Kenneth Gaburo – Music For Voices, Instruments & Electronic Sounds
Label: |
Nonesuch – H-71199 |
|---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
US |
Released: |
|
Genre: |
Classical |
Style: |
Experimental |
Tracklist
| A | Antiphony III (Pearl-White Moments) | 16:24 | |
| B1 | Exit Music I: The Wasting Of Lucrecetzia | 3:43 | |
| B2 | Antiphony IV (Poised) | 9:24 | |
| B3 | Exit Music II: Fat Mille's Lament | 4:34 |
Credits
- Art Direction – William S. Harvey
- Commissioned By – The Fromm Foundation
- Composed By, Liner Notes – Kenneth Gaburo
- Coordinator – Teresa Sterne
- Design [Cover] – Elaine Gongora
- Engineer – Carl Volkers
Notes
This release has the 15 Columbus Circle Nonesuch address on the sleeve, and no address on the disc labels.
Antiphony III (Pearl-White Moments) (1962) 16 voices & electronics; commissioned in 1960 by the Fromm Music Foundation; composed during 1962-63 at the Yale and Unversity of Illinois Electronic Music Studios; premiered on February 21, 1967 at the University of Chicago
Exit Music I: The Wasting Of Lucrecetzia (1964) concrète & electronic sounds
Antiphony IV (Poised) (1967) voice, piccolo, bass trombone, double-bass & electronics; commissioned by the University of Illinois Contemporary Chamber Players in 1966; premiered at Smith College, January 23, 1968
Exit Music II: Fat Mille's Lament (1965) concrète & electronic sounds
This album marks the recording debut of the New Music Choral Ensemble and of the University of Illinois Contemporary Chamber Players.
Antiphony III (Pearl-White Moments) (1962) 16 voices & electronics; commissioned in 1960 by the Fromm Music Foundation; composed during 1962-63 at the Yale and Unversity of Illinois Electronic Music Studios; premiered on February 21, 1967 at the University of Chicago
Exit Music I: The Wasting Of Lucrecetzia (1964) concrète & electronic sounds
Antiphony IV (Poised) (1967) voice, piccolo, bass trombone, double-bass & electronics; commissioned by the University of Illinois Contemporary Chamber Players in 1966; premiered at Smith College, January 23, 1968
Exit Music II: Fat Mille's Lament (1965) concrète & electronic sounds
This album marks the recording debut of the New Music Choral Ensemble and of the University of Illinois Contemporary Chamber Players.
Other Versions (5 of 7)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Music For Voices, Instruments & Electronic Sounds (LP, Album, Stereo) | Nonesuch | H-71199 | UK | 1968 | ||
|
Recently Edited
|
Music For Voices, Instruments & Electronic Sounds (LP, Album, Stereo) | Nonesuch | H-71199 | US | 1968 | ||
|
Recently Edited
|
Music For Voices, Instruments & Electronic Sounds (LP, Album, Repress) | Nonesuch | H-71199 | US | Unknown | ||
|
Recently Edited
|
Music For Voices, Instruments & Electronic Sounds (LP, Album, Repress) | Nonesuch | H-71199 | Canada | Unknown | ||
|
Recently Edited
|
Music For Voices, Instruments & Electronic Sounds (LP, Reissue, Stereo, Purple Cover Variant) | Nonesuch | H-71199 | US | Unknown |
Recommendations
Reviews
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After flipping the record over and employing the needle to side two, the listener might be forgiven for thinking they had wandered into a Nurse With Wound recording.. -
This may be one of the most abrasive and annoying avant garde albums ever recorded. I like it. I used to intentionally drive my ex-wife to the brink of insanity by playing this loudly (on purpose). -
Edited 12 years agoStrange and curious electronic avangard performance with synthesizer vocal voices. Sounds as soundtrack to Space witches orgy -
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Recently Edited
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