William Ørbit* – Pieces In A Modern Style
Tracklist
1-01 | Adagio For Strings | 9:31 | |
1-02 | In A Landscape | 2:56 | |
1-03 | Ogive Number 1 | 6:42 | |
1-04 | Cavalleria Rusticana | 3:13 | |
1-05 | Pavane Pour Une Infante Défunte | 6:06 | |
1-06 | L'Inverno | 3:51 | |
1-07 | Triple Concerto | 5:28 | |
1-08 | Xerxes | 4:38 | |
1-09 | Piece In The Old Style 1 | 5:00 | |
1-10 | Piece In The Old Style 3 | 5:47 | |
1-11 | Opus 132 | 6:14 | |
2-01 | Adagio For Strings (Ferry Corsten Remix) | 6:33 | |
2-02 | Adagio For Strings (ATB Remix) | 7:35 |
Companies, etc.
- Record Company – Maverick Recording Company
- Manufactured By – Warner Bros. Records
- Distributed By – Warner Bros. Records
- Copyright © – Warner Music UK Ltd.
- Phonographic Copyright ℗ – Warner Music UK Ltd.
- Recorded At – Guerilla Studios
- Recorded At – Guerilla Beach Studios
- Mastered At – The Town House
- Manufactured By – WEA Manufacturing
- Glass Mastered At – WEA Mfg. Olyphant – X10924
- Glass Mastered At – WEA Mfg. Olyphant – Y10798
- Pressed By – WEA Mfg. Olyphant
Credits
- A&R – Tony McGuinness
- Arranged By, Programmed By, Producer, Performer – William Ørbit*
- Coordinator [Guerilla Studios Co-ordination] – Tracy Heselden
- Design – Farrow Design
- Engineer, Programmed By [Pro Tools Programming] – Sean Spuehler
- Executive-Producer – Rob Dickins
- Legal [Legal Representation] – Statham Gill Davies, London
- Management – Mark Beaven
- Mastered By – Geoff Pesche
- Photography By [Cover Portrait] – Barry J. Holmes
- Photography By [Flower Photography] – John Ross (8)
- Programmed By [Programming], Keyboards [Additional Keyboards] – Damian IeGassick (tracks: 1-04, 1-05, 1-08, 1-10)
Notes
Disc 2 is not listed with the track listing on the back of the CD case.
The copyright in this sound recording and artwork is owned by Warner Music UK Ltd. ©2000 Warner Music UK Ltd. ℗1999 Warner Music UK Ltd. Made in U.S.A.
Packaging:
Slim double jewel case with an embossed Warner “W” logo identity.
Front insert: 12-page stapled booklet, color print exterior and interior.
Back insert: color print exterior and interior.
Disc tray: clear.
Disc 1: 2 spot-color print (gray, white).
Disc 2: 2 spot-color print (white, gray).
Some copies were used as promos with a gold stamp on front sleeve :
"For promotional use only. Sale or transfer is prohibited.
Must be returned on demand of recording company"
The copyright in this sound recording and artwork is owned by Warner Music UK Ltd. ©2000 Warner Music UK Ltd. ℗1999 Warner Music UK Ltd. Made in U.S.A.
Packaging:
Slim double jewel case with an embossed Warner “W” logo identity.
Front insert: 12-page stapled booklet, color print exterior and interior.
Back insert: color print exterior and interior.
Disc tray: clear.
Disc 1: 2 spot-color print (gray, white).
Disc 2: 2 spot-color print (white, gray).
Some copies were used as promos with a gold stamp on front sleeve :
"For promotional use only. Sale or transfer is prohibited.
Must be returned on demand of recording company"
Barcode and Other Identifiers
- Barcode (Text): 0 9362-47596-2 1
- Barcode (Scanned): 093624759621
- Matrix / Runout (Disc 1, variant 1): [WEA Mfg. Olyphant logo] X10924 1 47596-2.1 02
- Matrix / Runout (Disc 1, variant 1, mother/stamper etching): M1S1
- Mastering SID Code (Disc 1, variant 1): ifpi L902
- Mould SID Code (Disc 1, variant 1): IFPI 2U2X
- Barcode (Disc 1, variant 1, matrix area, code 39): 045748
- Matrix / Runout (Disc 2, variant 1): [WEA Mfg. Olyphant logo] Y10798 1 47596-2.2 01
- Mastering SID Code (Disc 2, variant 1): ifpi L903
- Mould SID Code (Disc 2, variant 1): IFPI 2U2Y
- Matrix / Runout (Disc 2, variant 1, mother/stamper etching): M1S1
- Barcode (Disc 2, variant 1, matrix area, code 39): 045014
- Matrix / Runout (Disc 1, variant 2): [WEA Mfg. Olyphant logo] X10924 1 47596-2.1 02 M1S2
- Mastering SID Code (Disc 1, variant 2): ifpi L902
- Mould SID Code (Disc 1, variant 2): IFPI 2U3P
- Matrix / Runout (Disc 2, variant 2): [WEA Mfg. Olyphant logo] Y10798 1 47596-2.2 01 M1S1
- Mastering SID Code (Disc 2, variant 2): ifpi L903
- Mould SID Code (Disc 2, variant 2): IFPI 2U4G
- Matrix / Runout (Disc 1, variant 3): [WEA Mfg. Olyphant logo] X10924 1 47596-2.1 02 M1S1
- Mastering SID Code (Disc 1, variant 3): ifpi L902
- Mould SID Code (Disc 1, variant 3): IFPI 2U7A
- Matrix / Runout (Disc 2, variant 3): [WEA Mfg. Olyphant logo] Y10798 1 47596-2.2 01 M1S1
- Mastering SID Code (Disc 2, variant 3): ifpi L903
- Mould SID Code (Disc 2, variant 3): IFPI 2U7B
Other Versions (5 of 27)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Pieces In A Modern Style (CD, Album) | N-GRAM Recordings | 0630 10722 2 | UK & Europe | 1995 | ||
New Submission
|
Pieces In A Modern Style (CD, Album, Promo, Cardsleeve) | Maverick | PROP05096 | UK | 1999 | ||
New Submission
|
Pieces In A Modern Style (CD, Album, Unofficial Release) | WEA Records (4) | 3984289572 | Russia | 1999 | ||
Recently Edited
|
Pieces In A Modern Style (CD, Album) | WEA Records | 3984289572 | UK | 2000 | ||
Recently Edited
|
Pieces In A Modern Style (CD, Album, CD, Single) | WEA Records | 3984-28957-5, 3984289575 | Europe | 2000 |
Recommendations
Reviews
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Edited 19 years agoClassical music done in electronic instruments: it's been done before, but not quite with the sophistication as William Orbit has done on PIECES IN A MODERN STYLE. So while "Adagio for Strings" would sound good played with kazoos, the more surprising selections on here are the ones worth investigating, like the modern minimalism of John Cage's "In a Landscape" or the Ravel's delicate "Pavane Pour Une Infante Defunte." It's fascinating to hear Beethoven's "Triple Concerto" as modulated trip-hop, but hey, whatever. The revisions of Gorecki's "Pieces in the Old Style" are more intriguing, however, with the electronics successfully conveying the mood of the originals. The mixes of "Adagio for Strings" on the bonus disc are fun, but fluff. While, generally, the end result is pleasant, the concept of the album as a whole makes me wonder, "And?" The conversion of classical music to electronic music should be more transformative, I feel, to justify the switch. And William Orbit hasn't quite convinced me yet.
Release
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Recently Edited
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