DJ Shadow – The Mountain Will Fall
Label: |
Liquid Amber – MSAP0034 |
|---|---|
Format: |
CD
, Album
|
Country: |
USA & Europe |
Released: |
|
Genre: |
Hip Hop |
Style: |
Experimental |
Tracklist
| 1 | The Mountain Will Fall | 4:37 | |
| 2 | Nobody Speak | 3:16 | |
| 3 | Three Ralphs | 3:37 | |
| 4 | Bergschrund | 4:11 | |
| 5 | The Sideshow | 3:58 | |
| 6 | Depth Charge | 4:53 | |
| 7 | Mambo | 3:04 | |
| 8 | Ashes To Oceans | 6:16 | |
| 9 | Pitter Patter | 3:24 | |
| 10 | California | 4:29 | |
| 11 | Ghost Town | 3:51 | |
| 12 | Suicide Pact | 4:34 |
Companies, etc.
- Phonographic Copyright ℗ – A&M Records Ltd.
- Copyright © – Reconstruction Productions
- Copyright © – New Futility Music
- Record Company – Universal Music Operations Ltd.
- Licensed From – Universal International Music B.V.
- Licensed To – Mass Appeal Records, LLC
- Published By – New Futility Music
- Published By – Definitive Jux Music
- Published By – Pulse Music (4)
- Published By – Aniyah's Music
- Published By – The Royalty Network
- Published By – Manners McDade Music Publishing
- Published By – Copyright Control
- Published By – Michele Publ. Co.
- Published By – Bleep Bloop Music
- Published By – G Jones Music
- Published By – Kobalt Songs Music Publishing
- Published By – Kobalt Songs Music Publishing
- Recorded At – Thrum Studio
- Recorded At – Circuit Studios
- Recorded At – 80 Hertz Studios
- Made By – Sound Performance
- Manufactured By – The ADS Group – 15133-CD-0268
Credits
- Artwork – Paul Insect
- Beats, Scratches – DJ Shadow
- Design [Additional] – Will Scott (6)
- Legal – Paul Richards (18)
- Legal [Licensing Specialist/Sample Clearance] – The Numero Group
- Management – TaP Management
- Management [Business] – Tony Peyrot
- Mastered By [Mastering Assembly] – Bob Macc
- Producer, Programmed By, Arranged By – DJ Shadow
Notes
Issued in a 3-s cardboard digisleeve, together with a sticker sheet representing the mountain on cover and a stencil of the personage with his crown. Pre-orders of the CD received an email to the MP3 @ 320 kbps album. Tracks length not printed on release, retrieved using a computer.
Publishing:
Tracks 1, 3, 6, 7, 10 to 12: New Futility Music, ASCAP [J. Davis] [istered by Kobalt Songs Music Publishing]
Track 2: New Futility Music, ASCAP [J. Davis], Definitive Jux Music/Pulse Music, SESAC [J. Meline], Aniyah's Music/Royalty Network, ASCAP [M. Render]
Track 4: New Futility Music, ASCAP [J. Davis], Manners McDade [N. Frahm]
Track 5: New Futility Music, ASCAP [J. Davis], Copyright Control [E. Upton]
Track 8: New Futility Music, ASCAP [J. Davis], Copyright Control, MS/PRS [M. Halsall & T. Modi]
Track 9: Michele Publ. Co., BMI [D. Stanley], New Futility Music, ASCAP [J. Davis], Bleep Bloop Music, ASCAP [A. Triggs], G Jones Music, ASCAP [G. Jones]
1 Contains interpolation of "Prima Alba" by Come Il Vento, 1975).
2: Brass recorded at Thrum Studio, London.
Contains interpolation of "Ol' Man River" by London Records, 1968).
5: Vocal treatments recorded at Circuit Studios, SF.
Contains a sample of "Every Day Is The Weekend" by Jive Records, 1998).
8: Live instrumentation recorded at 80 Hertz Studios, Manchester.
9: Contains interpolation of "Pitter Patter" by CRC Charter, 1965).
10: Contains interpolation of "Color Blind" by Priority Records, 1991).
11: This is the most ancient track of this album as it was initially released on November 4th, 2014 on The Liquid Amber EP.
(P) 2014 A&M Records Ltd. a division of Universal Music Operations Limited. Licensed courtesy of Universal International Music B.V.
For Mass Appeal Records: Amit Nerurkar, Peter Bittenbender
Thanks Tape Lab for the use of the Synthi 100.
In booklet: © 2016 Reconstruction Productions, Inc., under exclusive license to Mass Appeal Records, LLC.
On back sleeve: © 2016 New Futility Music (ASCAP), all rights worldwide istered exclusively by Kobalt Songs Music Publishing.
Publishing:
Tracks 1, 3, 6, 7, 10 to 12: New Futility Music, ASCAP [J. Davis] [istered by Kobalt Songs Music Publishing]
Track 2: New Futility Music, ASCAP [J. Davis], Definitive Jux Music/Pulse Music, SESAC [J. Meline], Aniyah's Music/Royalty Network, ASCAP [M. Render]
Track 4: New Futility Music, ASCAP [J. Davis], Manners McDade [N. Frahm]
Track 5: New Futility Music, ASCAP [J. Davis], Copyright Control [E. Upton]
Track 8: New Futility Music, ASCAP [J. Davis], Copyright Control, MS/PRS [M. Halsall & T. Modi]
Track 9: Michele Publ. Co., BMI [D. Stanley], New Futility Music, ASCAP [J. Davis], Bleep Bloop Music, ASCAP [A. Triggs], G Jones Music, ASCAP [G. Jones]
1 Contains interpolation of "Prima Alba" by Come Il Vento, 1975).
2: Brass recorded at Thrum Studio, London.
Contains interpolation of "Ol' Man River" by London Records, 1968).
5: Vocal treatments recorded at Circuit Studios, SF.
Contains a sample of "Every Day Is The Weekend" by Jive Records, 1998).
8: Live instrumentation recorded at 80 Hertz Studios, Manchester.
9: Contains interpolation of "Pitter Patter" by CRC Charter, 1965).
10: Contains interpolation of "Color Blind" by Priority Records, 1991).
11: This is the most ancient track of this album as it was initially released on November 4th, 2014 on The Liquid Amber EP.
(P) 2014 A&M Records Ltd. a division of Universal Music Operations Limited. Licensed courtesy of Universal International Music B.V.
For Mass Appeal Records: Amit Nerurkar, Peter Bittenbender
Thanks Tape Lab for the use of the Synthi 100.
In booklet: © 2016 Reconstruction Productions, Inc., under exclusive license to Mass Appeal Records, LLC.
On back sleeve: © 2016 New Futility Music (ASCAP), all rights worldwide istered exclusively by Kobalt Songs Music Publishing.
Barcode and Other Identifiers
- Barcode (Text): 8 12814 02035 4
- Barcode (Scanned): 812814020354
- Matrix / Runout: SOUND PERFORMANCE 15133-CD-0268 16-127-16
- Mastering SID Code: IFPI LK13
- Mould SID Code: none
- Rights Society: ASCAP
- Rights Society: SESAC
- Rights Society: MS/PRS
- Rights Society: BMI
Other Versions (5 of 10)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Mountain Will Fall (13×File, AAC, Album) | Reconstruction Productions | none | US | 2016 | |||
| The Mountain Will Fall (2×LP, Album) | Liquid Amber | MSAP0034LP | US | 2016 | |||
| The Mountain Will Fall (CD, Album) | Hostess Entertainment Unlimited | MSAP0034J, HSE-5094 | Japan | 2016 | |||
| The Mountain Will Fall (12×File, MP3, Album, 320 kbps) | Liquid Amber | MSAP0034LP | US | 2016 | |||
|
Recently Edited
|
The Mountain Will Fall (Cassette, Album, Limited Edition) | Liquid Amber | MSAP0034CS | US | 2016 |
Recommendations
Reviews
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dj shadow is best known for his sample based music, "entroducing" was a milestone and a classic by now.
josh has developed his style to more electronic music with modular synths, which some of his old fans don't like a lot, it is rhe same with amon tobin.
for me "the mountain will fall" is a real masterpiece and the shadow album i listened to the most, it grows and grows, here is so much to discover!
i saw josh 2 times live, one concert was on the mountain tour, which was amazing and mindblowing, this year he will come again to berlin, i look forward to it. -
-
One of the best releases of 2016 as far as electronic music goes. Cant understand the low ratings. Well done mr. Shadow.
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