Cowboy Junkies – The Trinity Session
Label: |
Rock The House – RTH 8568 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Country Rock |
Tracklist
| A1 | Mining For Gold | 1:34 | |
| A2 | Misguided Angel | 4:58 | |
| A3 | Blue Moon Revisited (Song For Elvis) | 4:31 | |
| A4 | I Don't Get It | 4:34 | |
| A5 | I'm So Lonesome I Could Cry | 5:24 | |
| A6 | To Love Is To Bury | 4:47 | |
| B1 | 200 More Miles | 5:29 | |
| B2 | Dreaming My Dreams With You | 4:28 | |
| B3 | Working On A Building | 3:48 | |
| B4 | Sweet Jane | 3:41 | |
| B5 | Postcard Blues | 3:28 | |
| B6 | Walking After Midnight | 5:54 |
Companies, etc.
- Licensed From – RCA Records
- Recorded By – Latent Recordings
Credits
- Accordion – Jaro Czerwinec
- Art Direction – Pietro Alfieri
- Backing Vocals – John Timmins
- Bass – Alan Anton
- Dobro – Kim Deschamps
- Drums – Peter Timmins
- Edited By [Assisted By] – Perren Baker
- Edited By [Digitally] – Peter Moore
- Fiddle – Jeff Bird
- Guitar – Michael Timmins
- Harmonica – Steve Shearer (tracks: A4, B5, B6)
- Lacquer Cut By – BG*
- Layout [Cover] – Joanne Castrucci
- Mandolin – Jeff Bird
- Pedal Steel Guitar – Kim Deschamps
- Photography By [Cover] – Noel Archambault
- Producer – Peter Moore
- Slide Guitar [Bottleneck] – Kim Deschamps
- Vocals – Margo Timmins
Notes
Captured live at the Church of the Holy Trinity in Toronto, Canada on November 27, 1987.
Issued on 180 gram QUIEX vinyl.
Re-issue of album is under Classic Records "Rock The House" series.
Record label is red with the vintage Radio Corporation of America logo at 12 o'clock in black. Artist and title are typeset in white on a black field above the spindle hole. All other lettering is white (including the track data) except for the licensing statement along the bottom perimeter outside and offset black ring.
Back of the outer jacket resembles the US release with the track data altered to include additional tracks "Blue Moon Revisited (Song for Elvis)" and "Working On A Building." Original Lettering Color scheme is reused lavender-magenta-blue-pink with final track on each side repeating lavender.
Profile differs from the 200g version later release that adheres to SV-P II that eliminated the groove guard. This is not a Super Vinyl Profile release.
Issued on 180 gram QUIEX vinyl.
Re-issue of album is under Classic Records "Rock The House" series.
Record label is red with the vintage Radio Corporation of America logo at 12 o'clock in black. Artist and title are typeset in white on a black field above the spindle hole. All other lettering is white (including the track data) except for the licensing statement along the bottom perimeter outside and offset black ring.
Back of the outer jacket resembles the US release with the track data altered to include additional tracks "Blue Moon Revisited (Song for Elvis)" and "Working On A Building." Original Lettering Color scheme is reused lavender-magenta-blue-pink with final track on each side repeating lavender.
Profile differs from the 200g version later release that adheres to SV-P II that eliminated the groove guard. This is not a Super Vinyl Profile release.
Barcode and Other Identifiers
- Matrix / Runout (Side A etched): RTH 8568-A BG
- Matrix / Runout (Side B etched): RTH 8568-B BG
Other Versions (5 of 86)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Trinity Session (LP, Album) | RCA Victor | 8568-1-R, 8568 1 R | Canada | 1988 | |||
|
Recently Edited
|
The Trinity Session (CD, Album, Club Edition) | BMG | D 101043 | Canada | 1988 | ||
| The Trinity Session (CD, Album) | RCA | 8568-2-R | US | 1988 | |||
| The Trinity Session (CD, Album, Sonopress) | RCA | PD 88568, PD88568 | Europe | 1988 | |||
|
Recently Edited
|
The Trinity Session (LP, Album) | Cooking Vinyl | COOK 011 | UK | 1988 |
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Reviews
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The amazing thing about this is the recording. Done on the cheap with a single microphone and a betamax into A/D in a beautiful church known for its reverb. Kudos to Peter Moore. I love the rendition of Sweet Jane.
This pressing is great. Probably no better than the good digital copies or SACD, but BG cut the lacquer so......
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