The DoorsStrange Days 1967: A Work In Progress

Label:

Bright Midnight Archives – 603497817276

Format:

Vinyl , LP, Album, Record Store Day, Limited Edition, Numbered, Stereo , Blue [Translucent Blue]

Country:

Worldwide

Released:

Genre:

Rock

Style:

Blues Rock

Tracklist

A1 Strange Days 3:09
A2 You're Lost Little Girl 3:03
A3 Love Me Two Times 3:17
A4 Horse Latitudes 1:35
A5 We Could Be So Good Together 2:23
B1 I Can't See Your Face In My Mind 3:22
B2 When The Music's Over 11:06

Companies, etc.

  • Record CompanyWarner Music Group
  • Record CompanyWMIS Limited
  • Record CompanyWarner Music Group Holding GmbH
  • Marketed ByRhino Entertainment Company
  • Manufactured ForRhino Entertainment Company
  • Phonographic Copyright ℗Rhino Entertainment Company
  • Copyright ©Rhino Entertainment Company
  • Recorded AtSunset Sound Recorders
  • Pressed ByOptimal Media GmbH – BO27212
  • Published ByWixen Music Publishing, Inc.
  • Lacquer Cut AtBernie Grundman Mastering

Credits

  • [Worldwide Publishing istration]Randall Wixen
  • Art Direction, Supervised By [Supervision]Rory Wilson
  • DesignD.Norsen*
  • DrumsJohn Densmore
  • Engineer [Audio Engineering]Bruce Botnick
  • GuitarRobby Krieger
  • Image Editor [Photo Editor]Amelia Halverson
  • Keyboards, MarimbaRay Manzarek
  • Lacquer Cut By [Lacquer Cutting]Bernie Grundman
  • LegalZiffren, Brittenham LLP*
  • Liner Notes [Inner Sleeve]Bruce Botnick
  • Management [Worldwide Management]Kenny Nemes
  • Mastered ByBruce Botnick
  • Producer [Produced By]Paul A. Rothchild
  • Product ManagerJeremy Sponder
  • Product Manager [Packaging Manager]Matthew Taoatao
  • Project Manager [Project Assistance]Susanne Savage
  • Research [The Doors Archivist]David Dutkowski
  • Supervised By [Production Supervisor]Jac Holzman
  • Supervised By [Project Supervision]Patrick Milligan
  • VocalsJim Morrison
  • Words By, Music ByThe Doors

Notes

Comes with a printed inner sleeve and has a 'Record Store Day Exclusive' sticker on the front shrink-wrap.
There may also be a sticker on the back of the shrink-wrap with some company information.

[Back cover]
All tracks were recorded from February to May 1967 and are early versions of album tracks.
Audio Engineering • Bruce Botnick,
Sunset Sound Recorders, Hollywood
Worldwide Management • Jeffrey Jampol & Kenny Nemes for Jam, Inc.

[Back cover and labels]
℗ & © 2025 Rhino Entertainment Company
Manufactured for & Marketed by Rhino Entertainment Company,
a Warner Music Group Company
Made in

[Inner sleeve]
Lacquer Cutting: Bernie Grundman at Bernie Grundman Mastering, Hollywood, California
Legal: John Branca, David Byrnes and Kelly Vallon Ciccotti of Ziffren, Brittenham LLP
Worldwide Publishing istration: Randall Wixen & Kim Stockemer for Wixen Music Publishing, Inc.
© 2025 Rhino Entertainment Company, A Warner Music Group Company

['Record Store Day Exclusive' sticker]
Rough Mixes From The Album's Early 1967 Sessions Discovered After 58 Years!
Without The Final Overdubs Heard On The Original Release.

Runouts are etched.

[US RSD release page - Quantity is for US only]
Quantity: 7500
Release type: RSD Exclusive Release

[Rhino's 2025 RSD page]
Limited Edition of 14,000 Individually Numbered Worldwide Units

In runouts, all Optimal plating symbols may be inverted (e.g., “⊥” vs “T”) and/or mirrored (e.g., “1△” vs “△↾”).

Barcode and Other Identifiers

  • Barcode (Text): 6 03497 81727 6
  • Barcode (Scanned, UPC-A): 603497817276
  • Rights Society: GEMA/BIEM
  • Matrix / Runout (Side A runout, variant 1): BO27212-01 A1 BG ▽ RCV1-727372-A 0603497817276
  • Matrix / Runout (Side B runout, variant 1): BO27212-01 B1 BG ▽ RCV1-727372-B 0603497817276
  • Matrix / Runout (Side A runout, variant 2): BO27212-01 A1 BG ▽ RCV1-727372-A 0603497817276 I1
  • Matrix / Runout (Side B runout, variant 2): BO27212-01 B1 BG ▽ RCV1-727372-B 0603497817276 I1

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Reviews

  • adam01's avatar
    adam01
    Edited 16 days ago
    My copy plays clean and clear.

    This is an incredible album. As a long time fan of this album, I’m absolutely amazed by the vibrant, psychedelic, and authentic energy bursting from each of these songs. To my ears (and mind), these versions all seem a bit more mellow as compared to their original final album counterparts.

    For fans of the original album, this release is an absolute sonic treat.
    • vjvesa's avatar
      vjvesa
      Edited 22 days ago
      Both sides have so much distortion it's unlistenable. I haven't tried to clean the record yet though...
      • Cam626's avatar
        Cam626
        Picked this up on RSD, havent stopped spinning it since. Sounds absolutely gorgeous and haunting. If you know the songs well you will notice some differences but nothing insane. Personally I find this rendering to be more stirring than the regular one, and I'm obsessed.
        • dabhidh's avatar
          dabhidh
          OK, I wasn't going to get this but I heard someone's rip of it and had to get my own copy. This is a really stellar sounding release. Even though the title track is missing the Moog, it sounds incredible. In my humble opinion, it's better and more immersive than even the 5.1 from Perception. The mixes aren't all massively different but the tracks all sound great. This won't replace your best copy of the original LP, but it's worth your time if you really like this album.
          • OldenburgS's avatar
            OldenburgS
            Edited 9 days ago
            Received copy 00602 today. Definite difference than the original. Sounds great to me.
            Robbie Krieger's guitar licks are standing out.Horae latitude sounds more psychedelic.Still listening, and enjoying the subtleties.
            • The_Vinyl_Dealer's avatar
              Edited one month ago
              Alright, file this under "Doors Completionist". Having only heard Strange Days 100 times, I struggled to pinpoint what was actually different here other than playing with some levels and knobs with the final mix. Doors Raw or Doors Stripped Down or Doors Demos this aint. They didn't have a random alt mix of Strange Days somewhere to flesh this out?

              I still love you (two times) Doors Camp. That RSD Detroit was STELLLLLLLAR. But this is a whiff.
              • Themissi0n's avatar
                Themissi0n
                very pleased with the audio quality , nice colour for the disk and Lacquer Cut By Bernie Grundman deserves 5 stars in my modest opinion
                • singbluesilver's avatar
                  singbluesilver
                  I'm a bit disappointed about this release. Great colour of record, nice artwork, but there are not spectacular differences on the record itself. It alll sounds good, but i expected work in progress... not slightly different mixes.
                  • danm1988's avatar
                    danm1988
                    This release looks great, the cover art is really well done as is the inner sleeve. The blue vinyl also looks great but more importantly sounds really good. However these mixes only have very subtle differences and don’t sound dramatically different from the original versions. It’s sort of interesting but for £38 I’m not really feeling this was good value.
                    • ProbablyNotMelvin's avatar
                      Edited one month ago
                      Alright, tbh it's not like every song is different from the original mix, some are more different some are less different, overall the mastering is excellent, really balanced and clear. Now the songs:

                      Strange Days: Guitar is on the left over the organ, guitar (overdub?) is on the right which is on the organ on the original mix, Jim doesn't have any effects on his voice/after his voice just clear vocals, the organ plays kinda on both sides on the instrumental parts.

                      You're Lost Little Girl: Bass is in the middle, the guitar sounds more natural and direct, organ can be heard throughout the song instead of the original mix where some little parts are cut out

                      Love Me Two Times: Guitar also sounds more direct and clearer, bass is in the middle, there is something different but I don't know if it's the mix/mastering or something else I can't quite tell

                      Horse Latitudes: instruments/sounds rearranged, no screaming in the background and no voices in the background, only Jim's voice/vocals

                      We Could Be So Good Together: Bass is stronger and in the middle, drums use one more instrument (idk the name) like from the Atmos mix, but without the "pop", the "do da dododo" is very silent and only on the left

                      I Can't See Your Face In My Mind: Bass is in the middle, drums don't get cut out, not much of a difference just more balanced

                      When The Music's Over: Bass stronger and in the middle, "yeah" is more panned to the left, guitar has no overdub, "NOW!" sounds a bit different more natural, guitar is always present throughout not like the original mix with cutout bits.

                      If I missed something I'm sorry, but that's what I noticed, I only heard it once but songs multiple times.

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