Radiohead – The Bends
Label: |
Parlophone – PCS 7372 |
---|---|
Format: |
Vinyl
, LP, Album, Repress
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
A1 | Planet Telex | 4:22 | |
A2 | The Bends | 3:58 | |
A3 | High And Dry | 4:17 | |
A4 | Fake Plastic Trees | 4:50 | |
A5 | Bones | 3:07 | |
A6 | (Nice Dream) | 3:51 | |
B1 | Just | 3:52 | |
B2 | My Iron Lung | 4:36 | |
B3 | Bullet Proof..I Wish I Was | 3:28 | |
B4 | Black Star | 4:03 | |
B5 | Sulk | 3:42 | |
B6 | Street Spirit (Fade Out) | 4:13 |
Companies, etc.
- Marketed By – Parlophone
- Distributed By – EMI
- Manufactured By – EMI
- Phonographic Copyright ℗ – EMI Records Ltd.
- Copyright © – EMI Records Ltd.
- Pressed By – EMI Records
- Published By – Warner Chappell Ltd.
- Recorded At – Rak Studios
- Recorded At – The Manor
- Recorded At – Abbey Road Studios
- Mixed At – Abbey Road Studios
- Mixed At – Fort Apache
- Edited At – Abbey Road Studios
- Mastered At – Abbey Road Studios
Credits
- A&R – Keith Wozencroft
- Arranged By [Strings] – Thom*
- Artwork [Fine Art By] – The White Chocolate Farm
- Bass – Colin Greenwood
- Booking [Agency] – ITB
- Booking [Agent] – Charlie Myatt
- Booking [Assistant] – Sue Penwarden
- Cello – Caroline Lavelle
- Crew [Backline] – Plank (3)
- Drums – Phil Selway
- Engineer – Nigel Godrich (tracks: B1 to B5)
- Engineer [Live Sound Engineering], Engineer – Jim Warren
- Engineer [With Assistance From] – Shelley Saunders
- Graphic Design [Pasting] – Green Ink
- Guitar, Organ, Recorder, Synthesizer, Piano – Jonny Greenwood
- Guitar, Piano, Voice – Thom Yorke
- Guitar, Voice – Ed O'Brien
- Lighting – Andi Watson
- Management – Courtyard Management
- Management [Office Run By] – Julie Calland
- Mastered By, Edited By [Digitally Edited By] – Chris Blair
- Mixed By – Sean Slade (tracks: B1, B3 to B5)
- Producer – John Leckie (tracks: A1, A2, A4 to B3, B5, B6)
- Public Relations [International Ambassador] – Carol Baxter
- Public Relations [Press Relations] – Hell Or Nothing
- Technician [Guitar & Amp Building & Rebuilding] – Plank (3)
- Tour Manager – Tim Greaves (2)
- Viola, Violin – John Matthias
- Written-By – Radiohead
Notes
Very similar to this 1995 version: Radiohead - The Bends, except for the missing red pound sign on the labels, two concentric indented circles on labels instead of just one, pressed on 135g vinyl instead of 120g.
℗1995 except side 2, track 2 ℗1994 The copyright in this sound recording is owned by EMI Records Ltd. ©1995 EMI Records Ltd.
Please see Radiohead - The Bends for glossy jacket and inner, large pixelated 0%, Matrix ending -2, only one circle on labels, and no £ on record labels.
Direct Metal Mastering
℗1995 except side 2, track 2 ℗1994 The copyright in this sound recording is owned by EMI Records Ltd. ©1995 EMI Records Ltd.
Please see Radiohead - The Bends for glossy jacket and inner, large pixelated 0%, Matrix ending -2, only one circle on labels, and no £ on record labels.
Direct Metal Mastering
Barcode and Other Identifiers
- Barcode (Text): 7 2438 29626 1 8
- Barcode (Scanned): 724382962618
- Matrix / Runout (Sides A & B labels): 8296261
- Matrix / Runout (Side A label): PCS 7372-A
- Matrix / Runout (Side B label): PCS 7372-B
- Matrix / Runout (Side A runout): PCS 7372 A-01-01-2 D SHE'S OUT WITH HER ANSWERPHONE
- Matrix / Runout (Side B runout): PCS 7372 B-01-01-2 D (NICE DREAM)
- Matrix / Runout (Side A runout (variant 2)): PCS 7372 A-01-01-3 D SHE'S OUT WITH HER ANSWERPHONE
- Matrix / Runout (Side B runout (variant 2)): PCS 7372 B-01-01-3 D (NICE DREAM)
Other Versions (5 of 200)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
The Bends (Cassette, Album, Promo) | Capitol Records | none | US | 1994 | |||
Recently Edited
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The Bends (CDr, Album, Test Pressing, Stereo) | Not On Label | none | UK | 1994 | ||
New Submission
|
The Bends (Cassette, Advance, Album, Promo) | Not on label | none | UK | 1994 | ||
Recently Edited
|
The Bends (LP, Album, Repress) | Parlophone | PCS 7372, 7243 8 29626 1 8 | UK | 1995 | ||
The Bends (CD, Album) | Parlophone | 7243 8 29626 2 5, CDPCS 7372 | UK | 1995 |
Recommendations
Reviews
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I’ve listened to this, in one format or another, for decades. Tried to purchase the 1st pressing, seller sent this and to be honest, I’m better off. There is no way I would now pay $500 for an original first press VG+, when this gem of a MF’er exists for 1/5 the cost. If it’s not as glorious, it’s 95% there. This is a gorgeous album that sounds extremely clear, dynamic, and almost existential.
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The labels and cover state made in England and UK and the EMI plant closed in 2000. Kid A being the last UK pressed Radiohead LP so one would imagine it’s late 90s ore 2000 at the latest?
The missing Parlophone logo is just a misprint, there are copies with it missing on one side only. There’s copies of Pablo honey with 45 single labels on them quality control had some hiccups -
There seems to be a lot of different presses and a lot of different info out there, so I'm just posting here to see if anyone can confirm whether this is the exact version I have. I believe it to be this pressing, but then I read somewhere that if it says "Capitol" on the spine (which mine does), it is automatically one of the "bad" pressings. So I was hoping to get confirmation for myself and to help anyone in the future who is trying to determine what they have. I've spent over an hour reading through all of the different versions listed on Discogs and comparing my copy and I've only gone and confused myself even more. lol
Thanks in advance to anyone who can give any insight into this!
Characteristics:
-Capital on the spine with 7243 8 29626 1 8
-Parlaphone in red lettering in the black stripe on the label
-it has a very faint, barely visible -3 at the end of the number in the runout groove.
-it does NOT have a glossy cover
-it has one imprinted circle on the label, NOT two
-definitely NOT a 180 gram pressing.
-it sounds pretty good to my ears. I'm not an audiophile by any means, but I'm confident that I would notice if it sounded as bad as people say the Capitol pressings sound. -
Edited 11 months agoVery nice sounding master. Wasn’t expecting that from sucha long length. Very different from the CD for sure
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Ordered this on Whatnot. It was d as being a 2008 Capitol pressing, with the packaging to boot, but the record inside says Parlophone, with zero mentions of Warner Music Group, so I researched it here on Discogs. Holy cow, this album sounds so good, almost analog, and I didn't listen to the second side yet!
Ortofon 2M Red > Pro-Ject Debut III > Kenwood KR-710 > Technics SH-8020 > Yamaha MX-35 > 2x Design Acoustics PS-10s -
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Wicked sounding LP with a mastering that just gets out of the way and allows the 3-D soundstage to float out of the speakers & envelop the listener. Each tune is it's own unique soundscape & you can hear every nuance, every detail, be it metallic crunching or feather soft, it's all there. Bass is subterranean at times if your hi-fi can dig that low & the clarity of certain moments lends an air of intimacy seldom found. Terrific pressing of an art-rock psychedelic masterpiece...
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The indented circles make me think about 1998 when OK computer was immediately repressed. Maybe Parlophone repressed also this record after the release of ok computer
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Edited one year agoThis is the best version I've heard, sounds epic, great detail and clarity.
It bests my Euro XL from 2016 which is still a very nice pressing and I used to have a 2008 US but sold it, didn't like it at all, my original CD sounded better.
This UK, probable late 90’s repress is terrific, managed to find a Near Mint copy which wasn't cheap, but worth it in my opinion for such a dead-set classic album.
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