Tracklist
| Bolero | |||
| A1 | Part I: Apprehension | 3:44 | |
| A2 | Part II: Bolero Proprement Dit | 4:00 | |
| A3 | Part III: Recognition | 3:30 | |
| A4 | Part IV: Répétition | 2:30 | |
| A5 | Part V: Rote Armée Fraction | 2:00 | |
| A6 | Part VI: Production | 2:00 | |
| A7 | Part VII: Distribution | 2:30 | |
| A8 | Part VIII: Deterrioration | 1:30 | |
| B1 | Une Drôle De Journée | 4:00 | |
| B2 | Stand By | 14:00 |
Companies, etc.
- Phonographic Copyright ℗ – Heldon International Imperium Holding Inc.
- Produced For – Heldon International Imperium Holding Inc.
- Distributed By – C.P.F. Barclay
- Recorded At – Studio Davout
- Mixed At – Studio Davout
- Pressed By – MPO
- Printed By – Glory, Asnières
Credits
- Design Concept, Design – Patrick Jelin
- Engineer – Roger Roche
- Engineer [Assistant] – Phil Ross (2)
- Photography By [Back] – Emerik Dubois*
- Photography By [Front And Inside] – Patrick Jelin
- Producer – Richard Pinhas
Notes
Comes with 2-sided 12" sized info-sheet.
Recorded and mixed at Davout Studio, April and October 1978.
Produced for the Heldon International Imperium Holding Inc.
The track titles B1 and B2 are exchanged on the insert sheet.
The track titles for Side A are in French on the disc label with the full name of the composers:
Boléro
1. Partie 1
2. Partie 2
3. Partie 3
4. Partie 4
5. Partie 5
6. Partie 6
7. Partie 7
8. Partie 8
P 1979 Heldon International Imperium Holding Inc. (sleeve) P 1979 Heldon (disc labels)
Printed in - Imp. Glory - Asnières
Distributed by C.P.F. Barclay
Recorded and mixed at Davout Studio, April and October 1978.
Produced for the Heldon International Imperium Holding Inc.
The track titles B1 and B2 are exchanged on the insert sheet.
The track titles for Side A are in French on the disc label with the full name of the composers:
Boléro
1. Partie 1
2. Partie 2
3. Partie 3
4. Partie 4
5. Partie 5
6. Partie 6
7. Partie 7
8. Partie 8
P 1979 Heldon International Imperium Holding Inc. (sleeve) P 1979 Heldon (disc labels)
Printed in - Imp. Glory - Asnières
Distributed by C.P.F. Barclay
Barcode and Other Identifiers
- Price Code: BA-215
- Rights Society: SACEM SACD SDRM SGDL
- Matrix / Runout (Side A runout, etched): MPO BLY. 900 578 A
- Matrix / Runout (Side B runout, etched): MPO BLY. 900 578 B
Other Versions (5 of 21)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Stand By (LP, Album) | Egg | 0066.054 | 1979 | |||
|
New Submission
|
Stand By (LP, Album) | Egg | GP 706 | Japan | 1979 | ||
| Stand By (LP, Album) | Egg | BRCLP 60075 | Italy | 1979 | |||
|
New Submission
|
Stand By (LP, Album, Promo) | Egg | GP-706 | Japan | 1979 | ||
|
New Submission
|
Stand By (Cassette, Album) | Egg | 4.900 578 | 1979 |
Recommendations
Reviews
-
This album from the electronic urban guerrilla's, Heldon, differs from previous releases because of the 14 minute epic "Stand By". This features Richard Pinhas in truly savage form taking his guitar work (openly acknowledged as strongly influenced by Fripp) to another level. The bass is a monster in the tradition of Jannick Top and Bernard Paganotti (Magma boys) and the track is a sonic juggernaut. This record has been a favourite of mine since it was first released. Small wonder.
-
from my article "From the land of Schizo and beyond..." in Audion 23 (Nov.1992)
STAND BY again took a step further on to more powerful realms, with three very different tracks: a 22 minute suite entitled Bolero, which although based on the classical bolero formula, diversified into more characteristic INTERFACE realms, Patrick Gauthier's Un Drole De Journee showed strong influence of his work with Magma and Weidorje, and is certainly unique for an Heldon track, and then there's Stand By itself, 14 minutes of the heaviest gutsy rocking Heldon on record, certainly not synth music by any stretch of the imagination, even King Crimson never hinted at this! Certainly Heldon went out with a bang! -
Edited 18 years agoI really dig this album. A great Electronic LP. Bolero is a good example of what we could play with a guitar and a synth. in the 70's. A Fripp style of guitar and a cool loop in the Ravel's mood. Richard Pinhas helped by ex-Magma’s Patrick Gauthier and Klaus Blasquiz was experimenting in the same way Manuel Gottsching did with Ashra in . If you like 70's repetitive music you’ll enjoy this too.
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