Counting Crows – August And Everything After
Label: |
DGC – B0025531-01 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| A1 | Round Here | 5:31 | |
| A2 | Omaha | 3:39 | |
| A3 | Mr. Jones | 4:32 | |
| B1 | Perfect Blue Buildings | 5:00 | |
| B2 | Anna Begins | 4:31 | |
| B3 | Time And Time Again | 5:14 | |
| C1 | Rain King | 4:15 | |
| C2 | Sullivan Street | 4:29 | |
| C3 | Ghost Train | 4:02 | |
| D1 | Raining In Baltimore | 4:41 | |
| D2 | A Murder Of One | 5:43 |
Companies, etc.
- Phonographic Copyright ℗ – Geffen Records
- Copyright © – Geffen Records
- Pressed By – Rainbo Records – S-98587
- Pressed By – Rainbo Records – S-98588
- Pressed By – Rainbo Records – S-98589
- Pressed By – Rainbo Records – S-98590
- Distributed By – Universal Music Distribution
- Record Company – Universal Music
- Mastered At – Precision Mastering
- Mixed At – Ocean Way Recording
Credits
- Art Direction, Design – Larry Vigon
- Backing Vocals [Additional Musicians: Background Vocals] – Mark Olson (2)
- Bass, Guitar, Vocals – Matt Malley
- Creative Director [Creative Direction] – Robin Sloane
- Design – Brian Jackson (6)
- Drums, Vocals – Steve Bowman
- Engineer [Additional] – Steve Holroyd
- Engineer [Second] – Mark Guilbeault
- Executive-Producer – Gary Gersh
- Guitar [Additional Musicians] – T-Bone Burnett
- Guitar [Additional Musicians], Electric Guitar [Additional Musicians: Guitorgan] – Bill Dillon
- Guitar [Additional Musicians], Mandolin [Additional Musicians], Mandocello [Additional Musicians], Vocals [Additional Musicians] – David Immerglück
- Guitar, Vocals – David Bryson
- Lacquer Cut By – CB*
- Management – Steven Jensen
- Mastered By – Stephen Marcussen
- Mixed By – Scott Litt
- Percussion [Additional Musicians] – Denny Fongheiser
- Photography By – Michael Tighe (2)
- Piano, Organ [Hammond B-3], Accordion, Chamberlin, Vocals – Charlie Gillingham*
- Producer – T-Bone Burnett
- Recorded By – Pat McCarthy
- Vocals, Piano, Harmonica – Adam Duritz
Notes
- Re-issue
- Gatefold
- 180-Gram black double vinyl
- 33 1/3 RPM
- Gatefold
- 180-Gram black double vinyl
- 33 1/3 RPM
Barcode and Other Identifiers
- Barcode (Text): 6 02557 09765 8
- Barcode (Scanned): 602557097658
- Pressing Plant ID (Runouts): S#####
- Matrix / Runout (Side 1 label): B0025531-01A
- Matrix / Runout (Side 2 label): B0025531-01B
- Matrix / Runout (Side 3 label): B0025531-01C
- Matrix / Runout (Side 4 label): B0025531-01D
- Matrix / Runout (Side 1 runout): B0025531-01-A S-98587 CB
- Matrix / Runout (Side 2 runout): B0025531-01-B S-98588 CB
- Matrix / Runout (Side 3 runout): B0025531-01-C S-98589 CB
- Matrix / Runout (Side 4 runout): B0025531-01-D S-98590 CB
Other Versions (5 of 108)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| August And Everything After (CD, Album) | DGC | DGCD-24528 | US | 1993 | |||
| August And Everything After (LP, Album) | Geffen Records | GEF 24528 | Europe | 1993 | |||
| August And Everything After (CD, Album, MPO) | Geffen Records | GED24528 | Europe | 1993 | |||
|
Recently Edited
|
August And Everything After (CD, Album) | Geffen Records | GEFSD 24528 | Canada | 1993 | ||
|
Recently Edited
|
August And Everything After (CD, Album) | Geffen Records | DGCD-24528 | Australia | 1993 |
Recommendations
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2016 USVinyl —LP, Compilation, Reissue, Remastered, Stereo -
2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo -
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Reviews
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I'm overall quite happy with this. Bought new for 30 dollars whilst looking for something else. Slight noise between tracks but still sounds punchy and clear.
An amazing album that reminds me of better days. -
A solid copy of this album. Nothing to write home about (I do hear some sibilance issues), but vinyl is flat and pretty quiet. I wish this was a 45RPM copy. -
Ordered the 2xLP 33RPM version from WalMart thinking it was the 2017 Rainbo/Bellman reissue, but it has a "Made In Poland" sticker on back, and the runout etchings (from what I can tell, but first two letters are tough to say for certain) are:
Side 1: 0957443-A-1
Side 2: 0957443-B-1
Side 3: 0957481-C-1
Side 4: 0957481-D-1
the 9 could be a g, or even an incomplete 8 -- hand etched and very difficult to get it in focus with a camera or see against light in the window.
the label #'s and UPC are the same as those listed for the 2017 Rainbo/Bellman pressing.
The great news is that it sounds great and the vinyl is quiet/flat - a great bargain for how it sounds, IMO (Ortofon 2M Bronze > Marantz 6300 > Marantz 2275 > JBL L112s). Anyone know where this was made and who mastered? -
I purchased this one believing that I would be receiving the 45rpm European variant from DGC that people have been raving about, but it ended up being the 33rpm US version. I was thoroughly annoyed, but I still wanted to give this one a chance. And I could have looked past the constant rumble in the background of quiet parts and the generally “okay” sounding mix, but once I heard the nasty sibilance halfway through Omaha and then the entire way through Mr. Jones, well I got pissed, shut it off, and ordered the 45rpm Analogue Productions version. We’ll see how that one goes once it gets here. There really is No excuse for subpar pressings of any album, let alone iconic albums like this. -
The 2017 re-issue is quite good. Not great, with a little bit of noise. But overall a good purchase. Gatefold with cheap paper inner sleeves.
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Can anyone comment on the quality of this pressing? Especially compared to the Analogue Productions release from 2012? I've been contemplating pulling the trigger on the AP release but the price-point on this is much more appealing. -
Release
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