Tracklist
| A1 | London Calling | 3:18 | |
| A2 | Brand New Cadillac | 2:09 | |
| A3 | Jimmy Jazz | 3:55 | |
| A4 | Hateful | 2:47 | |
| A5 | Rudie Can't Fail | 3:27 | |
| B1 | Spanish Bombs | 3:18 | |
| B2 | The Right Profile | 3:53 | |
| B3 | Lost In The Supermarket | 3:47 | |
| B4 | Clampdown | 3:50 | |
| B5 | The Guns Of Brixton | 3:12 | |
| C1 | Wrong 'Em Boyo | 3:10 | |
| C2 | Death Or Glory | 3:55 | |
| C3 | Koka Kola | 1:49 | |
| C4 | The Card Cheat | 3:50 | |
| D1 | Lover's Rock | 4:01 | |
| D2 | Four Horsemen | 3:00 | |
| D3 | I'm Not Down | 3:00 | |
| D4 | Revolution Rock | 5:36 | |
| D5 | Train In Vain | 3:10 |
Companies, etc.
- Record Company – Sony Music Entertainment UK Limited
- Phonographic Copyright ℗ – Sony Music Entertainment UK Limited
- Copyright © – Sony Music Entertainment UK Limited
- Published By – Nineden Ltd.
- Published By – Universal Music Publishing Ltd.
- Published By – Hill And Range Southwind Mus S A
- Published By – Carlin Music Corp.
- Published By – Copyright Control
- Published By – Island Music Ltd.
- Published By – Fairwood Music Ltd.
- Published By – Panache Music Ltd.
Credits
- Bass, Vocals – Paul Simonon
- Brass – The Irish Horns
- Design – Ray Lowry
- Drums, Percussion – Topper Headon
- Engineer [Chief] – Bill Price
- Engineer [Second] – Jerry Green*
- Guitar, Vocals – Mick Jones
- Organ – Micky Gallagher
- Photography By – Pennie Smith
- Producer – Guy Stevens
- Remastered By – Tim Young
- Technician [Pre-Production], Whistling – Baker Glare
- Vocals, Rhythm Guitar – Joe Strummer
Notes
Originally released in 1979.
Fully Remastered 180G Audiophile Vinyl Pressings.
Track D5 not on sleeve.
Made in the EU.
Runout area matrix etched except for "96468 #X MOVLP 863".
Fully Remastered 180G Audiophile Vinyl Pressings.
Track D5 not on sleeve.
Made in the EU.
Runout area matrix etched except for "96468 #X MOVLP 863".
Barcode and Other Identifiers
- Barcode: 8 87254 46991 9
- Matrix / Runout (Side 1 label): 88725446991A
- Matrix / Runout (Side 2 label): 88725446991B
- Matrix / Runout (Side 3 label): 88725446991C
- Matrix / Runout (Side 4 label): 88725446991D
- Matrix / Runout (Side 1 runout ): 96468 1A MOVLP 863 tmtom 15345 1A 88875112701
- Matrix / Runout (Side 2 runout): 96468 2B MOVLP 863 (M) tmtom 15345 1B 88875112701
- Matrix / Runout (Side 3 runout (etched except for "96468 1C MOVLP 863")): 96468 1C MOVLP 863 tmtom 15345 1C 88875112701 B
- Matrix / Runout (Side 4 runout (etched except for "96468 2D MOVLP 863")): 96468 2D MOVLP 863 (M) tmtom 15345 1D 88875112701
- Label Code: 12723
- Rights Society: BIEM / GEMA
Other Versions (5 of 307)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| London Calling (2×LP, Album, Stereo) | CBS | 88478, CLASH 3, CBS 88478, S CBS Clash 3 | Europe | 1979 | |||
| London Calling (2×LP, Album, Stereo) | CBS | CBS CLASH 3, S CBS CLASH 3 | UK | 1979 | |||
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New Submission
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London Calling (Cassette, Album) | CBS | CBS CLASH 40-3, CLASH 40-3 | UK & Europe | 1979 | ||
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Recently Edited
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London Calling (2×LP, Album, Stereo) | CBS | CLASH 3, CBS 88478 | Greece | 1979 | ||
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Recently Edited
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London Calling (2×LP, Album, Gatefold) | Epic | 35・3P-175~6 | Japan | 1979 |
Recommendations
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2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo -
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2014 UK, Europe & USVinyl —LP, Album, Reissue, Remastered -
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Reviews
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When looking for Clash reissues that sound great and come on some of the quietest vinyl with no baked in distortion look now further than the MOV plates pressings. The actual MOV issues came in 2013 but some more recent Legacy reissues use the same plates like this one. I got Clash first 3 albums all with MOV plates and i couldnt be happier!
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I never owned the original so I have nothing to compare it to. With that being said, I think this pressing is awesome. I wished all my new pressings sounded this good. -
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Edited one year agoI'm pretty much in agreement with everybody here, this is an amazing pressing. Without a doubt one of the best I own, there's no surface noise at all. My only gripe with this release is that is isn't a gatefold -
Edited one year agoThe gold-standard pressing for this album is the UK original from 1979 – with lacquer cut by Tim Young (timtom). For those that can't afford or find a clean UK original, this pressing is a worthy option.
For this 2013 version, Mick Jones specifically sought out timtom to work his magic again. Sure, there is a digital step as this new cut is based on hi-res transfers of the original tapes. This will matter to some, but to me this pressing sounds amazing! It's got plenty of punch and presence, with some ages leaping out of the speakers and hitting me just like like the first time I heard London Calling. QC-wise, my copy is flat and clean with no dreaded "no fill" bullshit.
I've also heard that some swear by the first US version from 2013 that was cut by Chris Bellman. I've never heard the Bellman cut (though I'd like to). But as I mentioned above, this UK cut here is the one directly approved by The Clash.
Honestly I bet you'll be happy with either this one or the Bellman.
I also have a 1979 UK original, but dangit, I'm a Clash freak so one London Calling is not enough. Enjoy and turn it the fuck up! -
Agree with the others. When I got a feeling that something is wrong with my setup because the new LP doesnt sound very good, I always come back and listen to this record to see if everything is alright. This pressing is absolutely excellent. -
My copy has COLUMBIA icon in the top of the label, instead of Epic. Someone's else has the same?
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Flawless pressing. I heard no noise at all, and the music all comes through brilliantly. Recommended.
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