Sublime (2) – 40oz. To Freedom
Tracklist
| A1 | Waiting For My Ruca | |
| A2 | 40 oz. To Freedom | |
| A3 | Smoke Two ts | |
| A4 | We're Only Gonna Die For Our Arrogance | |
| A5 | Don't Push | |
| B1 | 54-46 That's My Number/Ball And Chain | |
| B2 | Badfish | |
| B3 | Lets Go Get Stoned | |
| B4 | New Thrash | |
| B5 | Scarlet Begonias | |
| B6 | Live At E's | |
| C1 | D.J.'s | |
| C2 | Chica Me Tipo | |
| C3 | Right Back | |
| C4 | What Happened | |
| C5 | New Song | |
| D1 | Ebin | |
| D2 | Date Rape | |
| D3 | Hope | |
| D4 | KRS-One | |
| D5 | Rivers Of Babylon | |
| D6 | Thanx Dub |
Companies, etc.
- Phonographic Copyright ℗ – Gasoline Alley, J.V.
- Copyright © – Gasoline Alley, J.V.
- Distributed By – Universal Music Distribution
- Pressed By – Record Technology Incorporated – 25913
- Published By – tHUNDERsPIELS Music
- Published By – Ruthless Attack Muzick
- Published By – Rubber Band Music
- Published By – Polygram International Publishing, Inc.
- Published By – Hit & Hold Music, Inc.
- Published By – Def America Songs, Inc.
- Published By – Bring the Noize, Inc.
- Published By – Kuwa Music
- Published By – Zomba Enterprises, Inc.
- Published By – BDP Music
- Mixed At – Studio City
- Mastered At – Bernie Grundman Mastering
Credits
- Artwork – Opie Gibran Ortiz
- Bass, Organ [B3], Percussion – Eric Wilson
- Drums, Turntables – Marshall Goodman
- Lacquer Cut By – CB*
- Layout – Studio 5 (3)
- Photography By [Live Photo] – Josh Coffman (2)
- Photography By [Lou Dog And Weed Photo] – Greg Abramson
- Producer, Mixed By – Sublime (2)
- Remastered By – Brian "Big Boss" Gardner*
- Remastered By [Supervised By] – Miguel*
- Sampler, Guitar – Miguel Happoldt*
- Synthesizer [D50] – Mikey Brigman
- Vocals, Guitar, Sampler – Brad Nowell
Notes
Track D6 not listed on tracklist, but present on D side. Credits unknown.
Tracked at Mambo, Long Beach, CA.
Mixed at Studio City, Universal City, CA.
Remastered at Bernie Grundman Mastering, Hollywood, CA.
Layout at Studio 5, San Diego, CA.
"Waiting For My Ruca"
Contains samples from "History Lesson Pt. 2". tHUNDERsPIELS Music (BMI). Used courtesy of SST Records
"Smoke Two ts"
Contains samples from "We Want Easy" Ruthless Attack Muzick (ASCAP)/Rubberband Music . by Polygram International Publishing, Inc. (BMI). Used courtesy of Priority Records.; "Na Touch Da Jus". Hit & Hold Music, Inc. (ASCAP). Used courtesy of Warlock Records. Dialogue used from "Beyond the Valley of the Dolls" (20th Century Fox) "Outside". Used courtesy of the Ziggens.
"Let's Go Get Stoned"
Contains samples from "Rebel Without A Pause". Def America Songs, Inc. (BMI) Used courtesy of Def Jam Records.; "Contract On The World (Love Jam)". Def America Songs, Inc/Bring the Noize, Inc. (BMI). Used courtesy of Def Jam Records.
"KRS-One"
Contains samples from "Tough". Kuwa Music (ASCAP). Used courtesy of Polygram Records. By arrangement with Polygram Special Markets.; "The Style You Haven't Done" and "You Must Learn". Zomba Enterprises, Inc./BDP Music (ASCAP). Used courtesy of Zomba Recording Corp.
℗© 2016 Gasoline Alley, J.V.
Tracked at Mambo, Long Beach, CA.
Mixed at Studio City, Universal City, CA.
Remastered at Bernie Grundman Mastering, Hollywood, CA.
Layout at Studio 5, San Diego, CA.
"Waiting For My Ruca"
Contains samples from "History Lesson Pt. 2". tHUNDERsPIELS Music (BMI). Used courtesy of SST Records
"Smoke Two ts"
Contains samples from "We Want Easy" Ruthless Attack Muzick (ASCAP)/Rubberband Music . by Polygram International Publishing, Inc. (BMI). Used courtesy of Priority Records.; "Na Touch Da Jus". Hit & Hold Music, Inc. (ASCAP). Used courtesy of Warlock Records. Dialogue used from "Beyond the Valley of the Dolls" (20th Century Fox) "Outside". Used courtesy of the Ziggens.
"Let's Go Get Stoned"
Contains samples from "Rebel Without A Pause". Def America Songs, Inc. (BMI) Used courtesy of Def Jam Records.; "Contract On The World (Love Jam)". Def America Songs, Inc/Bring the Noize, Inc. (BMI). Used courtesy of Def Jam Records.
"KRS-One"
Contains samples from "Tough". Kuwa Music (ASCAP). Used courtesy of Polygram Records. By arrangement with Polygram Special Markets.; "The Style You Haven't Done" and "You Must Learn". Zomba Enterprises, Inc./BDP Music (ASCAP). Used courtesy of Zomba Recording Corp.
℗© 2016 Gasoline Alley, J.V.
Barcode and Other Identifiers
- Barcode (Printed): 6 02547 81155 4
- Barcode (Scanned): 602547811554
- Matrix / Runout (Label side A): B0024672-01 LP01 A
- Matrix / Runout (Label side B): B0024672-01 LP01 B
- Matrix / Runout (Label side C): B0024672-01 LP02 C
- Matrix / Runout (Label side D): B0024672-01 LP02 D
- Matrix / Runout (Etched runout side A Variant 1): B0024672-01-LP1-A² CB 25913.1(3)~
- Matrix / Runout (Etched runout side B Variant 1): B0024672-01-LP1-B II CB 25913.2(3)~
- Matrix / Runout (Etched runout side C Variant 1): B0024672-01-LP2-C³ CB 25913.3(3)~
- Matrix / Runout (Etched runout side D Variant 1): B0024672-01-LP2-D³ CB 25913.4(3)~
- Matrix / Runout (Etched runout side A Variant 2): B0024672-01-LP1-A CB 25913.1(3)~
- Matrix / Runout (Etched runout side B Variant 2): B0024672-01-LP1-B CB 25913.2(3)~
- Matrix / Runout (Etched runout side C Variant 2): B0024𝟳⃥672-01-LP2-C CB 25913.3(3)~
- Matrix / Runout (Etched runout side D Variant 2): B0024𝟳⃥672-01-LP2-D CB 25913.4(3)~
- Matrix / Runout (Etched runout side A Variant 3): B0024672-01-LP1-A CB 25913.1(3)~
- Matrix / Runout (Etched runout side B Variant 3): B0024672-01-LP1-B II CB 25913.2(3)~
- Matrix / Runout (Etched runout side C Variant 3): B0024 ̶̷̶7̶̷̶ 672-01-LP2-C II 25913.3(3)~
- Matrix / Runout (Etched runout side D Variant 3): B0024 ̶̷̶7̶̷̶ 672-01-LP2-D² II CB 25913.4(3)~
- Rights Society: BMI
- Rights Society: ASCAP
Other Versions (5 of 61)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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40oz. To Freedom (CD, Album, Stereo) | Skunk Records (2) | SKUNKD-1 (SKD-11283) | US | 1992 | ||
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New Submission
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40oz. To Freedom (Cassette, Album) | Skunk Records (2) | SKC 11283 | US | 1992 | ||
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New Submission
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40oz. To Freedom (CD, Album) | Skunk Records (2) | none | US | 1992 | ||
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New Submission
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40oz. To Freedom (Cassette, Album, black cassette shell, black label with white text) | Skunk Records (2) | none | US | 1992 | ||
|
New Submission
|
40oz. To Freedom (CD, Album) | Skunk Records (2) | SKUNKD-1 (SKD-11426) | US | 1992 |
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2016 USVinyl —LP, Compilation, Reissue, Remastered, Stereo
Reviews
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I think this Bellman cut sounds slightly better the VMP Ryan Smith cut. Bass sounds a little tighter on this cut.
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Surprised to see all the positive reviews for this. The pressing was fine with no surface noise. This remaster had me bored listening to one of my favorites. Also scratching my head at times. I'll stick with my CD copy of this release.
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Was reading the negative reviews on the 180g release so I was skeptical of this one. Happy to report that this must be a different mastering because this one sounds great. -
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Mine sounds great. Even better than the cd. Like some have mentioned, the bass is prominent, really adding to the overall sound and feel of the record. I was able to get cheap so am very happy to own. Sublime's best. -
I've had a copy of this for years, my pressing sounds excellent. No surface noise, dynamic (deep bass as the original recording always had). Very slight warp but doesn't affect playback at all. Very worth the money. -
It sounds good but the record is cheap thin and flimsy my copy had a slight warp that didn’t effect the sound -
The audio itself is fine but my copy had consistent surface noise across all four sides. Not terrible since the music drowns it out for the most part, but with headphones it's kinda annoying.
Release
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New Submission
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