Tracklist
| A1 | Africa | |
| A2 | Everybody Wants To Rule The World | |
| A3 | Sweet Dreams (Are Made Of This) | |
| A4 | Take On Me | |
| A5 | Happy Together | |
| B1 | Paranoid | |
| B2 | Mr. Blue Sky | |
| B3 | No Scrubs | |
| B4 | Billie Jean | |
| B5 | Stand By Me |
Companies, etc.
- Copyright © – Weezer
- Phonographic Copyright ℗ – Weezer
- Licensed To – Crush Music (2)
- Licensed To – Atlantic Recording Corporation
- Licensed To – WEA International Inc.
- Record Company – Warner Music
- Published By – Belinda Aberbach Revocable Trust
- Published By – Big Loud Songs
- Published By – BMG Rights Management
- Published By – Carlin America, Inc.
- Published By – Lisa Thomas Music Services, LLC
- Published By – Raleigh Music Publishing
- Published By – Rising Storm Music
- Published By – Round Hill Music
- Published By – Sony/ATV Music Publishing LLC
- Published By – Spirit Music Group
- Published By – Tro Inc.
- Published By – Universal Music Publishing Group
- Published By – Warner/Chappell
- Recorded At – Steakhouse Studios
- Recorded At – The Village
- Mastered At – The Bakery (2)
- Mastered At – GZ Media – 186538E
- Pressed By – Precision Record Pressing – 10-85913
Credits
- A&R – Evan Taubenfeld
- A&R [For] – Crush Music*
- [Publishing istration, At] – Wixen Music
- [Publishing istration] – Randall Wixen
- Art Direction, Layout – Jade Ehlers
- Band [Weezer] – Scott Shriner
- Booking [Booking (International), At] – ITB
- Booking [Booking (International)] – Rod MacSween
- Booking [Booking (North America), At] – WME
- Booking [Booking (North America)] – Kirk Sommer
- Engineer – Mark Rankin
- Engineer [Vocals Engineered By], Producer [Vocals Produced By] – Suzy Shinn
- Legal – Irina Volodarsky
- Management – Jonathan Daniel
- Management [Business Management, At] – Provident Financial Management
- Management [Business Management] – Shelley Venemann
- Management [Crockett] – Karl Koch (4)
- Management [For] – Crush Music*
- Mastered By – Eric Boulanger (2)
- Mixed By – Mark Rankin
- Photography By – Sean Murphy (12)
- Producer – Weezer
- Public Relations – Jen Appel (2)
- Public Relations [At] – Grandstand*
Notes
Standard black vinyl edition.
© + ℗ 2019 weezer under exclusive license to Crush Music / Atlantic Recording Corporation for the United States and Crush Music / WEA International Inc. for the world excluding the United States. A Warner Music Company.
Publishers:
A1 - Spirit Music Group / Rising Storm Music c/o Lisa Thomas Music Services, LLC
A2 - BMG Rights Management
A3 - Universal Music Publishing Group
A4 - Sony/ATV Music Publishing LLC
A5 - Round Hill Music Big Loud Songs, BMG Rights Management, Carlin America Inc.
B1 - T.R.O. Inc.
B2 - Sony/ATV Music Publishing LLC
B3 - Sony/ATV Music Publishing LLC, BMG Rights Management, Warner/Chappell
B4 - Sony/ATV Music Publishing LLC
B5 - Sony/ATV Music Publishing LLC, Raleigh Music Publishing, Belinda Aberbach Revocable Trust
Recorded at The Steakhouse Studio and The Village
On labels: Made in North America.
Includes printed inner sleeve containing credits.
© + ℗ 2019 weezer under exclusive license to Crush Music / Atlantic Recording Corporation for the United States and Crush Music / WEA International Inc. for the world excluding the United States. A Warner Music Company.
Publishers:
A1 - Spirit Music Group / Rising Storm Music c/o Lisa Thomas Music Services, LLC
A2 - BMG Rights Management
A3 - Universal Music Publishing Group
A4 - Sony/ATV Music Publishing LLC
A5 - Round Hill Music Big Loud Songs, BMG Rights Management, Carlin America Inc.
B1 - T.R.O. Inc.
B2 - Sony/ATV Music Publishing LLC
B3 - Sony/ATV Music Publishing LLC, BMG Rights Management, Warner/Chappell
B4 - Sony/ATV Music Publishing LLC
B5 - Sony/ATV Music Publishing LLC, Raleigh Music Publishing, Belinda Aberbach Revocable Trust
Recorded at The Steakhouse Studio and The Village
On labels: Made in North America.
Includes printed inner sleeve containing credits.
Barcode and Other Identifiers
- Barcode (Spaces removed): 075678652691
- Matrix / Runout (A-side runout, stamped, variant 1): 10-85913 / 1-587378 - A 186538E1/A
- Matrix / Runout (B-side runout, stamped, variant 1): 10-85913 / 1-587378 - B 186538E2/A
- Matrix / Runout (A-side runout, stamped, variant 2): 10-85913 / 1-587378 - A 186538E1/D
- Matrix / Runout (B-side runout, stamped, variant 2): 10-85913 / 1-587378 - B 186538E2/C
- Matrix / Runout (A-side runout, stamped, variant 3): 10-85913 / 1-587378 - A 186538E1/H
- Matrix / Runout (B-side runout, stamped, variant 3): 10-85913 / 1-587378 - B 186538E2/D
Other Versions (5 of 14)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Weezer (10×File, AAC, 256 kbps) | Atlantic | none | USA, Canada & UK | 2019 | ||
|
Recently Edited
|
Weezer (10×File, AAC, Album, 256 kbps) | Atlantic | none | 2019 | |||
|
New Submission
|
Weezer (10×File, FLAC, Album) | Atlantic | none | 2019 | |||
|
Recently Edited
|
Weezer (CD, Album) | Atlantic | 587378-2 | USA, Canada & UK | 2019 | ||
|
Recently Edited
|
Weezer (CD, Album) | Atlantic | WPCR-18195 | Japan | 2019 |
Recommendations
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2016 USVinyl —LP, Compilation, Reissue, Remastered, Stereo -
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2020 WorldwideVinyl —LP, Compilation, Stereo -
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Reviews
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I reeeeeeaaaally like this one. First off, the entire album is cover songs and they totally pull it off. Very fun listen content wise. Kick ass pressing, very well done. Very nice album from Weezer. -
Such an excellent sounding record. Real clean, very little extra noise. This is one of my favorite records, so happy I got it now.
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No sound issues to my ears, and I'd say in general I'm sensitive to it. Great record in my collection!
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Sounds Great to me and I am Picky! Anyone unsatisfied with the sound of this pressing should consider a better turntable/stylus and/or system! Cuz it rocks on mine! -
This is a great sounding pressing with some very good dynamics. The bass seems fuller to me than other have commented, but perhaps I just got a good copy. The guitars and synths sound full and the drums are crisp and snappy. If you can get your hands on this release, I'd highly recommend it—great classic covers from Weezer! -
I agree with the previous comments. The actual pressing seems fine, with minimal size and few issues. I think it's likely the mastering that is the problem with this one. The bass in particular is disappointing, almost flabby sounding. It's still listenable, but it's not going to wow you.
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I do not hear distortion but the bass seems a bit too heavy but may be that is the standard modern mix for digital sources that is applied to this pressing. May be the bass is causing distortion if your cartridge can’t track it properly.
Release
See all versions
Recently Edited
Recently Edited
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