R.E.M. – Out Of Time

R.E.M. - Out Of Time album cover

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Label:

 Warner Bros. Records – WX 404

Format:
Vinyl , LP, Album, Stereo

Country:

 Europe

Released:

Genre:

 Rock

Style:

 Alternative Rock

Tracklist

Time Side
A1 Radio Song
Arranged By [String Arrangement] – Mark Bingham
Bass – Peter Holsapple
Drums, Percussion – Bill*
Effects [Echo-Loop Feed] – Scott Litt
Guitar – Peter*
Organ, Bass – Mike*
Tenor Saxophone, Alto Saxophone, Baritone Saxophone – Kidd Jordan
Vocals – Michael*
4:12
A2 Losing My Religion
Acoustic Guitar – Peter Holsapple
Bass, Vocals, Keyboards, Arranged By [Keyboard Strings & Arrangement] – Mike*
Drums, Percussion – Bill*
Mandolin, Electric Guitar [Electric Octave Guitar] – Peter*
Vocals – Michael*
4:26
A3 Low
Arranged By [String Arrangement] – Mark Bingham
Bass – Peter Holsapple
Bass Clarinet – Kidd Jordan
Congas, Percussion – Bill*
Guitar – Peter*
Organ – Mike*
Vocals – Michael*
4:55
A4 Near Wild Heaven
Arranged By [String Arrangement] – Mark Bingham
Baritone Saxophone – Kidd Jordan
Bass, Vocals – Mike*
Drums, Percussion, Vocals, Piano – Bill*
Guitar [Guitars] – Peter*
Vocals – Michael*
3:17
A5 Endgame
Acoustic Guitar, Electric Guitar – Peter*
Arranged By [String Arrangement] – Mark Bingham
Bass Clarinet, Tenor Saxophone – Kidd Jordan
Bass, Vocals – Mike*
Flugelhorn – Cecil Welch
Percussion – Bill*
Vocals, Melodica [Bass Melodica], Arranged By [String & Horn Arrangement] – Michael*
3:48
Memory Side
B1 Shiny Happy People
Acoustic Guitar – Peter Holsapple
Arranged By [String Arrangement] – Mark Bingham
Drums, Percussion – Bill*
Electric Guitar – Peter*
Organ, Bass, Vocals – Mike*
Vocals – Michael*
3:44
B2 Belong
Bass, Vocals, Piano – Mike*
Drums, Vocals, Percussion – Bill*
Electric Guitar – Peter Holsapple
Vocals – Michael*
4:03
B3 Half A World Away
Arranged By [String Arrangement] – Mark Bingham
Bass, Percussion – Bill*
Mandolin, Acoustic Guitar – Peter*
Organ, Harpsichord, Vocals, Percussion – Mike*
Vocals – Michael*
3:26
B4 Texarkana
Acoustic Guitar – Peter Holsapple
Arranged By [String Arrangement] – Mark Bingham
Bass, Vocals, Keyboards, Arranged By [Keyboard Strings & Arrangement] – Mike*
Drums, Percussion – Bill*
Electric Guitar – Peter*
Pedal Steel Guitar – John Keane
Vocals – Michael*
3:36
B5 Country
Acoustic Guitar, Guitar [Loud Guitar] – Peter*
Bass, Percussion, Vocals – Bill*
Organ – Mike*
Pedal Steel Guitar – John Keane
Vocals – Michael*
4:07
B6 Me In Honey
Bass – Mike*
Drums, Percussion – Bill*
Guitar – Peter*
Vocals – Michael*
4:06

Companies, etc.

  • Record Company – Time Warner
  • Copyright © – R.E.M./Athens Ltd
  • Phonographic Copyright ℗ – R.E.M./Athens Ltd
  • Published By – Night Garden Music
  • Published By – Unichappell Music, Inc.
  • Published By – Copyright Control
  • Recorded At – Bearsville Studios
  • Overdubbed At – John Keane Studios
  • Recorded At – Soundscape Studios
  • Mixed At – Paisley Park Studios
  • Mastered At – Precision Mastering
  • Pressed By – Record Service Alsdorf
  • Made By – WEA Musik GmbH
  • Mastered At – Precision Lacquer
  • Mastered At – Specialty Records Corporation
  • Manufactured By – Record Service GmbH

Credits

  • [Office Assistance] – E.M. Carter
  • Arranged By [String & Horn Arrangement] – Mark Bingham
  • Artwork [Picture Story No. 1: Marble Steps, Picture Story No. 2: ersby] – Ben Katchor
  • Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Bass Clarinet – Kidd Jordan
  • Cello – Elizabeth Murphy*
  • Contractor [Orchestral Liaison] – Jay Weigel
  • Coordinator [Coordination, Bearsville] – Ian Kimmet
  • Coordinator [Coordination, Paisley Park] – Deborah Wang
  • Design [Packaging], Art Direction, Design – Tom Recchion
  • Double Bass – Ralph Jones (5)
  • Engineer – Scott Litt
  • Engineer [Assistant Engineer, Bearsville] – Mike Reiter*
  • Engineer [Assistant Engineer, Paisley Park] – Tom Garneau
  • Engineer [Assistant Engineer, Soundscape] – Ted Malia
  • Engineer [John Keane Studios] – John Keane
  • Flugelhorn – Cecil Welch
  • Lettering [Hand Lettering: Song Title, R.E.M. Logo] – Ed Rogers (2)
  • Management [Interagent To Ben Katchor] – Jem Cohen
  • Management [Interagent To Ed Rogers] – The Duplex Planet*
  • Mastered By – Stephen Marcussen
  • Performer [Additional Players] – Peter Holsapple
  • Performer [R.E.M.] – Peter Buck
  • Photography By [Animal Photograph] – Karina Santos
  • Photography By [Band Photograph] – Frank Ockenfels*
  • Photography By [Photograph: Plant Details #3, Photograph: Yellow Seascape With Film & Wood Blocks] – Mike Starn
  • Producer – Scott Litt
  • Songwriter [All Songs] – Buck*
  • Technician [Drum Assistance] – Bill Thomson
  • Technician [Tech Assistance] – Microwave (9)
  • Viola – Reid Harris
  • Viola, Leader – Paul Murphy (5)
  • Violin – Ellie Arenz

Notes

The rim text extends fully around the labels on this release. For releases where the text does not cover the full circumference of the labels, see Out Of Time.

Issued in a cardboard sleeve with a glossy finish. The spinal text is duplicated on the top seam. The back cover has the Warner 'W' logo debossed in the lower right-hand corner.

Includes a paper inner sleeve. A collage of photographs and illustrations is printed on one side and a list of credits is printed on the other side.

[Rear cover:]
Warner Bros. Records Inc., a Time Warner Company ... ℗ 1991 R.E.M. / Athens, Ltd. © 1991 R.E.M. / Athens, Ltd.
Made in

[Inner sleeve:]
Basic tracks recorded at Bearsville Studios, New York
Overdubs recorded at John Keane Studios, Georgia
Strings recorded at Soundscape Studios, Georgia
Mixed at Paisley Park Studios, Minnesota
Mastered [at] Precision Mastering, California
Published by Night Garden Music, istered everywhere by Unichappell Music, Inc. BMI
Kate Pierson appears courtesy of Reprise Records
KRS-1 appears courtesy of Jive Records
© 1991 R.E.M. / Athens, Ltd.

[Centre labels:]
All songs (G.B. only) Copyright Control
Made in by WEA Musik GmbH
℗ 1991 R.E.M. / Athens, Ltd.

[Runouts:]
As identified by their specific pattern in the runouts:
Direct Metal Mastered ('DMM'). The original master was produced at Precision Lacquer ('Precision'). Those masters were plated at Specialty Records Corporation (country code 'SP-GER'), whose stampers had been used for pressing by Record Service Alsdorf ('R/S Alsdorf').

Runout for all variants are (hand)-etched and stamped with varying segments. In any case 'R/S Alsdorf 759 926496-1-A/B' matrices are stamped.

Barcode and Other Identifiers

  • Barcode (Text): 0 7599-26496-1 2
  • Barcode (Scanned): 07599-26496-12
  • Label Code (Circled): LC 0392
  • Rights Society (Boxed): GEMA/BIEM
  • Price Code (): WE 391
  • Price Code: Ⓤ
  • Other (Back cover, WEA Cat. #, UK:): WX 404
  • Other (Labels, WEA Cat. #): WX 404
  • Other (Back cover, debossed non-ink stamp): [Warner Communications 'W' logo]
  • Matrix / Runout (Side A runout, var. 1): R/S Alsdorf 759 926496-1-A SP-GER
  • Matrix / Runout (Side B runout, var. 1): R/S Alsdorf 759 926496-1-B 1-264 96-B-INTL-SET I-DMM SP-GER 56 Precision
  • Matrix / Runout (Side A runout, var. 2): R/S Alsdorf 759 926496-1-A2 2 1-26496-A-INTL-SET-I-DIMM SP 1-3 SP-GER Precision
  • Matrix / Runout (Side B runout, var. 2): R/S Alsdorf 759 926496-1-B2 1-264 2936-B-INTL-SET I-DMM SP 1-3 SP-GER Precision
  • Matrix / Runout (Side A runout, var. 3): R/S Alsdorf 759 926496-1-A2 52 1-26496-A-INTL-SET I Precision
  • Matrix / Runout (Side B runout, var. 3): R/S Alsdorf 759 926496-1-B 821-26496-B-INTL-SET I-DMM SP-GER
  • Matrix / Runout (Side A runout, var. 4): R/S Alsdorf 759 926496-1-A 1-26496-A-INTL-SET I Precision 36 DMM SP 1-1 SP-GER
  • Matrix / Runout (Side B runout, var. 4): R/S Alsdorf 759 926496-1-B 1-26496-B-INTL-SET I-DMM SP1-1 SP-GER Precision
  • Matrix / Runout (Side A runout, var. 5): R/S Alsdorf 759 926496-1-A2X 95 1-26496-A-INTL-SET-I-DMM SP 1-3 SP-GER Precision
  • Matrix / Runout (Side B runout, var. 5): R/S Alsdorf 759 926496-1-BXX 76 1-26496-B-INTL-SET I-DMM SP 1-1 SP-GER Precision
  • Matrix / Runout (Side A runout, var. 6): R/S Alsdorf 759 926496-1-A2X 1-26496-A-INTL-SET I -DMM SP1-3 SP-GER Precision
  • Matrix / Runout (Side B runout, var. 6): R/S Alsdorf 759 926496-1-B2 1-26496-B-INTL-SET I-DMM SP1-3 SP-GER Precision
  • Matrix / Runout (Side A runout, var. 7): R/S Alsdorf 759 926496-1-A3 1-26496-A-INTL-SET I -DMM SP1-4 Precision 1
  • Matrix / Runout (Side B runout, var. 7): R/S Alsdorf 759 926496-1-B 1-26496-B-INTL-SET I-DMM SP1-1 SP-GER Precision 40
  • Matrix / Runout (Side A runout, var. 8): R/S Alsdorf 759 926496-1-Axx J2649-A-INTL-SET 1 DMM SP1-B SP-GER Precision Λ3
  • Matrix / Runout (Side B runout, var. 8): R/S Alsdorf 759 926496-1-Bxx 1-26496-B-1- INTL- SET 1-DMM SP1-1 SP-GER 6Λ Precision
  • Matrix / Runout (Side A runout, var. 9): R/S Alsdorf 759 926496-1-Axxx 1-26496-A-INTL-SET 1-DMM SP1-1 SP-GER Precision
  • Matrix / Runout (Side B runout, var. 9): R/S Alsdorf 759 926496-1-Bx 1-26496-B-INTL-SET 1-DMM SP1-1 94 SP-GER Precision
  • Matrix / Runout (Side A runout, var. 10): R/S Alsdorf 759 926496-1-Axx J2649-A-INTL-SET 1 DMM SP1-B SP-GER 12 Precision
  • Matrix / Runout (Side B runout, var. 10): R/S Alsdorf 759 926496-1-Bx 1-26496-B-INTL-SET 1-DMM SET 1 SP-GER 98 Precision
  • Matrix / Runout (Side A runout, var. 11): R/S Alsdorf 759 926496-1-A2 X 1-26496-A-INTL-SET I -DMM SP1-3 SP-GER Precision 70
  • Matrix / Runout (Side B runout, var. 11): R/S Alsdorf 759 926496-1-Bxx 1-26496-B-INTL-SET 1-DMM SP1-1 SP-GER Precision 63
  • Matrix / Runout (Side A runout, var. 12): R/S Alsdorf 759 926496-1-A2 1-26496-A-INTL-SET 1 DMM SP 1-3 SP-GER 10 Precision
  • Matrix / Runout (Side B runout, var. 12): R/S Alsdorf 759 926496-1-B 1-26496-B-INTL-SET 1-DMM SP1-1 SP-GER Precision 99
  • Matrix / Runout (Side A runout, var. 13): R/S Alsdorf 759 926496-1-A2x J-26496-A-INTL-SET 1 DMM SP1-3 SP-GER Precision 9
  • Matrix / Runout (Side B runout, var. 13): R/S Alsdorf 759 926496-1-Bxx 1-26496-B-INTL-SET 1-DMM SP1-1 SP-GER Precision 32
  • Matrix / Runout (Side A runout, var. 14): R/S Alsdorf 759 926496-1-A2x 1-26496-A-INTL-SET1-DMM SP13 SP-GER Precision
  • Matrix / Runout (Side B runout, var. 14): R/S Alsdorf 759 926496-1-B2 1-26496-B-INTL-SET1-DMM SP13 SP-GER Precision 42
  • Matrix / Runout (Side A runout, var. 15): R/S Alsdorf 759 926496-1-A x 1-26496-A-INTL-SET I-DMM SP 1-1 SP-GER Precision 7
  • Matrix / Runout (Side B runout, var. 15): R/S Alsdorf 759 926496-1-B 1-26496-B-INTL-SET I DMM SP 1-1 SP-GER Precision 6
  • Matrix / Runout (Side A runout, var. 16): R/S Alsdorf 759 926496-1-A x 1-26496-A-INTL-SET I-DMM SP 1-1 SP-GER 24 Precision
  • Matrix / Runout (Side B runout, var. 16): R/S Alsdorf 759 926496-1-Bxx 1-26496-B-INTL-SET I DMM SP 1-1 SP-GER Precision 5
  • Matrix / Runout (Side A runout, var. 17): R/S Alsdorf 759 926496-1-A SP-GER 63 1-26496-A-INTL-SET I DMM SP 1-1 SP-GER 63 precision
  • Matrix / Runout (Side B runout, var. 17): R/S Alsdorf 759 926496-1-B 1-26496-B-INTL-SET I-DMM SP 1-1 SP-GER precision 43

Other Versions (5 of 221)

View All
Title (Format) Label Cat# Country Year
Out Of Time (LP, Album) Warner Bros. Records 670.9323, 01276 Brazil 1991
Out Of Time (LP, Album, Stereo) Warner Bros. Records 7599-26496-1, WX 404 Europe 1991
Out Of Time (Cassette, Album, Club Edition) Warner Bros. Records W4 26496 Canada 1991
Recently Edited
Out Of Time (CD, Album, SRC) Warner Bros. Records 9 26496-2 US 1991
Recently Edited
Out Of Time (Cassette, Album, Unofficial Release) Unison (2) none Bulgaria 1991

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Reviews

  • board's avatar
    board
    This LP was cut from the CD master.
    If you make a digital recording of the LP at at least 48 kHz and look at a spectogram you will see that there's a sharp cut-off just above 20 Kzh. I've done this with both the American and the European LP.
    So, this means that if you like how this LP sounds over the CD, it's simply because you prefer the frequency response of your phono cartridge, the effect of rumble, less channel separation in the cartridge, etc.
    There's absolutely nothing wrong with preferring that, but it's simply a preference and not higher fidelity. Unless using a very poor converter (and they're much less common than many people believe) digitization is an inaudible process. I have yet to meet a person who claimed that digitization is audible who has actually properly tested that claim.
    • echauhan1's avatar
      echauhan1
      played through this NM original, and sounds very warm and vinyl'ish. Great bass and vocals, and mids and depth. I had the original CD back in the day and I recall the CD a bit brighter and sharper on the strings and percussion. I wonder which is more faithful to the original studio performance, this vinyl or the CD? I hope this vinyl is the one.
      • GoodTunes's avatar
        GoodTunes
        A stupendous pressing. Crystal-clear vocals, good sound separation. Very satisfied!

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