The University Of Illinois Contemporary Chamber Players* – Music For Voices, Instruments & Electronic Sounds

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Label:	Nonesuch – H-71199
Format:	Vinyl , LP, Reissue, Stereo , Purple Cover Variant
Country:	US
Released:
Genre:	Classical
Style:	Experimental

Tracklist

A	Antiphony III (Pearl-White Moments) Choir – The New Music Choral Ensemble* Conductor – Kenneth Gaburo Lyrics By [Poem] – Virginia Hommel Voice [Group 1] – Shirley Panish Voice [Group 2] – Philip Larson Voice [Group 3] – William Brooks Voice [Group 4] – Richard Hanson Choir – The New Music Choral Ensemble* Conductor – Kenneth Gaburo Lyrics By [Poem] – Virginia Hommel Voice [Group 1] – Shirley Panish Voice [Group 2] – Philip Larson Voice [Group 3] – William Brooks Voice [Group 4] – Richard Hanson	16:24
B1	Exit Music I: The Wasting Of Lucrecetzia	3:43
B2	Antiphony IV (Poised) Bass Trombone – James Fulkerson Conductor – Kenneth Gaburo Double Bass – Thomas Frederickson Lyrics By [Poem] – Virginia Hommel Piccolo Flute – Thomas Howell Voice [Left Speaker System] – Barbara Dalheim Bass Trombone – James Fulkerson Conductor – Kenneth Gaburo Double Bass – Thomas Frederickson Lyrics By [Poem] – Virginia Hommel Piccolo Flute – Thomas Howell Voice [Left Speaker System] – Barbara Dalheim	9:24
B3	Exit Music II: Fat Mille's Lament	4:34

Companies, etc.

Manufactured By – Elektra/Asylum/Nonesuch Records
Record Company – Warner Communications Inc.

Credits

Art Direction – William S. Harvey
Commissioned By – The Fromm Foundation
Composed By, Liner Notes – Kenneth Gaburo
Coordinator – Teresa Sterne
Cover, Artwork By – Bob Pepper
Cover, Design – Elaine Gongora
Engineer – Carl Volkers
Performer – Of The University Of Illinois Contemporary Chamber Players*

Notes

This release has the 15 Columbus Circle Nonesuch address on the sleeve, and the 1855 Broadway address with Warner logo on the disc labels.

Antiphony III (Pearl-White Moments) (1962) 16 voices & electronics; commissioned in 1960 by the Fromm Music Foundation; composed during 1962-63 at the Yale and Unversity of Illinois Electronic Music Studios; premiered on February 21, 1967 at the University of Chicago

Exit Music I: The Wasting Of Lucrecetzia (1964) concrète & electronic sounds

Antiphony IV (Poised) (1967) voice, piccolo, bass trombone, double-bass & electronics; commissioned by the University of Illinois Contemporary Chamber Players in 1966; premiered at Smith College, January 23, 1968

Exit Music II: Fat Mille's Lament (1965) concrète & electronic sounds

This album marks the recording debut of the New Music Choral Ensemble and of the University of Illinois Contemporary Chamber Players.

Barcode and Other Identifiers

Matrix / Runout (A Side Runout (Etched)): H-71199-A (AL)
Matrix / Runout (B Side Runout (Etched)): H-71199-B (AL)

Other Versions (5 of 7)

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	Title (Format)	Label	Cat#	Country	Year
Recently Edited	Music For Voices, Instruments & Electronic Sounds (LP, Album)	Nonesuch	H-71199	US	1968
Recently Edited	Music For Voices, Instruments & Electronic Sounds (LP, Album, Stereo)	Nonesuch	H-71199	UK	1968
Recently Edited	Music For Voices, Instruments & Electronic Sounds (LP, Album, Stereo)	Nonesuch	H-71199	US	1968
Recently Edited	Music For Voices, Instruments & Electronic Sounds (LP, Album, Repress)	Nonesuch	H-71199	US	Unknown
Recently Edited	Music For Voices, Instruments & Electronic Sounds (LP, Album, Repress)	Nonesuch	H-71199	Canada	Unknown