Kate Bush – Director's Cut
Label: |
Fish People – 5099902777221 |
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Format: |
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Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Art Rock |
Tracklist
1 | Flower Of The Mountain | 5:15 | |
2 | Song Of Solomon | 4:45 | |
3 | Lily | 4:05 | |
4 | Deeper Understanding | 6:34 | |
5 | The Red Shoes | 4:58 | |
6 | This Woman's Work | 6:30 | |
7 | Moments Of Pleasure | 6:32 | |
8 | Never Be Mine | 5:05 | |
9 | Top Of The City | 4:24 | |
10 | And So Is Love | 4:21 | |
11 | Rubberband Girl | 4:37 |
Companies, etc.
- Phonographic Copyright ℗ – Noble & Brite Ltd.
- Copyright © – Noble & Brite Ltd.
- Copyright © – Estate Of James Joyce
- Recorded By – Abbey Road Mobile
- Glass Mastered At – Pozzoli – 50051
Credits
- Arranged By [Trio Bulgarka] – Dimitr Penev* (tracks: 2, 4, 8)
- Costume Designer – Hazel Pethig
- Costume Designer [Armour & Rook] – Robert Allsopp
- Costume Designer [Toll Head Sculpture] – Val Charlton*
- Design Concept [Visual Concepts], Art Direction [Visual Direction] – Kate*
- Design [Album] – Peacock
- Edited By [Music Editor], Technician [Protools Operations] – Robert Houston
- Mastered By – James Guthrie
- Mastered By [Assistant] – Sangwook 'Sunny' Naam*
- Mixed By – Stephen W Tayler* (tracks: 1, 3 to 5, 8 to 11)
- Mixed By [Assistant] – Robert Houston (tracks: 6, 7)
- Performer [Trio Bulgarka] – Yanka Rupkhina* (tracks: 2, 4, 8)
- Photography By [Booklet] – Tim Walker (11)
- Photography By [Inner Front & Inner Back] – John Carder Bush
- Photography By [Original Cover] – John Carder Bush
- Recorded By [Additional Recording] – Stephen W Tayler*
- Recorded By, Edited By [Music Editor] – Del Palmer
- Set Designer – Andy Hillman
- Written-By, Directed By – Kate*
Notes
Features re-recordings of selected tracks from The Red Shoes.
Track 1 originally titled "The Sensual World".
℗ 2011 Noble & Brite.
© 2011 Noble & Brite.
Made in the EU.
Track 1:
Text from 'Ulysses' used by kind permission of the Trustees of James Joyce. © The Trustees of the Estate of James Joyce.
The choir at track 7 recorded by Abbey Road Mobile.
Issued in a 26-pages hardback digibook with lyrics and pictures printed on glossy paper.
No track durations on release.
Total playing time 56:58.
Track 1 originally titled "The Sensual World".
℗ 2011 Noble & Brite.
© 2011 Noble & Brite.
Made in the EU.
Track 1:
Text from 'Ulysses' used by kind permission of the Trustees of James Joyce. © The Trustees of the Estate of James Joyce.
The choir at track 7 recorded by Abbey Road Mobile.
Issued in a 26-pages hardback digibook with lyrics and pictures printed on glossy paper.
No track durations on release.
Total playing time 56:58.
Barcode and Other Identifiers
- Barcode: 5099902777221
- Matrix / Runout (Variants 1-3): FPCDX001 CD1 F1 50051
- Mastering SID Code (Variant 1-3): IFPI L213
- Mould SID Code (Variant 1): IFPI 3720
- Mould SID Code (Variant 2): IFPI 3722
- Mould SID Code (Variant 3): IFPI 3721
Other Versions (5 of 27)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Director's Cut (CD, Album, CD, Album, Reissue, CD, Album, Reissue, Remastered, All Media, Compilation, Limited Edition, Collector's Edition) | Fish People | FPCDX001, 5099902777320 | Europe | 2011 | ||
Recently Edited
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Director's Cut (2×LP, Album, 180 Gram) | Fish People | FPLP001, 5099902777313 | Europe | 2011 | ||
New Submission
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Director's Cut (CD, Album, Digibook) | Fish People | TO-71120, 5099902777221, FPCD001 | Japan | 2011 | ||
Recently Edited
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Director's Cut (3×CDr, Deluxe Edition, Promo) | EMI Music Japan | S/N 3358 433 | Japan | 2011 | ||
New Submission
|
Director's Cut (CD, Album, Digibook) | Fish People | 50999 027772 21, FPCD001 | Taiwan | 2011 |
Recommendations
Reviews
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Original formats all sounded so bad, like something you'd hear through a shoe box. I have a new set up now, in a new room, in a new house. Originally it was impossible to listen all the way through. Today I gave it another go. No, as awful as ever! I'm a huge fan, but this album is a No sadly.
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"Flower Of The Mountain" sounds like she had just woken up and was pushed in front of a microphone. It sounds like she hadn't sung for many years and tried this as a way of getting everyone to lower their expectations. It should like she is doing bad karaoke to a stripped down instrumental of FOTM. It's so 'sloppy' that at first I thought she was drunk. It's strangely terrible for a Kate Bush song.
"Song of Solomon" sounds more polished than FOTM. I'm wondering if this was an old vocal take because I don't understand how she could go from this to the voice she had in FOTM. I like it.
"Lilly" is like a studio version of the 2014 live version. I like it but the 2014 live version is better.
"Deeper Understanding" is alright. It's not amazing but it's certainly not offensive like FOTM was... I still like it.
"The Red Shoes" is alright too, just an alternative version. Not better than the original I don't think, a bit looser and more casual sounding. A different feel and I still like it.
"This Woman's Work" done on a tine piano with some different chord selections and a more worn sounding vocal. Not better than the original, and I think a wee bit more melancholy. Makes me think this is how it would sound being sung by a drunk woman. It's okay-ish. Not sure why she chose to do this to be honest. I definitely prefer the original.
"Moments of Pleasure" is just piano with new chords that don't make it better than the original. Funny that eventually she gives up on the new chords and reverts to the original chords. I guess they won out, or maybe she forgot what she was playing. There's some strange pauses added and new background vocal meanderings but I'm not sure what they add. I guess it's okay. Okay-ish. More of the "please lower your expectations" sound.
"Never Be Mine" is a welcome change of pace from the last two slow tracks. It's quite good again. Full production and again it sounds like an old vocal take compared to the tired, drunk sounding Kate on MOP, TWW and FOTM. Such a total contrast between her vocal takes on this album. Anyway, I like this version. It's good.
"Top of the City" is a studio version of the 2014 live version. I like it but the 2014 live version is better.
"And So Is Love" is an alright alternative version. Eric Clapton really adds a new layer of emotion to it. I like it.
"Rubberband Girl" is a more contemporary live band sounding rendition. It's sort of rock-ish and gives me a Memphis vibe. Not worse than the original and I like the harmonica too. It chugs along nicely and I like it.
Very strange album with a weird contrast between vocal takes from drunk, tired and worn out Kate to younger on-point takes. It's just a VERY obvious difference and the drunk tired worn out Kate vocal takes aren't great at all. Anyway, some nice renditions here, but overall a mixed collection not too sure how I would rate this. -
Edited one year agoI like Kate Bush, i really love her music. Ether ''out and out strange'' or ''radio friendly'' I love the way the voice and the instruments come alive outside of the normal stereo imaging space from my loudspeakers, but sorry...
This does not. It sounds as flat as 'beach donkey's fart'
The tracks that are on the album are very good, it's the sound quality, akin to listening to a Prerecorded Cassette with the playback heads out of alignment. Still it's another CD to add to my Kate Bush collection, she can be forgiven for this just because everything else, including ''50 Words For Snow'' is a master piece. -
It's clearly not meant as anything resembling a greatest hits collection, but it's still a compilation of older songs even if some of them have been redone from scratch. Most of the instrumentation is the same. Only three songs were recorded from scratch… the others were changed slightly in pitch (or with some instruments faded back or removed). It’s not a live album at all, or even a “reconceived” album since original players have not had to drop by to re-record their bits.
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Sorry to say the original releases were better IMHO. First time a Kate Bush album really bores me, heard 3 times and doesn't click at all.
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