Lou Reed – Ecstasy
Label: |
Reprise Records – R1 47425 |
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Format: |
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Country: |
Europe |
Released: |
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Genre: |
Pop |
Style: |
Tracklist
| A1 | Paranoia Key Of E | 4:28 | |
| A2 | Mystic Child | 5:02 | |
| A3 | Mad | 4:29 | |
| A4 | Ecstasy | 4:25 | |
| B1 | Modern Dance | 4:10 | |
| B2 | Tatters | 5:56 | |
| B3 | Future Farmers Of America | 3:02 | |
| B4 | Turning Time Around | 4:22 | |
| B5 | White Prism | 4:00 | |
| C1 | Like A Possum | 18:03 | |
| C2 | Rouge | 1:01 | |
| D1 | Rock Minuet | 6:57 | |
| D2 | Baton Rouge | 4:55 | |
| D3 | Big Sky | 6:33 |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright ℗ – Reprise Records
- Copyright © – Reprise Records
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – WEA International Inc.
- Copyright © – Lou Reed Music
- Manufactured For – Rhino Entertainment Company
- Marketed By – Rhino Entertainment Company
- Published By – Lou Reed Music
- Published By – EMI Blackwood Music Inc.
- Produced For – Sister Ray Enterprises Inc
- Recorded At – Sear Sound
- Mixed At – Quad Recording Studios
- Mixed At – Sear Sound
- Mastered At – Gateway Mastering
- Mastered At – Capitol Mastering
- Designed At – Sagmeister, Inc.
- Pressed By – Optimal Media GmbH – BI55906
Credits
- Arranged By [Background Vocal Arrangement] – Fernando Saunders (tracks: B1)
- Baritone Saxophone – Doug Wieselman
- Bass, Backing Vocals [Background Vocals] – Fernando Saunders
- Cello – Jane Scarpantoni
- Design [Package Design By] – Sagmeister Inc., New York*
- Design [Web Design By] – The Speared Peanut
- Drums, Percussion, Backing Vocals [Background Vocals] – Tony "Thunder" Smith*
- Electric Violin – Laurie Anderson (tracks: C2, D1)
- Engineer [Assistant Engineer] – Dave Fisher
- Engineer [Assistant Mix Engineer] – Ben Holt
- Guitar – Mike Rathke
- Lacquer Cut By – IS*
- Lead Vocals, Guitar, Backing Vocals [Background Vocals] – Lou Reed
- Management – Richard Bishop
- Management [For] – 3 Artist Management, Los Angeles*
- Mastered By – Bob Ludwig
- Percussion – Lou Reed (tracks: B5)
- Photography By – Lou Reed
- Producer – Lou Reed
- Recorded By, Mixed By – Tim Latham
- Set Designer [Set Design] – Robert Wilson (2)
- Songwriter [All Songs Written By] – Lou Reed
- Tenor Saxophone – Paul Shapiro
- Trumpet, Arranged By [Horns Arrangements] – Steven Bernstein
Notes
Record Store Day 2019 Edition, limited of 7500 copies.
Comes in a single cover with red sticker "Lou Reed's Ecstasy 2 X 180g LPs First Time On Vinyl Outside Of - Limited Edition of 7,500" and the silvered stamp "Record Store Day Exclusive".
Includes 2x printed inner sleeves with lyrics.
Laurie Anderson appears courtesy of Nonesuch Records
I would like to thank Mike, Fernando, Tony, Hal, Tim, Pete Cornish, Mas Hino, Jerry Bruck, Maxine Chrein and David Kahne. And also D'Addario, Otari, Polaroid 20 x 40 Studio, the Brady Drum Co., Pearl, Paiste, DDrum, Paterson Snares, Marco Sokoly, Kurzweil, Modulous and Kydd.
And of course, Laurie Anderson and Howie Klein.
Difference to Lou Reed - Ecstasy:
Catalog number R1 47425 only on labels
Catalog number 603497853472 on spine, labels, inner sleeves
Made in E.U. on label and backcover
Comes in a single cover with red sticker "Lou Reed's Ecstasy 2 X 180g LPs First Time On Vinyl Outside Of - Limited Edition of 7,500" and the silvered stamp "Record Store Day Exclusive".
Includes 2x printed inner sleeves with lyrics.
Laurie Anderson appears courtesy of Nonesuch Records
I would like to thank Mike, Fernando, Tony, Hal, Tim, Pete Cornish, Mas Hino, Jerry Bruck, Maxine Chrein and David Kahne. And also D'Addario, Otari, Polaroid 20 x 40 Studio, the Brady Drum Co., Pearl, Paiste, DDrum, Paterson Snares, Marco Sokoly, Kurzweil, Modulous and Kydd.
And of course, Laurie Anderson and Howie Klein.
Difference to Lou Reed - Ecstasy:
Catalog number R1 47425 only on labels
Catalog number 603497853472 on spine, labels, inner sleeves
Made in E.U. on label and backcover
Barcode and Other Identifiers
- Barcode: 6 03497 85347 2
- Matrix / Runout (Runout side A, etched / "MASTERED BY CAPITOL" stamped): R1-47425-A IS MASTERED BY CAPITOL 0603497853472 V1 BI55906-01 A₁
- Matrix / Runout (Runout side B, etched): R1-47425-B IS 0603497853472 V1 BI55906-01 B₁
- Matrix / Runout (Runout side C, etched / "MASTERED BY CAPITOL" stamped): R1-47425-C RE1 V+ IS 0603497853472 MASTERED BY CAPITOL BI55906-02 C2
- Matrix / Runout (Runout side D, etched): R1-47425-D RE1 IS BI55906-02 D2 0603497853472 V+
- Label Code: LC 02982
- Rights Society (Boxed): GEMA/BIEM
Other Versions (5 of 29)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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New Submission
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Ecstasy (CDr, Album, Promo) | Warner Bros. Records | 818.953.3344 | US | 1999 | ||
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Recently Edited
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Ecstasy (CD, Album) | Reprise Records | 9362-47425-2 | Europe | 2000 | ||
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Recently Edited
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Ecstasy (Australian Tour Edition) (2×CD, Album, Special Edition) | Reprise Records | 9362-47934-2 | Australia | 2000 | ||
| Ecstasy (CD, Album) | Reprise Records | 9 47425-2 | US | 2000 | |||
|
New Submission
|
Ecstasy (CD, Album, Promo) | Reprise Records | PROP05160, 9362-47425-2 | Europe | 2000 |
Recommendations
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2018 USA & EuropeVinyl —LP, Album, Record Store Day, Limited Edition -
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2020 WorldwideAll Media —Album, Record Store Day, Limited Edition, Reissue, Stereo -
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Reviews
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This is a desert island album for me, and this pressing sounds very good. Good choice considering the prices for original copies. -
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This is a great, under-appreciated album and a superb pressing. And whatever anyone says, 'like a possum' rocks!
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Incredible record. This remastered version is very, very, very good. (I don't have the original but would like to compare them.)
I miss Lou. -
Gotta chirp in and say that this sounds perfect, only heard my cd before but the vinyl is clear and no surface noise at all
The album is of course great anyway.... -
Incredible album. In the running for the best solo record of Lou’s career. It’s incredible that he was releasing something this strong more than 30 years into his career. There’s not a bad moment, and a lot of incredible songs.
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The other day I was desperate to go to the toilet so I had to run home after I got off the bus, when I finally got in the front door and started to go to the toilet, I pulled exactly the same face as Lou Reed is pulling on the front cover of this LP, I would love to know if Lou Reed was going to the toilet or not when they took his photo to use on the front cover, are there any Lou Reed fans who could tell me? -
My EU copy of the 2019 RSD edition is perfectly silent. I never heard an original but this is pretty amazing. -
I'm playing it now... I left the plastic on the cover and yes somehow they made the cover so you can fit those heavy LP's and the original sleeves. I like the fact this LP had such a reputation the fact of the German issue and the outrageous price ordeal they used the same labels. Which to me was like a play on the situation. This LP I wish was like all no noise no pops clicks crackles that stuff that's OBVIOUS in the vinyl not your imagination. This was pressed at Optimal Media GmbH and like Pallas cares. -
The last Lou Reed record I purchased was New York in '89. From the run in on vinyl, this record is hooky, tough, and almost as cool as Lou himself!! He wasn't young by any stretch, but this lp has some angst aboard. Loose, but put down with the skill of a sharp shooter. GEMA vinyl pressing sounds clean and loud.
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