Pink Floyd – The Final Cut
Tracklist
| A1 | The Post War Dream | 3:02 | |
| A2 | Your Possible Pasts | 4:22 | |
| A3 | One Of The Few | 1:23 | |
| A4 | The Hero's Return | 2:56 | |
| A5 | The Gunners Dream | 5:07 | |
| A6 | Paranoid Eyes | 3:40 | |
| B1 | Get Your Filthy Hands Off My Desert | 1:19 | |
| B2 | The Fletcher Memorial Home | 4:11 | |
| B3 | Southampton Dock | 2:13 | |
| B4 | The Final Cut | 4:46 | |
| B5 | Not Now John | 5:01 | |
| B6 | Two Suns In The Sunset | 5:14 |
Companies, etc.
- Published By – Pink Floyd Music Publishers Ltd.
- Copyright © – Pink Floyd Music Publishers Ltd.
- Copyright © – Pink Floyd Music Ltd.
- Copyright © – Zuccarelli Labs. Ltd
- Phonographic Copyright ℗ – Pink Floyd Music Ltd.
- Mastered At – The Mastering Lab
- Recorded At – Mayfair Studios
- Recorded At – Olympic Studios
- Recorded At – Abbey Road Studios
- Recorded At – Eel Pie Studios
- Recorded At – Audio International Studios
- Recorded At – RAK Studios
- Recorded At – Hookend Studios
- Manufactured By – EMI Records Ltd.
- Record Company – EMI Records Ltd.
- Pressed By – EMI Records
- Printed By – Garrod & Lofthouse
Credits
- Artwork – Artful Dodgers*
- Composed By [All Tracks Composed By] – Roger Waters
- Conductor, Arranged By [Orchestra], Piano, Harmonium – Michael Kamen
- Design, Sleeve [Sleeve Design] – Roger Waters
- Drums – Andy Newmark (tracks: B6)
- Electric Organ [Hammond Organ] – Andy Bown
- Engineer – James Guthrie
- Engineer [Assistant Egineers] – Mike Nocito
- Management – Steve O'Rourke (2)
- Mastered By – Doug Sax
- Orchestra – National Philharmonic Orchestra
- Percussion – Ray Cooper
- Performer [Performed By] – Roger Waters
- Photography By – Willie Christie
- Producer [Produced By] – Roger Waters
- Tenor Saxophone [Tenor Sax] – Raphael Ravenscroft
Notes
Gatefold sleeve with title sticker on front, complete with black company inner.
Cat # appears as 'shpf 1983' on the spine, labels and on the back cover.
This version does not have a barcode, whereas this version does: The Final Cut
(Labels)
Rim text 'MANUFACTURED IN THE UK BY EMI RECORDS LIMITED'
© 1983 pink floyd music publishers ltd.
℗ 1983 original sound recordings made by pink floyd music ltd.
© 1983 pink floyd music ltd.
(Sleeve)
"A Requiem For The Post War Dream" by Roger Waters.
For Eric Fletcher Waters 1913 - 1944.
Recorded in England at Mayfair, Olympic, Abbey Road,
Eel Pie, Audio International, Rak, Hookend and
The Billiard Room between July and December 1982.
Holophonics by Zuccarelli Labs. Ltd ©
℗ 1983 original sound recordings made by pink floyd music ltd.
© 1983 pink floyd music ltd.
Cat # appears as 'shpf 1983' on the spine, labels and on the back cover.
This version does not have a barcode, whereas this version does: The Final Cut
(Labels)
Rim text 'MANUFACTURED IN THE UK BY EMI RECORDS LIMITED'
© 1983 pink floyd music publishers ltd.
℗ 1983 original sound recordings made by pink floyd music ltd.
© 1983 pink floyd music ltd.
(Sleeve)
"A Requiem For The Post War Dream" by Roger Waters.
For Eric Fletcher Waters 1913 - 1944.
Recorded in England at Mayfair, Olympic, Abbey Road,
Eel Pie, Audio International, Rak, Hookend and
The Billiard Room between July and December 1982.
Holophonics by Zuccarelli Labs. Ltd ©
℗ 1983 original sound recordings made by pink floyd music ltd.
© 1983 pink floyd music ltd.
Barcode and Other Identifiers
- Other (Printer code): tm 8303 gl
- Matrix / Runout (Variant 1) Runout, A-side stamped): SHPF 1983 A - 1 U - 1 - 2 TML S
- Matrix / Runout (Variant 1) Runout, B-side stamped): SHPF 1983 B - 2 U - 1 TML M
- Matrix / Runout (Variant 2) Runout, A-side stamped): SHPF 1983 A - 5 U - 1 - 2 TML S
- Matrix / Runout (Variant 2) Runout, B-side stamped): SHPF 1983 B - 4 U - 2: TML M
- Matrix / Runout (Variant 3) Runout, A-side stamped): SHPF 1983 A - 5 U - 1 - 2 TML S
- Matrix / Runout (Variant 3) Runout, B-side stamped): SHPF 1983 B - 2 U - 1 - 1 TML M
- Matrix / Runout (Variant 4) Runout, A-side stamped): SHPF 1983 A - 5 U - 1 - 1 TML-S
- Matrix / Runout (Variant 4) Runout, B-side stamped): SHPF 1983 B - 4 U - 1 - 5 TML-M
- Matrix / Runout (Variant 5) Runout, A-side stamped): SHPF 1983 A - 1U - 1 - 2 TML-S
- Matrix / Runout (Variant 5) Runout, B-side stamped): SHPF 1983 A - 4U - 1 - 2 TML-M
- Matrix / Runout (Variant 6) Runout, A-side stamped): SHPF 1983 A - 1U - 1 - 2 TML-S
- Matrix / Runout (Variant 6) Runout, B-side stamped): SHPF 1983 B - 4U - 1 - 3 TML-M
- Matrix / Runout (Variant 7) Runout, A-side stamped): SHPF 1983 A - 1 U - 1 - 1- TML-S
- Matrix / Runout (Variant 7) Runout, B-side stamped): SHPF 1983 B - 2 U - 1 - 1- TML-M
- Matrix / Runout (Variant 8) Runout, A-side stamped): SHPF 1983 A - 1 U - 1 - 2 TML-S
- Matrix / Runout (Variant 8) Runout, B-side stamped): SHPF 1983 B - 2 U - 1 - 3 TML-M
- Matrix / Runout (Variant 9) Runout, A-side stamped): SHPF 1983 A - 1U - 1 - 2 TML-S
- Matrix / Runout (Variant 9) Runout, B-side stamped): SHPF 1983 B - 2 U - 1 - 4 TML-M
- Matrix / Runout (Variant 10) Runout, A-side stamped): SHPF 1983 A - 1 U - 1 - 3 - 3 TML-S
- Matrix / Runout (Variant 10) Runout, B-side stamped): SHPF 1983 B - 2 U - 1 - 5 - TML-M TML-M
- Matrix / Runout (Variant 11) Runout, A-side stamped): SHPF 1983 A - 1 U - 1 - 6 TML-S
- Matrix / Runout (Variant 11) Runout, B-side stamped): SHPF 1983 B - 4 U - 1 - 4 - TML-M
- Matrix / Runout (Variant 12) Runout, A-side stamped): SHPF 1983 A - 1 U - 1 - 5 TML-S
- Matrix / Runout (Variant 12) Runout, B-side stamped): SHPF 1983 B - 4 U - 1 - 5 - TML-M TML-M
- Matrix / Runout (Variant 13) Runout, A-Side stamped): SHPF 1983 A - 1 U - 1 - 1 - TML-S
- Matrix / Runout (Variant 13) Runout, B-Side stamped): SHPF 1983 B - 2 U - 1 - 2 - TML-M TML-M
- Matrix / Runout (Variant 14) Runout, A-Side stamped): SHPF 1983 A-1U-1-2-y 1 TML-S
- Matrix / Runout (Variant 14) Runout, B-Side stamped): SHPF 1983 B-2U-1-3 TML-M TML-M
- Matrix / Runout (Variant 15 Runout, A-Side stamped): SHPF 1983 A-1U-1-1-3 TML-S
- Matrix / Runout (Variant 15 Runout, B Side stamped (first TML-M is a smaller font than the second)): SHPF 1983 B-2U-1-1- TML-M TML-M
Other Versions (5 of 398)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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The Final Cut (LP, Album, Test Pressing, Stereo, Carrollton Pressing ) | Columbia | none | US | 1982 | ||
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Recently Edited
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The Final Cut (Cassette, Album) | Harvest | 1C 264-65 042 | Europe | 1983 | ||
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Recently Edited
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The Final Cut (LP, Album, Stereo, Gatefold) | Harvest | 2C 070-65 042, 2C 070-65042 | 1983 | |||
| The Final Cut (LP, Album, Stereo, Gatefold) | Harvest | 1C 064-65042 | Europe | 1983 | |||
|
Recently Edited
|
The Final Cut (CD, Album) | Columbia | CK 38243 | US | 1983 |
Recommendations
Reviews
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The lyrics are very personal of course, but this album mostly has waters either whispering or screaming/shouting.
And where is Rick Wright? or any synths in general?
I will say this, SONICALLY it's fantastic. -
Edited one year agoIs it my perception of it, or does the first side of this album actually just not 'go anywhere'?
It seems to just ramble on with quiet sections and then a bit of a song and then more 'commentary'.
It's very much a RW solo effort, IMHO. -
One of two seemingly 'lost' PF albums...No deluxe reissue (eg. The Wall) and totally ignored in the massive 'Later Years' box set...Is there some sort of injunction on this album or does the whole band hate it and pretend it doesnt exist?
The other 'lost ' album being Animals , no deluxe/expanded reissue ever, no Immersion Box set unlike the lps either side of it, and still no sign of the long promised 5.1 mix. -
Not only Roger Waters' best personal project, but the best vocal performance of his career, bar none. One of the rare experiences you'll have as a listener: vulnerability and self-exorcism. He lays his id down bare here, sparing nothing. Do NOT expect more Pink Floyd... except in brief flashes.
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Oh, my, what pretentious crap compared to the fanci- and playful beginnings of this group! ! I feel nothing but a pain in the ear when the singer (?) descends on the listener with his unsubstantiated outbreaks. What a long and finally (!) bitter way from brilliancy and resourcefulness to pompous vacuity! :-( -
I have the version EMI-Harvest, 1C 070-65 042 (3rd issue, standard gatefold cover, codebar, picture labels, code: LC-1305, BIEM/GEMA credits), but I can't find it on discogs. Can someone help me? -
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the text is all lower-case because of the last line on the album "we were all equal in the end"? -
My Columbia pressing is stellar. Dead quiet vinyl, one of the best records I own and one of my favorites by Pink Floyd.
Release
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Recently Edited
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