Taylor Swift – 1989
Label: |
Big Machine Records – BMRBD0500E |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Pop |
Style: |
Ballad |
Tracklist
A1 | Welcome To New York | 3:30 | |
A2 | Blank Space | 3:49 | |
A3 | Style | 3:49 | |
B1 | Out Of The Woods | 3:54 | |
B2 | All You Had To Do Was Stay | 3:11 | |
B3 | Shake It Off | 3:37 | |
C1 | I Wish You Would | 3:26 | |
C2 | Bad Blood | 3:30 | |
C3 | Wildest Dreams | 3:38 | |
D1 | How You Get The Girl | 4:06 | |
D2 | This Love | 4:09 | |
D3 | I Know Places | 3:12 | |
D4 | Clean | 4:28 |
Companies, etc.
- Copyright © – Big Machine Records, LLC
- Phonographic Copyright ℗ – Big Machine Records, LLC
- Distributed By – Universal Music Distribution
- Copyright © – Sony/ATV Tree Publishing
- Copyright © – Taylor Swift Music
- Copyright © – Write Me A Song Publishing
- Copyright © – MXM
- Copyright © – Wolf Cousins
- Copyright © – Warner/Chappell Music Scandinavia AB
- Copyright © – Sony/ATV Songs LLC
- Copyright © – Ducky Donath Music
- Copyright © – Megaphonic Ltd
- Recorded At – Conway Studios
- Recorded At – MXM Studios
- Recorded At – Jungle City Studios
- Recorded At – Lamby's House Studios
- Recorded At – Studio Elevator Nobody
- Recorded At – Pain In The Art Studio
- Recorded At – The Hideaway Studio
- Edited At – Studio Elevator Nobody
- Mixed At – MixStar Studios
- Mastered At – Sterling Sound
- Produced For – MXM Productions
- Produced For – Wolf Cousins Productions
- Published By – Kobalt Songs Music Publishing, Inc.
- Pressed By – United Record Pressing
- Lacquer Cut At – Sterling Sound
- Published By – Wolf Cousins
- Published By – Warner/Chappell Music Scandinavia AB
Credits
- Art Direction – Josh Newman*
- Creative Director – Taylor Swift
- Design – Austin Hale
- Executive-Producer – Taylor Swift
- Hair – Jemma Muradian
- Lacquer Cut By – RJ*
- Make-Up [Makeup] – Lorrie Turk
- Photography By – Sarah Barlow + Stephen Schofield
- Stylist [Wardrobe Stylist] – Joseph Cassell (2)
Notes
Gatefold jacket.
Both LPs have 'Side A' / 'Side B' on labels (but 'A' / 'B' / 'C' / 'D' on runouts).
Tracks are numbered sequentially across all 4 sides.
Runouts: STERLING is stamped, the rest is etched.
Welcome To New York:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Write Me A Song Publishing (GMR) (istered by Kobalt Songs Music Publishing, Inc.)
Recorded at Conway Studios (Los Angeles, CA).
Mixed at MixStar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Blank Space:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Style:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.) & Wolf Cousins/Warner/Chappell Music Scand AB (ASCAP)
Produced by Max Martin and Shellback for MXM Productions & Ali Payami for Wolf Cousins Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Out Of The Woods:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Laura Sisk at Jungle City Studios (New York, NY). Assisted by Brendan Morawski.
Vocal production for MXM Productions.
Recorded by Sam Holland at Conway Studios (Los Angeles, CA). Assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
All You Had To Do Was Stay:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced by Max Martin and Shellback for MXM Productions, and by Mattman & Robin for Wolf Cousins Productions.
Recorded at Conway Studios (Los Angeles, CA).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Shake It Off:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
I Wish You Would:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Jack Antonoff at Lamby's House Studios (Brooklyn, NY). Assisted by Brendan Morawski.
Vocal production for MXM Productions.
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Bad Blood:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Wildest Dreams:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Strings recorded and edited at Studio Elevator Nobody (Göteborg, Sweden).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
How You Get The Girl:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
This Love:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI)
Recorded at Pain in The Art Studio (Nashville, TN).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
I Know Places:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Write Me A Song Publishing (GMR) (istered by Kobalt Songs Music Publishing, Inc.)
Recorded at Conway Studios (Los Angeles, CA).
Mixed at MixStar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Clean:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Megaphonic Ltd, (PRS/ASCAP)
Recorded at The Hideaway Studio.
Mixed at MixStar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Design for St8mnt.
Both LPs have 'Side A' / 'Side B' on labels (but 'A' / 'B' / 'C' / 'D' on runouts).
Tracks are numbered sequentially across all 4 sides.
Runouts: STERLING is stamped, the rest is etched.
Welcome To New York:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Write Me A Song Publishing (GMR) (istered by Kobalt Songs Music Publishing, Inc.)
Recorded at Conway Studios (Los Angeles, CA).
Mixed at MixStar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Blank Space:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Style:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.) & Wolf Cousins/Warner/Chappell Music Scand AB (ASCAP)
Produced by Max Martin and Shellback for MXM Productions & Ali Payami for Wolf Cousins Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Out Of The Woods:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Laura Sisk at Jungle City Studios (New York, NY). Assisted by Brendan Morawski.
Vocal production for MXM Productions.
Recorded by Sam Holland at Conway Studios (Los Angeles, CA). Assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
All You Had To Do Was Stay:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced by Max Martin and Shellback for MXM Productions, and by Mattman & Robin for Wolf Cousins Productions.
Recorded at Conway Studios (Los Angeles, CA).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Shake It Off:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
I Wish You Would:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Jack Antonoff at Lamby's House Studios (Brooklyn, NY). Assisted by Brendan Morawski.
Vocal production for MXM Productions.
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Bad Blood:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Wildest Dreams:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Strings recorded and edited at Studio Elevator Nobody (Göteborg, Sweden).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
How You Get The Girl:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (istered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
This Love:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI)
Recorded at Pain in The Art Studio (Nashville, TN).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
I Know Places:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Write Me A Song Publishing (GMR) (istered by Kobalt Songs Music Publishing, Inc.)
Recorded at Conway Studios (Los Angeles, CA).
Mixed at MixStar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Clean:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Megaphonic Ltd, (PRS/ASCAP)
Recorded at The Hideaway Studio.
Mixed at MixStar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).
Design for St8mnt.
Barcode and Other Identifiers
- Barcode (Text): 8 43930 01354 8
- Barcode (Scanned, UPC_A): 843930013548
- Rights Society: ASCAP
- Rights Society: BMI
- Rights Society: GMR
- Rights Society: PRS/ASCAP
- Matrix / Runout (Side A runout, variant 1): BRMBD0500E-A2 III Ⓤ RJ STERLING
- Matrix / Runout (Side B runout, variant 1): BRMBD0500E-B3 RE1 JN-H STERLING
- Matrix / Runout (Side C runout, variant 1): BRMBD0500E-C RE1 JN-H STERLING
- Matrix / Runout (Side D runout, variant 1): BRMBD0500E-D RE1 JH-H STERLING
- Matrix / Runout (Side A runout, variant 2): BMRBD0500E-A3 RJ STERLING Ⓤ
- Matrix / Runout (Side B runout, variant 2): BMRBD0500E-B SET II RJ STERLING Ⓤ
- Matrix / Runout (Side C runout, variant 2): BMRBD0500E-C2 RJ STERLING Ⓤ
- Matrix / Runout (Side D runout, variant 2): BMRBD0500E-D2 RJ STERLING Ⓤ
- Matrix / Runout (Side A runout, variant 3): BRMBD0500E-A RE1 JN-H STERLING
- Matrix / Runout (Side B runout, variant 3): BRMBD0500E-B3 RE1 JN-H STERLING
- Matrix / Runout (Side C runout, variant 3): BRMBD0500E-C RE1 JN-H STERLING
- Matrix / Runout (Side D runout, variant 3): BRMBD0500E-D4 Re-1 RJ STERLING
Other Versions (5 of 96)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
1989 D.L.X. (CD, Album, Deluxe Edition, Slipcase) | Big Machine Records | 0602537998913 | Europe | 2014 | |||
New Submission
|
1989 (CD, Album, Slipcase) | Big Machine Records | 0602537998906 | Europe | 2014 | ||
1989 D.L.X. (CD, Album, Deluxe Edition, Target-exclusive) | Big Machine Records | BMRBD0550A | Canada | 2014 | |||
1989 D.L.X. (CD, Album, Deluxe Edition, Slip Case, Target Exclusive) | Big Machine Records | BMRBD0550A | US | 2014 | |||
Recently Edited
|
1989 D.L.X. (CD, Album, DVD, DVD-Video, NTSC, All Media, Deluxe Edition, Slipcase) | Big Machine Records | POCS 24009 | Japan | 2014 |
Recommendations
-
-
-
2023 WorldwideLP, Album, Record Store Day, Reissue
-
-
-
-
-
-
-
Reviews
-
Edited one month agoLooking at these comments, I was expecting quality to potentially be rough. I found a secondhand copy of this at my local shop and confirmed the “U” on the runout. After a clean, it sounds pretty good!
Sidenote, the cut of the two discs I have seem pretty different. My first disc has a super smooth cut along the edges with the lip on the edge, whereas my second disc is super sharp on the edges and is missing the lip. Thought that was interesting, considering I confirmed the matrix runout of both. -
Love the album however the repress is bad. I bought it from both a record store and Walmart and both came with major skips on most tracks. This is for the 2022 or 2023 repressing. Hope this helps!
-
Sucks for me. I got a totally completely different album on side 2. Sent it back and got it replaced with the same issue. Side A/B played great.But sadly side C/D was a totally different album by another artist.
-
Pressed at a relatively low volume and very bass-heavy. Dynamics aren't great, average pressing at best. Good album though.
-
Just out of curiosity, how do we know this is a 2022 release? Seems to be the same ID's as the 2014. Thanks
-
Bought online from Amazon for $24.00, similar to other reviews, the records came with very cheap paper sleeves that left paper flakes and small scratches on both records especially near the center. After cleaning both records though, they sound great just with a bit a surface noise. I do hope that this record gets repressed again since prices have already doubled in the two weeks since purchase. Unless you absolutely need to have this record I wouldn’t recommend paying over $40.00 for it.
-
Brand new sealed records came very dirty with paper particles and micro scratches across the record. Very similar to an older copy I use to own. Noticeable surface noise, especially at beginning of LP1, Side A but I didn't deep clean it. Sounds pretty good to me otherwise.
Release
See all versions
New Submission
New Submission
For sale on Discogs
Sell a copy
22 copies from $10.00