Emerson, Lake & Palmer – Trilogy
Tracklist
A1 | The Endless Enigma (Part One) | |
A2 | Fugue | |
A3 | The Endless Enigma (Part Two) | |
A4 | From The Beginning | |
A5 | The Sheriff | |
A6 | Hoedown | |
B1 | Trilogy | |
B2 | Living Sin | |
B3 | Abaddon's Bolero |
Companies, etc.
- Phonographic Copyright ℗ – Leadclass Ltd.
- Copyright © – Leadclass Ltd.
- Pressed By – GZ Media – 146253E
- Licensed To – BMG Rights Management (UK) Limited
- Recorded At – Advision Studios
- Lacquer Cut At – Finyl Tweek
- Published By – Leadchoice Ltd.
- Published By – Boosey & Hawkes Music Publishers Ltd
Credits
- Arranged By – Emerson, Lake & Palmer
- Artwork [2016 Re-Issue] – Hugh Gilmour
- Artwork [Tinting By] – Phil Crennell
- Bass, Electric Guitar, Acoustic Guitar, Vocals – Greg Lake
- Coordinator [Release] – Steve Hammonds
- Design [Cover], Photography By – Hipgnosis (2)
- Engineer [Production] – Eddy Offord
- Lacquer Cut By – Greg*
- Management – Stewart Young
- Mastered By [2015 Original Album Remaster] – Matt Wortham
- Organ [Hammond C3], Piano [Steinway], Zurna [Zoukra], Synthesizer [Moog III C], Synthesizer [Mini Moog Model D] – Keith Emerson
- Other [Special Thanks To] – Carl Palmer, Graham Lilley, Greg Lake, Jo Headland, Keith Emerson, Stewart Young
- Percussion – Carl Palmer
- Producer, Lyrics By – Greg Lake
Notes
Album originally released 1972.
'Trilogy' is dedicated to the memory of Keith Emerson, born 2nd November 1944, died 10th March 2016.
Recorded at Advision.
All tracks published by Leadchoice Ltd. Except "Hoedown" published by Boosey & Hawkes Music Publishers Ltd.
℗ 2015, ℗ 2015 & © 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited. Manufactured in the EU.
'Trilogy' is dedicated to the memory of Keith Emerson, born 2nd November 1944, died 10th March 2016.
Recorded at Advision.
All tracks published by Leadchoice Ltd. Except "Hoedown" published by Boosey & Hawkes Music Publishers Ltd.
℗ 2015, ℗ 2015 & © 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited. Manufactured in the EU.
Barcode and Other Identifiers
- Barcode (Text (Sleeve)): 4 050538 180237
- Barcode (Scanned (Sleeve)): 4050538180237
- Barcode (Text (Stickered on shrink)): 0 75597 94326 9
- Barcode (Scanned (Stickered on shrink)): 075597943269
- Matrix / Runout (Side A): 146253E1/A
- Matrix / Runout (Side B): 146253E2/A5 GREG @ FINYL TWEEK
- Rights Society: MS
- Label Code: LC 19813
Other Versions (5 of 301)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Trilogy (LP, Album, Stereo, Gatefold) | Island Records | 6396 018, IPLS 9186 | 1972 | ||||
Recently Edited
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Trilogy (LP, Album, Gatefold Sleeve) | Island Records | 86 230 IT | 1972 | |||
Trilogy (LP, Album, Gatefold) | Cotillion | SD 9903 | Canada | 1972 | |||
Trilogy (LP, Album, Stereo, Gatefold) | Island Records | ILPS 9186 | UK | 1972 | |||
Recently Edited
|
Trilogy (LP, Album, BW - Bestway Pressing, Gatefold) | Cotillion | SD 9903 | US | 1972 |
Recommendations
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2016 UK, Europe & USLP, Album, Reissue, Remastered
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2016 UK, Europe & USLP, Album, Reissue, Remastered
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Reviews
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Do not pay attention to the other reviewer that denigrated this pressing. He's obviously one of those audiophile snobs with golden ears that knows better than any of us plebes what sounds good and what doesn't.
I have bought and sold many versions of this album. So far this one is the absolute quietest and best remastered version that I’ve come across. Even the Music On Vinyl version is horribly pressed and noisy so make sure to avoid that one. -
Dreadful sound and pressing. Totally weedy sounding mastering means that even if it was an acceptable pressing - and it isnt even after a thorough Degritting - let alone a really good one you'd not want to listen anyway. Maybe with some horrid Dre Beats there maybe some bass and drum impact?! Seek out the MOV pressing, much more depth, dynamics and slam and a proper low/mid low sound not to mention likely a better RI pressing too
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