Steve Shit – Volume 7: Scorpion
Label: |
White Breaks Frankfurt – WB-7 |
|---|---|
Format: |
Vinyl
, 12", 45 RPM
|
Country: |
|
Released: |
|
Genre: |
Electronic |
Style: |
Drum n Bass |
Tracklist
| A | First Bite | 7:02 | |
| B | Second Bite | 6:12 |
Companies, etc.
- Phonographic Copyright ℗ – White Breaks Frankfurt
- Copyright © – White Breaks Frankfurt
- Recorded At – Steve Shit Memorial Centre
- Mastered At – SST Brüggemann GmbH
Credits
- Executive-producer – Snow Rocks
- Producer – Steve Shit
- Sleeve [Album Jacket By] – Embargo!*
Notes
A Steve Shit Production for Holy Shit Foundations
Executive Production for White Breaks / FFM
Recorded at Steve Shit Memorial Centre, Frankfurt 97
Manufactured in Frankfurt /
c & p White Breaks FFM 1997
———
No Catalog# given on cover or label. Catalog# and mastering information derived from runout etchings.
Executive Production for White Breaks / FFM
Recorded at Steve Shit Memorial Centre, Frankfurt 97
Manufactured in Frankfurt /
c & p White Breaks FFM 1997
———
No Catalog# given on cover or label. Catalog# and mastering information derived from runout etchings.
Barcode and Other Identifiers
- Matrix / Runout (Side A): WB-7
- Matrix / Runout (Side B): WB 7
Other Versions (1)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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Volume 7: Scorpion (12", 45 RPM, White Label) | White Breaks Frankfurt | WB 7, WB-7 | 1997 |
Recommendations
Reviews
-
i think miro said somewhere that he considers this to be amongst his most outstanding releases?
understandably so, because we have a very magnificent mélange here:
kotzaak / reign / frozen-level sounds, but done in a drum n bass / breakcore way!
so you get some rather tenebrous melodies, not with gabber kicks this time, but with broken beats.
extremely recommended! -
Edited 6 years agoI am happy to of acquired this. Its brutal. Should be dropped with caution. It is a record of destructive capabilities -
Edited 18 years agoThis is probably one of the hardest, darkest breakbeat records ever made. Pumping and rattling beats (with occasional gabber kick), together with some extremely deep sub-bass synths makes your needle almost skip off the vinyl on bad turntables. One record I will never part with!
Release
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