Tracklist
Strangers In The Night | |||
Summer Wind | |||
All Or Nothing At All | |||
Call Me | |||
You're Driving Me Crazy | |||
On A Clear Day (You Can See Forever) | |||
My Baby Just Cares For Me | |||
Downtown | |||
Yes Sir, That's My Baby | |||
The Most Beautiful Girl In The World |
Credits (7)
- Nelson RiddleArranged By
- Ed ThrasherArt Direction, Photography
- Nelson RiddleConductor
- Eddie BrackettEngineer
- Lee HerschbergEngineer
- Stan CornynLiner Notes
Notes
First US release on CD: 6 Oct 1986 (most, if not all discs for this initial release were manufactured outside the US, at first).
Track #1 recorded on April, 11th 1966.
Tracks #5, #7, #9 and #10 recorded on May 11th 1966.
Tracks #2, #3, #4, #6 and #8 recorded on May 16th 1966.
Track #1 recorded on April, 11th 1966.
Tracks #5, #7, #9 and #10 recorded on May 11th 1966.
Tracks #2, #3, #4, #6 and #8 recorded on May 16th 1966.
Versions
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164 versions
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Strangers In The Night
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Reprise Records – FS-1017 | US | 1966 | US — 1966 |
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Strangers In The Night
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Reprise Records – FS 1017 | 1966 | — 1966 |
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Strangers In The Night
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Reprise Records – 1017 | US | 1966 | US — 1966 | ||||
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Strangers In The Night
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Reprise Records – FS. 1017 | 1966 | — 1966 |
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Strangers In The Night
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Reprise Records – FS 1017 | Canada | 1966 | Canada — 1966 |
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Strangers In The Night
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Reprise Records – R9-1017 | UK | 1966 | UK — 1966 | ||||
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Strangers In The Night
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Reprise Records – ERE-51014 | Colombia | 1966 | Colombia — 1966 |
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Strangers In The Night
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Reprise Records – F-1017 | Australia | 1966 | Australia — 1966 |
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Strangers In The Night
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Reprise Records – RE-51014 | Colombia | 1966 | Colombia — 1966 |
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Strangers In The Night / Sinatra No. 4
LP, Album, Stereo, Unofficial Release, Red
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Leico Record – PLS-3060 | Taiwan | 1966 | Taiwan — 1966 |
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Strangers In The Night
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Reprise Records – F 1017 | Canada | 1966 | Canada — 1966 |
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Strangers In The Night
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Reprise Records – F 1017 | US | 1966 | US — 1966 |
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Strangers In The Night
4-Track Cartridge, Album, Stereo
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Reprise Records – 4FA1017 | US | 1966 | US — 1966 |
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Strangers In The Night
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Reprise Records – F 1017 | Israel | 1966 | Israel — 1966 |
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Strangers In The Night
LP, Album, Mono
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Reprise Records – RLP 77.000 | Brazil | 1966 | Brazil — 1966 |
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Strangers In The Night
Reel-To-Reel, 7 ½ ips, ¼", 4-Track Stereo, 7" Cine Reel
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Reprise Records – FS-1017 | US | 1966 | US — 1966 |
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Strangers In The Night
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Reprise Records – F1017 | South Africa | 1966 | South Africa — 1966 |
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Strangers In The Night
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Reprise Records – FS-1017 | Peru | 1966 | Peru — 1966 |
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Strangers In The Night
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Reprise Records – F 1017 | US | 1966 | US — 1966 |
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Strangers In The Night
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Reprise Records – FS 1017 | Canada | 1966 | Canada — 1966 |
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Extraños En La Noche Vol. 6
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Gamma (4) – GX 01-216 | Mexico | 1966 | Mexico — 1966 |
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Strangers In The Night
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Reprise Records – RLP-77.000 | Brazil | 1966 | Brazil — 1966 |
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Strangers In The Night
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Reprise Records – F.1017 | India | 1966 | India — 1966 |
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Strangers In The Night
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Reprise Records – FS-1017 | US | 1966 | US — 1966 | ||||
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Strangers In The Night
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Reprise Records – FS-1017 | US | 1966 | US — 1966 |
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Strangers In The Night
LP, Album, Stereo, Santa Maria Pressing
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Reprise Records – FS-1017 | US | 1966 | US — 1966 |
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Strangers In The Night
Reel-To-Reel, 7 ½ ips, ¼", 4-Track Stereo, 7" Cine Reel, Album
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Reprise Records – FS-1017 | US | 1966 | US — 1966 | ||||
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Strangers In The Night
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Reprise Records – FS. 1017 | 1966 | — 1966 |
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Strangers In The Night
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Reprise Records – 1017 | US | 1966 | US — 1966 |
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Strangers In The Night
LP, Album, Stereo, Terre Haute Pressing
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Reprise Records – 1017 | US | 1966 | US — 1966 |
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Strangers In The Night
LP, Album, Stereo, Pitman Pressing
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Reprise Records – 1017 | US | 1966 | US — 1966 |
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Strangers In The Night
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Reprise Records – R-0302 (F 1017) | Greece | 1966 | Greece — 1966 |
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Strangers In The Night
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Reprise Records – 1017 | Canada | 1966 | Canada — 1966 |
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Strangers In The Night
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Reprise Records – 1017 | Canada | 1966 | Canada — 1966 |
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Strangers In The Night
LP, Album, Mono, Pitman Pressing
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Reprise Records – 1017 | US | 1966 | US — 1966 |
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Strangers In The Night
LP, Album, Mono, Terre Haute Pressing
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Reprise Records – F 1017 | US | 1966 | US — 1966 |
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Strangers In The Night
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Reprise Records – FS-1017 | US | 1966 | US — 1966 |
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Strangers In The Night
LP, Album, Mono, Santa Maria Pressing
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Reprise Records – F 1017 | US | 1966 | US — 1966 |
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Strangers In The Night
LP, Album, Stereo, Santa Maria Pressing
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Reprise Records – FS-1017 | US | 1966 | US — 1966 |
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Extraños En La Noche Vol. 6
8-Track Cartridge, Album, Stereo
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Reprise Records – GC8-25 | Mexico | 1966 | Mexico — 1966 |
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Recommendations
Reviews
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My copy matches everything here exactly with the exception of the runout on Side A. My runout is 30509-FS-1017A-1K. Side B is 30509-FS-1017B-1L, like the variant listed above. I checked all of the other versions and this is the closest match that I found listed.
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Edited one year agoThis is a Winchester pressing - mid to late '80s. Bought it brand new in '88, still has the shrink wrap with the "Super Saver Series" sticker.
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Edited one year agoThis hugely popular album has some folks confused, it's a studio album, not a best of compilation. Interestingly we have the best and worst of Frank Sinatra. Strangers In The Night, was Frank's biggest selling single, thought provoking, multi textured, sublime, perfection, well almost! Will the strangers in the night, even look, or acknowledge each other, or even say hello? The song plays out like a mini film. We begin to wonder if they will just walk past each other, and remain just that, strangers in the night, but then we have that glance, and it most have been one heck of a ionate glance, the type of look that you won't learn in in school, or learn in books, and yes! yes! at last, after all that looking at each other, with longing eyes, our previously, lonely couple fall hopelessly in love. The suspense in this song was masterfully crafted, however, I have an issue with the fade.
Then we have Downtown, in my opinion Frank's worst recording. He just can't help showing his distain, by making the yuck! noise. It should not have been released. Did he think we wouldn't notice, it was rattling away, harmlessly, causing nobody any offense, and then amazingly the world's finest vocalist, began to mock the tune, it's lucky he owned the record label, could any other artist have got away with this? I definitely could have lived with it as a bit of radio friendly background music, but the yuck noise, ruined the tune. If Frank hated the song so much, why in the name of goodness, did he record it, and why did Nelson not fade it out? And stranger still? Why was it released. Downtown and Muddy River, on the Cycles record, when Frank mocked the material, is amongst his worst recordings. Mama Will Bark, is normally viewed as Frank's worst moment, I disagree, it was just a novelty tune, and I love Dagners, sultry sexy voice.
Ah yes, the highs and the lows, a bit like real life, I suppose. What about the rest of the record, well, it's just lovely, easy on the ear swing. Frank misses a beat on Your Driving Me Crazy, but who cares, it's humanistic, and it was a great take. I would have faded out the Scooby Scooby Doo, that you can just about hear on the fadeout, of Strangers In The Night, it's one thing mocking a song that was a big well known hit tune for another artist, but was he on the verge of making fun, and committing financial suicide, by mocking, what became his biggest ever hit? Well, commercially, it did the song no harm, but artistically, it made the song fall short of a masterpiece, a bit like going through the pain of drawing the Mona Lisa, and then for a bit of fun giving her a nose piercing.
I love a record with a bit of controversy, if a record gets people talking, as this one did, then that's a good thing. Some folks back in 1966 said that Frank had no right to be recording pop material! which is a bit curious, as he always did, even way back in the thirties with Harry James and then Tommy Dorsey, not to mention his own, by this stage, very long solo career. I suppose it's possible, that some people had wrote Frank off, and once again, he comes back with a huge monster hit, and is all over the charts.
I love this record, even it's imperfections has Nelson's colourful brush stroke arrangements. Nelson directs the orchestra brilliantly, and the delicate production of Sonny Burke is marvelous.
I really recommend this flawed masterpiece for your collection, it was probably one of Frank's, biggest selling albums. It was definitely however, not his best record, regardless of this, I would consider it to be an essential component of any Frank Sinatra collection.
The Grain Of Salt
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Sound is muffled. Frank is phenominal as usual but this vinyl OG leaves a lot on the table. Sound is clear and punchy but it's got a long way to go for a personal performance. C+ recording.
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Edited one year agoThis is an awesome sounding pressing and awesome album in general. Picked this up while thrifting.
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Absolutely STUNNING demo disc sound. Big, bold and beautiful sound on every measurable level. Find the cleanest copy you can and don’t look back.
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I have the same LP (with №44006, face 1/face 2, 33 tours, SAGEM), but "MADE IN U.S.A." (not "made in ") on label. And cover with "44006" on front and "Imprime en " on back.
Can you add photo backside of cover?
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I don't know why the release has such a low rating. Her equipment is poor. But the sound is excellent. No extraneous noise. The vocals and instruments are well heard, the bass is just as much as needed. Maybe the earlier editions sound even better. But if you have not heard the old editions, then you will not be disappointed with this edition.
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Edited 3 years agoThis is a marvelous collection of Frank Sinatra performances, accompanied by the Nelson Riddle orchestra. Riddle is well known for his television and film soundtrack work of this period. When he works with jazz artists, the results are often stunning.
The recording is clean and Frank's voice is very much up front. Pressing is excellent. Recommended.
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