Led Zeppelin – Untitled
Label: |
Atlantic – SD 7208 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Blues |
Style: |
Rock & Roll |
Tracklist
| A1 | Black Dog | 4:55 | |
| A2 | Rock And Roll | 3:40 | |
| A3 | The Battle Of Evermore | 5:38 | |
| A4 | Stairway To Heaven | 7:55 | |
| B1 | Misty Mountain Hop | 4:39 | |
| B2 | Four Sticks | 4:49 | |
| B3 | Going To California | 3:36 | |
| B4 | When The Levee Breaks | 7:08 |
Companies, etc.
- Recorded At – Headley Grange
- Recorded At – Island Studios
- Recorded At – Sunset Sound
- Published By – Superhype Music, Inc.
- Manufactured By – Atlantic Recording Corporation
- Pressed By – Philips Recording Company, Inc.
Credits
- Design [Design Co-ordination] – Graphreaks
- Executive-Producer – Peter Grant
- Illustration [Inside Illustration 'the Hermit'] – Barrington Colby M O M*
- Mastered By – Porky (5) (tracks: A)
- Producer [Produced By] – Jimmy Page
Notes
First press matrix label variant pressing @ RI = Philips Recording Corp., Richmond, IN
The rimtext of this version shows "Mfg. by Atlantic Recording Corp., 1841 Broadway, New York, N.Y.".
Gatefold sleeve. Side A written as 'One', Side B written as 'Two'.
Sandy Denny appears courtesy of Island Records.
℗ 1971
All selections published by Superhype Music, Inc., ASCAP
This release was commonly referred to as 'Led Zeppelin IV', to follow in sequence with their previous three releases, and is titled so on many streaming services, but originally no actual title appears on the release.
This was later repressed in 1977 as release #SD 19129 with same cover art and tracks.
The rimtext of this version shows "Mfg. by Atlantic Recording Corp., 1841 Broadway, New York, N.Y.".
Gatefold sleeve. Side A written as 'One', Side B written as 'Two'.
Sandy Denny appears courtesy of Island Records.
℗ 1971
All selections published by Superhype Music, Inc., ASCAP
This release was commonly referred to as 'Led Zeppelin IV', to follow in sequence with their previous three releases, and is titled so on many streaming services, but originally no actual title appears on the release.
This was later repressed in 1977 as release #SD 19129 with same cover art and tracks.
Barcode and Other Identifiers
- Rights Society: ASCAP
- Matrix / Runout (Side A Label): (ST-A-712285RI)
- Matrix / Runout (Side B Label): (ST-A-712286RI)
- Matrix / Runout (Runout side A, variation 1): ST-A-712285-C ATL-GP PR PORKY
- Matrix / Runout (Runout side B, variation 1): St-A-712286-C ATL-GP PR PECKO DUCK
- Matrix / Runout (Runout side A, variation 2): ST-A-712285-EEE-1 AT/GP PR D PORKY
- Matrix / Runout (Runout side B, variation 2): ST-A-712286-FFF-1-1/1 PECKO DUCK AT/GP PR D
- Matrix / Runout (Runout side A, variation 3): PECKO ST-A-712285-DDD-1-1/1 AT/GP (PR) D
- Matrix / Runout (Runout side B, variation 3): ST-A-712286-FFF-1-1/1 PECKO DUCK AT/GP PR
- Matrix / Runout (Runout side A, variation 4): ST-A-712285-EEE-1 AT/GP PR D PORKY
- Matrix / Runout (Runout side B, variation 4): ST-A-712286-CCC-1 PR D PECKO DUCK AT/GP PR
- Matrix / Runout (Runout side A, variation 5): ST-A-712285-CCC-1 AT/GP PR D PORKY
- Matrix / Runout (Runout side B, variation 5): ST-A-712286DDD-1 AT/GP PR D PECKO DUCK
- Matrix / Runout (Runout side A, variation 6): ST-A-712285-CCC-1-11 AT/GP PR D PORKY
- Matrix / Runout (Runout side B, variation 6): ST-A-712286-CCC-1-11 PR D PEKO DUCK
- Matrix / Runout (Runout side A, variation 7): ST-A-712285-FFF-1 PORKY AT/GP PR D
- Matrix / Runout (Runout side B, variation 7): ST-A-712286-FFF-1-111 PECKO DUCK AT/GP PR D
- Matrix / Runout (Runout side A, variation 8): ST-A-712285-CCC-1 AT/GP PR D PORKY
- Matrix / Runout (Runout side B, variation 8): ST-A-712286-FFF-1-111 PECKO DUCK AT/GP PR D
- Matrix / Runout (Runout side A, variation 9): ST-A-712285-CCC-1 AT/GP PR+1 D PORKY
- Matrix / Runout (Runout side B, variation 9): ST-A-712286-CCC-1-11 PD+1 D PECKO DUCK
- Matrix / Runout (Runout side A, variation 10): PECKO St-A-712285-DDD-1-11 AT/GP PR D
- Matrix / Runout (Runout side B, variation 10): ST-A-712286-FFF-1 PECKO DUCK AT/GP PR D
Other Versions (5 of 1115)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Untitled (LP, Album, Stereo, Version 5, Gatefold) | Atlantic | 2401012 | UK | 1971 | ||
| Untitled (LP, Album) | Atlantic | N° 50.008, 50 008 | 1971 | ||||
| Untitled (LP, Album, Gatefold) | Atlantic | SD 7208 | Canada | 1971 | |||
|
New Submission
|
Untitled (LP, Album) | Atlantic | ATL 50 008 | Scandinavia | 1971 | ||
|
Recently Edited
|
Untitled (LP, Album, Club Edition, Richmond Pressing) | Atlantic | SD 7208 | US | 1971 |
Recommendations
Reviews
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My copy has the 1841 address and a 4 digit catalog number, but has a thick white card inner sleeve instead of the brown textured paper. Anyone know what's up with the different inner sleeves? -
Edited one year agoBought it used for $5 in g+ condition and it sounds better than my 2014 repress! Glad I snagged this at the record shop. Can’t believe I got such a good deal. It even still has the cool ass inner sleeve! -
I got one like this, but it has got (ST-A-712285 CAP) on label side one and (ST-A-712286 CAP) on label side two. Can't find it on Discogs.
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Found variant 5 at a pawn shop for a few bucks. Light surface scratches and probably played a million times, but still sounds phenomenal! -
Excellent pressing. Soundstage and separation is phenomenal! This is a good one to get.
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Agreed. This vinyl has an amazing sound stage and the instruments are nicely separated. A great listen. -
Wouldn’t the “GP” in the deadwax more likely be George Peckham, aka “Porky”? Not sure why Piros would also have mastered this if Peckham has his telltale “Porky” and “Pecko” in the deadwax -
Still the best pressing I’ve ever heard. I have many different pressings, reissues, CDs, etc., but this puts all others to shame. I don’t why this is so magical, but pick this up if you are looking for a great pressing. I’ve had mine for many years and was lucky to find it near mint back when I was in high school when records were more affordable! -
Great album. They just don't make them like this anymore, great pressing and songs are strong from first to last. -
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