1-SR1 △2301-x TOWNHOUSE LONDON + 1 SM3-1 SLM
  • Matrix / Runout (Runout A, variant 6): GHS-1-2011-Re1-SR1 SLM TOWNHOUSE LONDON + △2301 0-1 sm3-1
  • Matrix / Runout (Runout B, variant 6): GHS-2-2011-Re1-SR1 △2301-X TOWNHOUSE LONDON + 1 sm2-2
  • Matrix / Runout (Runout A, variant 7): GHS-1-2011-Re1-SR1 SLM TOWNHOUSE LONDON + △2301 0-1 sm1-3
  • Matrix / Runout (Runout B, variant 7): GHS-2-2011-Re1-SR1 △2301-X TOWNHOUSE LONDON +0-1sm1-2 SLM
  • Matrix / Runout (Runout A, variant 8): GHS-1-2011-Re1-SR1 SLM TOWNHOUSE LONDON + △2301 0-1 sm1-1
  • Matrix / Runout (Runout B, variant 8): GHS-2-2011-Re1-SR1 △2301-X TOWNHOUSE LONDON +0-1sm2-1 SLM
  • Matrix / Runout (Runout A, variant 9): GHS-1-2011-Re1-SR1 SLM TOWNHOUSE LONDON + △2301 0-1SM1-3
  • Matrix / Runout (Runout B, variant 9): GHS-2-2011-Re1-SR1 △2301-X TOWNHOUSE LONDON +0-1SM2-3 SLM
  • Matrix / Runout (Runout A, variant 10): GHS-1-2011-Re1-SR1 SLM TOWNHOUSE LONDON + △2301 0-1SM1-2
  • Matrix / Runout (Runout B, variant 10): GHS-2-2011-Re1- SR1 △2301-X TOWNHOUSE LONDON +0-1SM 1-2 SLM
  • Matrix / Runout (Runout A, variant 11): GHS-1-2011-Re1-SR1 SLM TOWNHOUSE LONDON + △2301 0-1SM1-1
  • Matrix / Runout (Runout B, variant 11): GHS-2-2011-Re1- SR1 △2301-X TOWNHOUSE LONDON +0-1SM2-3 SLM

Other Versions (5 of 212)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Peter Gabriel (LP, Album) Charisma 6302 201 Australasia 1982
Deutsches Album (LP, Album, Stereo) Charisma 6302 221 1982
Recently Edited
Security (LP, Album, Quality Records Pressing) Geffen Records XGHS 2011 Canada 1982
Recently Edited
Peter Gabriel (LP, Album, Stereo) Charisma PG 4 UK 1982
Peter Gabriel (LP, Album, Stereo) Charisma 6302 201 1982

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Reviews

  • TheBigAC's avatar
    TheBigAC
    I'm surprised there are no review yet for this release. Shock the Monkey was a minor hit, the video got some airplay on early MTV which gave Peter Gabriel wider exposure. I find albums from the early 1980s usually have a great mix for vinyl and Security by Mr. Gabriel is no exception. This sounds great, very punchy but not as loud of a mix. It reminds me of Mobile Fidelity mixes that requires a larger volume setting. Still, the sound is incredible, very dynamic, as expected from someone like PG. Tony Levin does some incredible work on this album as well. Song writing at its best, lyrics are timeless, this still feels fresh and relevant.

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