Pink FloydThe Final Cut

Genre:

Rock

Style:

Prog Rock

Year:

Tracklist

The Post War Dream 3:02
Your Possible Pasts 4:22
One Of The Few 1:23
The Hero's Return 2:56
The Gunners Dream 5:07
Paranoid Eyes 3:40
Get Your Filthy Hands Off My Desert 1:19
The Fletcher Memorial Home 4:11
Southampton Dock 2:13
The Final Cut 4:46
Not Now John 5:01
Two Suns In The Sunset 5:14

Credits (24)

Notes

The Final Cut is the twelfth studio album by English rock band Pink Floyd,
recorded July–December 1982 and first released on 21 March 1983.

Versions

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    398 versions
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    Version Details Data Quality
    Cover of The Final Cut, 1982, Vinyl The Final Cut
    LP, Album, Test Pressing, Stereo, Carrollton Pressing
    Columbia – none US 1982 US1982
    Recently Edited
    Cover of The Final Cut, 1983-03-21, Cassette The Final Cut
    Cassette, Album
    Harvest – 1C 264-65 042 Europe 1983 Europe1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Stereo, Gatefold
    Harvest – 2C 070-65042 1983 1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Stereo, Gatefold
    Harvest – 1C 064-65042 Europe 1983 Europe1983
    Cover of The Final Cut, 1983-08-00, CD The Final Cut
    CD, Album
    Columbia – CK 38243 US 1983 US1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Gatefold Sleeve
    Harvest – 3C 064-65 042 Italy 1983 Italy1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Stereo, Pitman Pressing, Gatefold
    Columbia – QC 38243 US 1983 US1983
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Stereo, Gatefold Sleeve
    Harvest – SHPF 1983 Yugoslavia 1983 Yugoslavia1983
    Recently Edited
    Cover of The Final Cut, 1983-03-23, Vinyl The Final Cut
    LP, Album, Stereo, Gatefold
    Harvest – 1C 064-65 042 1983 1983
    Cover of The Final Cut, 1983-03-00, Vinyl The Final Cut
    LP, Album, Gatefold
    Columbia – 38243 Canada 1983 Canada1983
    Cover of The Final Cut, 1983-03-21, Vinyl The Final Cut
    LP, Album, Stereo, Gatefold
    Harvest – OC 064-65 042 UK 1983 UK1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Stereo, Gatefold Sleeve
    Harvest – 11C 078-65042 Portugal 1983 Portugal1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Gatefold
    CBS/Sony – 25AP 2410 Japan 1983 Japan1983
    Recently Edited
    Cover of The Final Cut, 1983-05-00, Vinyl The Final Cut
    LP, Album
    CBS – SBP 237817 Australia 1983 Australia1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Promo, Pitman Pressing, Banded
    Columbia – AS 1636 US 1983 US1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Gatefold Sleeve
    Harvest – 072-065 042 Spain 1983 Spain1983
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album
    CBS – 14-1668 Colombia 1983 Colombia1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Gatefold
    CBS – 230 500 Brazil 1983 Brazil1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Gatefold
    Harvest – 14C 064-65042 Greece 1983 Greece1983
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Stereo, Gatefold
    CBS/Sony – 30AP 2534 Japan 1983 Japan1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Stereo, Gatefold
    CBS – CLS-5784 Mexico 1983 Mexico1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album
    Columbia – 120.370 Argentina 1983 Argentina1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Stereo
    EMI – 1C 064-65 042 Turkey 1983 Turkey1983
    Recently Edited
    Cover of The Final Cut = El Corte Final, 1983, Vinyl The Final Cut = El Corte Final
    LP, Album, Repress
    CBS – CS-10.449 Venezuela 1983 Venezuela1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Repress, Stereo, Gatefold
    Harvest – 16 5042 1 UK 1983 UK1983
    Recently Edited
    Cover of The Final Cut, 1983, Cassette The Final Cut
    Cassette, Album, Stereo
    Harvest – C 266-65.042 1983 1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Gatefold
    CBS/Sony – 25AP 2410 Hong Kong 1983 Hong Kong1983
    Recently Edited
    Cover of The Final Cut, 1983, Cassette The Final Cut
    Cassette, Album
    Harvest – 3C 264 65042 Italy 1983 Italy1983
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Promo, Gatefold Sleeve
    Harvest – 10C 072-065 042 Spain 1983 Spain1983
    Recently Edited
    Cover of The Final Cut, 1983, Cassette The Final Cut
    Cassette, Album
    Columbia – VQCT-38243 Canada 1983 Canada1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Gatefold Sleeve
    CBS – CBS 25416 Israel 1983 Israel1983
    Recently Edited
    Cover of The Final Cut = El Corte Final, 1983, Vinyl The Final Cut = El Corte Final
    LP, Album, Gatefold
    CBS – CS-10449 Venezuela 1983 Venezuela1983
    Recently Edited
    Cover of The Final Cut, 1983, Cassette The Final Cut
    Cassette, Album, Stereo
    Columbia – QCT 38243 Canada 1983 Canada1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Gatefold
    CBS – JDB 2855 South Africa 1983 South Africa1983
    Recently Edited
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Promo, Gatefold
    CBS/Sony – 25AP 2410 Japan 1983 Japan1983
    Recently Edited
    Cover of The Final Cut, 1983, Cassette The Final Cut
    Cassette, Album
    Harvest – 14C 264 65042 Greece 1983 Greece1983
    New Submission
    Cover of The Final Cut, 1983-04-02, Vinyl The Final Cut
    LP, Album, Stereo, Carrollton Pressing
    Columbia – QC 38243 US 1983 US1983
    Recently Edited
    Cover of The Final Cut, 1983, CD The Final Cut
    CD, Album, Stereo, Pre-Emphasis
    CBS/Sony – 35DP 53 Japan 1983 Japan1983
    New Submission
    Cover of The Final Cut, 1983, Vinyl The Final Cut
    LP, Album, Repress
    Harvest – 3C 064-65 042 Italy 1983 Italy1983
    Recently Edited
    Cover of The Final Cut, 1983, Cassette The Final Cut
    Cassette, Album
    Columbia – 38243 US 1983 US1983
    Recently Edited

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    Reviews

    • mibink's avatar
      mibink
      Edited 8 days ago
      Recorded during very difficult circumstances for the band (when there was barely a band to speak of anymore), The Final Cut was the last album for the classic configuration of Pink Floyd.

      The album has never had a very good reputation and it is easy to see why. Mood and texture take precedence over rhythm and melody. Sloganeering sometimes dominates the lyrics. And though the record achieved double platinum status, it was their lowest-selling album worldwide since Meddle.

      Some would say i have the tendency to speak for and defend the underdog, but underneath the obscurity of the lyrics and the music, The Final Cut harbours a heartfelt and sincere narrative about the sacrifices made to achieve the post-war dream, as symbolised by the loss of the life of Roger Water's father in World War II.

      This record may take work, but once the words and music fall into place, the achievement of it all is quite impressive.
      • REENO's avatar
        REENO
        The lyrics are very personal of course, but this album mostly has waters either whispering or screaming/shouting.
        And where is Rick Wright? or any synths in general?

        I will say this, SONICALLY it's fantastic.
        • chachop's avatar
          chachop
          Great pressing espectacular sound, great dynamics, you feel it on the drums…. And awesome speciality, I heard waters was experimenting with something call it holofonic sound, a previous aproach to Q sound
          • flacmanst's avatar
            flacmanst
            This is my favorite Pink Floyd album, though it is rightly described as a Roger Waters album. It works as an album but is somewhat disted as much is The Wall outtakes and Pink Floyd is only present here and there. As an album, it’s an extension of the Wall themes without most of the opera concepts and is somehow bleaker. The vinyl pressing sounds excellent; however, the panning effects are a different experience on headphones. Worth listening in headphones and also speakers to compare. This vinyl pressing does not have When the Tigers Broke Free, which was added later from the film. There is also a single-only longer version of Hero’s Return 1&2 which should be on the record. Waiting for a version that has Tigers and the full Hero!
            • Soundscape45's avatar
              Soundscape45
              Roger’s Pink Floyd swan song.

              Four years after the success of Pink Floyd’s “The Wall,” a two platter blockbuster rock opera that resonated soundly with global listening audiences, spawning a merchandising blitz, a sellout concert tour, and a controversial film adaptation by Alan Parker, it was a hard act to follow.

              With tensions between Waters, percussionist Nick Mason and David Gilmour escalating, they reunited for the contractually obligated “The Final Cut.”

              With a “requiem written by Roger Waters” credit prominently displayed on the back of the album, the end result is essentially his unofficial first solo venture.

              After keyboardist Richard Wright’s removal from the band (he was grudgingly rehired by Waters for “The elaborate “Wall” concert tours), Michael Kamen reunited with the band. He provides “The Final Cut” with a forlorn poetry, conducting the National Philharmonic Orchestra in a crisp recording comprised largely of castoffs from “The Wall.”

              The 1983 LP was a grand achievement technically, gifted with the mind-blowing Hugo Zuccarelli’s Holophonic sound treatment, allowing the band’s trademark ambient effects to shine with a stunning clarity, with the more bellicose sounds exploding harshly from your sound system.

              Whereas “The Wall” was a largely collective effort that connected with listeners regarding its universal themes of isolation, mental illness, racism, and ultimately redemption, “The Final Cut” is a depressing unofficial Waters solo project focused on his political and personal concerns.

              Waters’ writing here is devoted to the tragic loss of his father (to whom this recording is dedicated) during World War II as well as an expression of his geo-political views.

              It is redeemed by a few engaging songs and David Gilmour’s steely guitar work and vocals on the album’s lone single, “Not Now John,” the saxophone work of Raphael Raveenscroft, and Kamen’s harmonium and piano performances.

              “Not Now John” is an anti-establishment rocker with an “F-(bomb)all that” lyric and chorus amended to a radio friendly “Stuff all that” substitute.

              “When The Tigers Broke Free,” featured in Parker’s envisioning of “The Wall,” is a noble orchestral cue with a dour, pained reading by Waters. “Two Suns In The Sunset” explores the potential of nuclear Armageddon.

              Upon Waters’ departure from the group after contentious legal battles, Gilmour took the reins to steer the revitalized Pink Floyd brand to renewed success with “A Momentary Lapse Of Reason,” “The Division Bell,” a pair of concert recordings and accompanying live documentaries.

              While the glory days of a unified band focused on common artistic pursuits are but a distant, cobwebbed memory, one must not forget one crucial component…

              Without the daring of its oft forgotten, pioneering founder Syd Barrett, this and other classics would be indeed nothing more than post psychedelic era dreams.
              • matteo.renesto's avatar
                matteo.renesto
                This version in not bad; some digital glares in a couple of tracks
                • 4duskfall's avatar
                  4duskfall
                  Stunning copy. TML press is perfect. One of the best pressing I've heard.
                  • madpelican's avatar
                    madpelican
                    Everything sounds just right on this pressing. Phenomenal dynamics and bottom end! Pretty quiet vinyl too.
                    • Scalfred's avatar
                      Scalfred
                      Edited 2 months ago
                      Hi,
                      As I live far from Paris (6000km) I organized by phone the local pick-up by a friend of a so called "Mint sealed record". The Japanese press of The Final Cut.
                      My friend is not an expert or collector, he opened the shrink in store but didn't see the hairlines and spindle marks difficult to see at day light.
                      When I got it some weeks later I saw quickly it was a re-sealed basic more or less VG+ record with a missing insert. It costed me probably 3 or 4 times the price I should have paid for it.

                      We don't talk about bad record grading here: it's a simple and pure robbery.

                      This record is still for sale here on this page as Mint/sealed by that dishonest store called "musique.musique" in (Paris). Be very careful. I pushed my luck and gave it a try. A second try is not necessary. just don't buy anything from that crook.
                      • JackdawTrading's avatar
                        JackdawTrading
                        Why are we paying over $150 USD for this? This repressing is widely available. Even when imported.

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