The Chemical Brothers – Surrender
Label: |
Freestyle Dust – none |
---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Electronic |
Style: |
Big Beat |
Tracklist
1 | Music: Response | 5:20 | |
2 | Under The Influence | 4:16 | |
3 | Out Of Control | 7:19 | |
4 | Orange Wedge | 3:06 | |
5 | Let Forever Be | 3:56 | |
6 | The Sunshine Underground | 8:38 | |
7 | Asleep From Day | 4:47 | |
8 | Got Glint? | 5:26 | |
9 | Hey Boy Hey Girl | 4:50 | |
10 | Surrender | 4:30 | |
11 | Dream On | 6:46 |
Companies, etc.
- Recorded At – Orinoco Studios
- Edited At – Berwick Street Studios
- Mastered At – The Exchange
- Manufactured By – Astralwerks
- Licensed From – Amplitude
- Licensed From – Danya Records, Ltd.
- Licensed From – Elektra Entertainment Group
- Licensed Through – Warner Special Products
- Licensed From – Studio G
- Published By – Canaveral Pictures
- Published By – Creation Songs Ltd.
- Published By – Global Music Ltd.
- Published By – JD Music (2)
- Published By – Latté Publishing
- Published By – Mass Confusion Music
- Published By – MCA Music Ltd.
- Published By – Oasis Music
- Published By – Polygram Music Publishing Ltd.
- Published By – Remipa Publishing
- Published By – Sand Devil Music
- Published By – Sony / ATV Music Publishing
- Published By – Studio G
- Published By – Virginia Beach Music
- Published By – Warner/Chappell Music
- Phonographic Copyright ℗ – Virgin Records Ltd.
- Copyright © – Virgin Records Ltd.
- Copyright © – Astralwerks
- Designed At – Blue Source
- Distributed By – Astralwerks
Credits
- Art Direction – The Chemical Brothers
- Artwork [Screenprints] – Kate Gibb
- Edited By – Cheeky Paul
- Engineer – Steve Dub
- Mastered By – Mike Marsh
- Producer – The Chemical Brothers
- Technician [Assistant] – Ray Mascarenas
- Written-By – Rowlands*
Notes
℗ 1999 Virgin Records Ltd.
© 1999 Virgin Records Ltd.
© 1999 Astralwerks
Printed in the USA
All Tracks Published By MCA Music Ltd.
Track 1 Additionally Published By Latté Publishing
Track 3 Additionally Published By Polygram Music Publishing Ltd.
Track 5 Additionally Published By Sony / ATV Music Publishing
Track 6 Additionally Published By Studio G Ltd
Track 7 Additionally Published By Sand Devil Music (BMI)
Track 8 Additionally Published By Remipa Publishing
Track 9 Additionally Published By Global Music Ltd.)
Track 11 Additionally Published By Canaveral Pictures (BMI)
Track 1 contains samples from Nicole's (Warner Special Products
Track 6 contains sample from the recording "Asian Workshop" by Studio G
Track 8 contains sample from the recording "Earthmessage", licensed courtesy of Amplitude
Track 9 contains sample from the recording "The Roof Is On Fire" by Capitol Records.
Packaging:
Standard jewel case.
Front insert: 8-page stapled booklet, color print exterior and interior.
Back insert: color print exterior and interior.
Disc tray: clear.
CD: 2 spot-color print (deep blue and off-white).
Enclosed: 2-sided, 10cm × 8cm Astralwerks postcard, black print both sides. A photo of Tom & Ed appears in the indicia.
The last 3 numbers of the matrix/runout, divided by hyphens are stamped mirrored.
© 1999 Virgin Records Ltd.
© 1999 Astralwerks
Printed in the USA
All Tracks Published By MCA Music Ltd.
Track 1 Additionally Published By Latté Publishing
Track 3 Additionally Published By Polygram Music Publishing Ltd.
Track 5 Additionally Published By Sony / ATV Music Publishing
Track 6 Additionally Published By Studio G Ltd
Track 7 Additionally Published By Sand Devil Music (BMI)
Track 8 Additionally Published By Remipa Publishing
Track 9 Additionally Published By Global Music Ltd.)
Track 11 Additionally Published By Canaveral Pictures (BMI)
Track 1 contains samples from Nicole's (Warner Special Products
Track 6 contains sample from the recording "Asian Workshop" by Studio G
Track 8 contains sample from the recording "Earthmessage", licensed courtesy of Amplitude
Track 9 contains sample from the recording "The Roof Is On Fire" by Capitol Records.
Packaging:
Standard jewel case.
Front insert: 8-page stapled booklet, color print exterior and interior.
Back insert: color print exterior and interior.
Disc tray: clear.
CD: 2 spot-color print (deep blue and off-white).
Enclosed: 2-sided, 10cm × 8cm Astralwerks postcard, black print both sides. A photo of Tom & Ed appears in the indicia.
The last 3 numbers of the matrix/runout, divided by hyphens are stamped mirrored.
Barcode and Other Identifiers
- Barcode (Text): 7 24384 76102 8
- Barcode (Scan): 724384761028
- Rights Society: ASCAP
- Rights Society: BMI
- Mastering SID Code (All variants): IFPI L043
- Matrix / Runout (Variant 1): 017046626620 1-2-4
- Mould SID Code (Variant 1): IFPI 1671
- Matrix / Runout (Variant 2): 017046626620 • 1-2-4
- Mould SID Code (Variant 2): ifpi 1679
- Matrix / Runout (Variant 3): 017046626620 1-2-10
- Mould SID Code (Variant 3): IFPI 1645
- Matrix / Runout (Variant 4): 017046626620 1-2-2
- Mould SID Code (Variant 4): none
- Matrix / Runout (Variant 5): 017046626620 • 1-2-12
- Mould SID Code (Variant 5): none?
- Matrix / Runout (Variant 6): 017046626620 • 1-2-7
- Mould SID Code (Variant 6): none
- Matrix / Runout (Variant 7): 017046626620 • 1-2-9
- Mould SID Code (Variant 7): ifpi 1666
- Matrix / Runout (Variant 8): 017046626620 • 1-2-7
- Mould SID Code (Variant 8): ifpi 1673
- Matrix / Runout (Variant 9): 017046626620 • 1-2-11
- Mould SID Code (Variant 9): ifpi 167A
- Matrix / Runout (Variant 10): 017046626620 • 1-2-6
- Mould SID Code (Variant 10): ifpi 1679
- Matrix / Runout (Variant 11): 017046626620 • 1-2-10
- Mould SID Code (Variant 11): ifpi 1678
- Matrix / Runout (Variant 12): 017046626620 • 1-2-4
- Mould SID Code (Variant 12): ifpi 163B
- Matrix / Runout (Variant 13): 017046626620 • 1-2-2
- Mould SID Code (Variant 13): ifpi 1634
Other Versions (5 of 101)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Surrender (2×LP, Album, Gatefold) | Virgin | XDUSTLP4, 7243 8 47610 1 1 | UK | 1999 | |||
Surrender (2×LP, Album) | Freestyle Dust | ASW 47610-1, 7243 8 47610 1 1 | US | 1999 | |||
Recently Edited
|
Surrender (CD, Album, Swindon Pressing) | Virgin | XDUSTCD4, 7243 8 47610 2 8 | Europe | 1999 | ||
Surrender (Minidisc, Album) | Virgin | XDUSTMD4, 7243 8 47610 8 0 | UK | 1999 | |||
Recently Edited
|
Surrender (CD, Album, Promo, Cardboard Sleeve) | Freestyle Dust | CD PRO 47610-2 | US | 1999 |
Recommendations
Reviews
-
Probably the best Chemical Brothers album of all time. I still play Got Glint in some mixes to this day.
-
This is and always has been one of my favorite albums of all time. So much nostalgia in these tunes for me.
-
I grew up listening to "Surrender". It's one of my top favorite albums from The Chemical Brothers! It's got some of their best songs. Whether it's "Out of Control", "Let Forever Be" or "Hey Boy Hey Girl". A+
-
I feel this album has a more upbeat feel than their older stuff, I assume as they left the rave scene and entered the wider audience of "normal folk". But this album produced some great songs and even better videos. Of course cannot overlook how awesome Noel Gallagher and Hope Sandoval sound here and on the other Chemical Brother's albums.
-
The album that began to alienate the Chemical's audience: from then on, though their works are uniformly good (personally, I love ALL of them), their approach to the mainstream and similar approach in all their songs to psychedelia, techno and whatever genre could fit there began to tire critics and some fans that expected the same outburst of creativity that was in "Dig your own hole". To make it short: this is an excellent album, with some memorable tunes like "Out of Control" (a track that sounds what it should sound on paper: perfect blend of a New Order song and a Chemical Brothers jam), "Let Forever Be" (or the second time they and Gallagher show their obsesion with *that* Beatles track) or the druggy feast that is "The sunshine underground". As usual, the last song is pastoral and folky, there is the trancey stomper in "Hey Boy Hey Girl" and lots of nods to classic electronica everywhere.
What happens with this album, as it happens with the following ones from this duo, is that at first it seems nothing more than a group of well produced tracks... but they still work years after, because this Chemical sound is part of what crafted the indie-electronica marriage during the '00s. They understand how pop and machines can be together better than anyone, and that's why the indie crowd and electronica fans still don't miss then at every gig, and why every hip "indie" dj has a Chemical song of this era in their songlist and not from earlier (and more critic-loved) times. And I bet that in the following years "Hey boy" will still work at dancefloors everywhere. Just forever.
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