The StrokesIs This It

Label:

Legacy – MOVLP085

Format:

Vinyl , LP, Album, Reissue , 180 Gram

Country:

Europe

Released:

Genre:

Rock

Style:

Garage Rock

Tracklist

A1 Is This It
A2 The Modern Age
A3 Soma
A4 Barely Legal
A5 Someday
B1 Alone, Together
B2 Last Nite
B3 Hard To Explain
B4 New York City Cops
B5 Trying Your Luck
B6 Take It Or Leave It

Companies, etc.

  • Phonographic Copyright ℗Sony Music Entertainment
  • Copyright ©Sony Music Entertainment
  • Published ByThe Strokes Band Music
  • Mastered AtSterling Sound
  • Manufactured ByMusic On Vinyl B.V.
  • Distributed ByMusic On Vinyl B.V.
  • Pressed ByRecord Industry – 86169

Credits

  • A&RSteve Ralbovsky
  • ManagementWiz Kid Mgmt*
  • Mastered ByGreg Calbi
  • Other [Guru]JP Bowersock*
  • Photography ByColin Lane (2)
  • ProducerGordon Raphael
  • SongwriterJ Casablancas*

Notes

180 gram audiophile pressing.
Copies may include a four-page MoV catasert.

Originally released ℗ & © 2001 Sony Music Entertainment | This release ℗ & © 2012 Sony Music Entertainment
Manufactured & distributed by Music On Vinyl B. V. for Sony Music Entertainment
Made in the EU

Barcode and Other Identifiers

  • Barcode (Printed): 0 886976 994211
  • Barcode (String): 0886976994211
  • Barcode (Scanned): 886976994211
  • Matrix / Runout (Side A, stamped, variant 1): 86169 1A MOVLP 085
  • Matrix / Runout (Side B, stamped, variant 1): 86169 1B MOVLP 085
  • Matrix / Runout (Side A, stamped, variant 2): 86169 2A MOVLP 085
  • Matrix / Runout (Side B, stamped, variant 2): 86169 2B MOVLP 085
  • Rights Society: ASCAP

Other Versions (5 of 97)

View All
Title (Format) Label Cat# Country Year
Is This It (CD, Album) BMG 07863 68045 2 Europe 2001
Recently Edited
Is This It (CD, Album) RCA 07863 68101-2 US 2001
Is This It (CD, Album) Rough Trade RTRADECD030 UK & Ireland 2001
Is This It (LP, Album) BMG 07863 68045 1 Europe 2001
Is This It (LP, Album, Gatefold) RCA 07863 68045-1, 68045-1 US 2001

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Reviews

  • Surge830's avatar
    Surge830
    Just wanted to mention I bought the new pressing that has a red record, and it seems to have the same stampers as this release. That release sounds pretty darn good.
    • MarquisSmith's avatar
      MarquisSmith
      Best version I've heard (I have UK and US originals, both RJ-Sterling, as well as the SST mastered European original). The masters are Pro Tools so there is no technical advantage for an original. Note the recording is intentionally compressed and distorted but this version renders it most pleasingly. Judgments via VPI Classic 3/Dynavector DV20.
      • barrystrepsil's avatar
        barrystrepsil
        I just bought a version whose dead wax matrix matches this release (specifically variant 2), but it's in a jacket that belongs to this one: https://www.discogs.sie.com/release/15664217-The-Strokes-Is-This-It. It has no booklet, either. Just the album in a white, poly-lined inner sleeve. It sounds good.
        • GerrardWinstanley's avatar
          A masterpiece. Get this record if you love rock n roll, cause it’s timeless.
          • greenbrown's avatar
            greenbrown
            This sounds really really really good rhythm is is super punchy, it’s all really dynamic, super impressive off a kinda low fidelity record
            • jaycop579's avatar
              jaycop579
              It is an excellent version, perhaps the best, All the stereo relationships between the instruments / voices are very well suited all the robust gritty of the production of its time sounds very reluctant, there was no compression distortion in my copy, I got one Let's say a very optimal copy, it has a perfect finish and without being clearer I recommend it at least in its time it was easy to find we could say that it is assimilated to a remastered but it is natural it is not forced nor does it feel digitized, very good impression despite how common this album is with its thousands of copies!
              • tomi.randrup's avatar
                tomi.randrup
                Any one did compare this press to 2020 black reissue? any opinions? Thankss
                • mandomtz's avatar
                  mandomtz
                  Edited 4 years ago
                  I compared the MOV (butt cover) pressing to the standard U.S repress that widely available. To my ears the generic repress sounds much better and has a fuller/crisper analog sound then the MOV version which sounds kinda flat and compressed. Worth having for the cover, I suppose.
                  • TwoWicky's avatar
                    TwoWicky
                    Sounds like it's supposed to sound (Casablancas is *supposed* to sound like he's singing through a Dixie Cup). Got the more recent RCA pressing and it was full of bubbles and skips, this one sounds much better and has no manufacturing errors.
                    • 8bitBarry's avatar
                      8bitBarry
                      Edited 6 years ago
                      I think some commenters on Discogs forget the fact that there is actually a recording process - microphones, a mixer, an engineer and all this can accumulatively effect the presence and ultimately the listening experience along way before mastering. This Strokes album was recorded in a 'dimly lit basement' and doesn't have the recording fidelity of a multi million dollar studio, which inversely doesn't have the creative vibe of a dimly lit basement. It's not a great fidelity experience, with vocals being sung through a £300 mic or into a guitar amp on many tracks... "I would start turning the knobs on every piece of equipment until the frowns began turning into smiles. That was the technique for working with The Strokes" - doesn't sound like an exact science really or a high fidelity recording. It's also worth noting that a lot of smaller studios had poor quality sound cards at their centre, poor in comparison to todays incredible AD/DA converters. Tape was still infinitely better in my opinion in 2000, but most couldn't bare to work without a computer.

                      We all know that when a high fidelity recording is remastered / pressed by Music on Vinyl, they deliver a stellar job. This is a brash sounding album of a garage rock band that was recorded in a basement studio on reasonably budget equipment. It's a spontaneous recording, not the audiophile experience, something that I am sad about as in the right hands, it could very well have been a sonic masterpiece too.

                      Straight after, I put on my beloved Mobile Fidelity version of the Pixies 'Doolittle' for a reality check. If only....

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