Adele (3) – 25

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Label:	XL Recordings – XLLP740
Format:	Vinyl , LP, Album, Stereo
Country:	Europe
Released:	Nov 20, 2015
Genre:	Pop
Style:	Piano Blues

Tracklist

A1	Hello Bass, Drums, Guitar, Piano, Keyboards – Greg Kurstin Engineer – Liam Nolan Instruments [Additional Instrumentation] – Emile Haynie Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Producer – Greg Kurstin Vocals, Drums – Adele Adkins Written-By – Greg Kurstin Bass, Drums, Guitar, Piano, Keyboards – Greg Kurstin Engineer – Liam Nolan Instruments [Additional Instrumentation] – Emile Haynie Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Producer – Greg Kurstin Vocals, Drums – Adele Adkins Written-By – Greg Kurstin	4:52
A2	Send My Love (To Your New Lover) Backing Vocals – Max Martin Engineer – Michael Ilbert Engineer [Engineered For Mix By] – John Hanes Mixed By – Serban Ghenea Producer – Shellback (2) Programmed By, Percussion – Shellback (2) Vocals, Backing Vocals, Guitar – Adele Adkins Written-By – Shellback (2) Backing Vocals – Max Martin Engineer – Michael Ilbert Engineer [Engineered For Mix By] – John Hanes Mixed By – Serban Ghenea Producer – Shellback (2) Programmed By, Percussion – Shellback (2) Vocals, Backing Vocals, Guitar – Adele Adkins Written-By – Shellback (2)	3:38
A3	I Miss You Drums, Bass, Piano, Organ, Guitar, Percussion, Programmed By – Paul Epworth Engineer – Matt Wiggins Engineer [Additional Engineering] – Riley McIntyre Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Producer – Paul Epworth Vocals – Adele Adkins Written-By – Paul Epworth Drums, Bass, Piano, Organ, Guitar, Percussion, Programmed By – Paul Epworth Engineer – Matt Wiggins Engineer [Additional Engineering] – Riley McIntyre Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Producer – Paul Epworth Vocals – Adele Adkins Written-By – Paul Epworth	5:45
A4	When We Were Young Bass – Gus Seyffert Drums – Joey Waronker Engineer – David Schiffman Engineer [Additional Engineering] – Nick Rowe Engineer [Assistant Engineer] – Michael Harris (10) Guitar – Benji Lysaght Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Organ [Optigan & B3] – Roger Manning Jr.* Piano [Prepared Piano], Harmonium – Nico Muhly Piano, Backing Vocals – Tobias Jesso Jr. Producer – Ariel Rechtshaid Programmed By, Organ, Glockenspiel, Synthesizer, Percussion, Backing Vocals – Ariel Rechtshaid Vocals – Adele Adkins Written-By – Tobias Jesso Jr. Bass – Gus Seyffert Drums – Joey Waronker Engineer – David Schiffman Engineer [Additional Engineering] – Nick Rowe Engineer [Assistant Engineer] – Michael Harris (10) Guitar – Benji Lysaght Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Organ [Optigan & B3] – Roger Manning Jr.* Piano [Prepared Piano], Harmonium – Nico Muhly Piano, Backing Vocals – Tobias Jesso Jr. Producer – Ariel Rechtshaid Programmed By, Organ, Glockenspiel, Synthesizer, Percussion, Backing Vocals – Ariel Rechtshaid Vocals – Adele Adkins Written-By – Tobias Jesso Jr.	4:44
A5	Remedy Engineer – Rich Rich Engineer [Assisted By] – Martin Hollis Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano, Keyboards [MKII Keyboard], Bass [Moog Bass] – Ryan Tedder Producer – Ryan Tedder Vocals – Adele Adkins Written-By – Ryan Tedder Engineer – Rich Rich Engineer [Assisted By] – Martin Hollis Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano, Keyboards [MKII Keyboard], Bass [Moog Bass] – Ryan Tedder Producer – Ryan Tedder Vocals – Adele Adkins Written-By – Ryan Tedder	3:58
B1	Water Under The Bridge Bass, Drums, Guitar, Piano, Keyboards – Greg Kurstin Engineer – Liam Nolan Engineer [Engineered For Mix By] – John Hanes Mixed By – Serban Ghenea Producer – Greg Kurstin Vocals – Adele Adkins Written-By – Greg Kurstin Bass, Drums, Guitar, Piano, Keyboards – Greg Kurstin Engineer – Liam Nolan Engineer [Engineered For Mix By] – John Hanes Mixed By – Serban Ghenea Producer – Greg Kurstin Vocals – Adele Adkins Written-By – Greg Kurstin	3:56
B2	River Lea Bass, Percussion – Declan Gaffney Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano, Electric Guitar, Organ, Programmed By [Programming] – Danger Mouse Producer – Danger Mouse Recorded By, Engineer – Declan Gaffney Vocals – Adele Adkins Written-By – Brian Burton Bass, Percussion – Declan Gaffney Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano, Electric Guitar, Organ, Programmed By [Programming] – Danger Mouse Producer – Danger Mouse Recorded By, Engineer – Declan Gaffney Vocals – Adele Adkins Written-By – Brian Burton	3:42
B3	Love In The Dark Arranged By [String Arrangement] – Oliver Kraus Conductor – Adam Klemens Contractor [Orchestra Contractor] – Petr Pycha Engineer – Samuel Dixon* Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano, Synthesizer – Samuel Dixon* Producer – Samuel Dixon* Strings – FILMharmonic Orchestra Vocals – Adele Adkins Written-By – Samuel Dixon* Arranged By [String Arrangement] – Oliver Kraus Conductor – Adam Klemens Contractor [Orchestra Contractor] – Petr Pycha Engineer – Samuel Dixon* Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano, Synthesizer – Samuel Dixon* Producer – Samuel Dixon* Strings – FILMharmonic Orchestra Vocals – Adele Adkins Written-By – Samuel Dixon*	4:42
B4	Million Years Ago Acoustic Guitar, Bass – Greg Kurstin Engineer – Liam Nolan Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Producer – Greg Kurstin Vocals – Adele Adkins Written-By – Greg Kurstin Acoustic Guitar, Bass – Greg Kurstin Engineer – Liam Nolan Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Producer – Greg Kurstin Vocals – Adele Adkins Written-By – Greg Kurstin	3:45
B5	All I Ask Engineer – Charles Moniz Engineer [Assisted By] – Jacob Dennis Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano – Greg Phillinganes Producer – The Smeezingtons Vocals – Adele Adkins Written-By – Philip Lawrence* Engineer – Charles Moniz Engineer [Assisted By] – Jacob Dennis Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano – Greg Phillinganes Producer – The Smeezingtons Vocals – Adele Adkins Written-By – Philip Lawrence*	4:26
B6	Sweetest Devotion Bass – Tom Herbert Drums – Leo Taylor Engineer – Matt Wiggins Engineer [Additional Engineering] – Riley McIntyre Guitar – Pablo Tato Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Percussion, Programmed By – Paul Epworth Piano – Nikolaj Torp Larsen* Producer – Paul Epworth Vocals, Piano – Adele Adkins Written-By – Paul Epworth Bass – Tom Herbert Drums – Leo Taylor Engineer – Matt Wiggins Engineer [Additional Engineering] – Riley McIntyre Guitar – Pablo Tato Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Percussion, Programmed By – Paul Epworth Piano – Nikolaj Torp Larsen* Producer – Paul Epworth Vocals, Piano – Adele Adkins Written-By – Paul Epworth	4:08

Companies, etc.

Phonographic Copyright ℗ – XL Recordings Ltd.
Copyright © – XL Recordings Ltd.
Mastered At – Sterling Sound
Published By – 80's Baby Entertainment
Published By – BMG Rights Management (US) LLC
Published By – Chrysalis Music Ltd.
Published By – EMI April Music Inc.
Published By – Kurstin Music
Published By – Mars Force Songs, LLC
Published By – MXM Music
Published By – Songs of Universal, Inc.
Published By – Sony/ATV Music Publishing Ltd.
Published By – Sweet Science
Published By – Universal Music
Published By – Universal Music Publishing Ltd.
Published By – Write Me A Song Publishing
Published By – ZZR Music, LLC
Recorded At – Air Studios
Recorded At – British Grove
Recorded At – Dean St. Studios
Recorded At – Eastcote Studios
Recorded At – Glenwood Place Studios
Recorded At – Metropolis Studios
Recorded At – MXM Studios
Recorded At – Sam's Studio
Recorded At – Smecky Music Studios
Recorded At – The Church, London
Recorded At – West Point Studios
Mixed At – Capitol Studios
Mixed At – Electric Lady Studios
Mixed At – MixStar Studios
Produced For – MXM Productions
Pressed By – Optimal Media GmbH – BF10465
Lacquer Cut At – Sterling Sound

Credits

Art Direction, Design – Phil Lee (5)
Lacquer Cut By [Runout Etch] – RKS*
Management – September Management Ltd.
Mastered By – Tom Coyne
Photography By [Booklet Photography By] – Alexandra Waespi
Photography By [Front & Back Cover Photography By] – Alasdair McLellan

Notes

Printed and pictured inner sleeve with credits.
Runouts are etched, except for the part "STERLING" which is stamped. The part "4=V" (var. 9) is mirrored.

℗ 2015 XL Recordings Ltd. © 2015 XL Recordings Ltd.

Mastered at Sterling Sound, NYC.
Vinyl Mastering at Sterling Sound, NYC.

A1 published by Universal Music Publishing Ltd. (BMI) & Kurstin Music / EMI April Music, INC. (ASCAP).
Recorded at Metropolis Studios, London.
Mixed at Capitol Studios, Los Angeles & Electric Lady Studios, New York.

A2 published by Universal Music Publishing Ltd. (BMI) & MXM Music (ASCAP) (. by Kobalt Songs Music Publishing).
Produced for MXM Productions.
Recorded at MXM Studios, Stockholm & Eastcote Studios, London.
Mixed at MixStar Studios, Virginia Beach.

A3 published by Universal Music Publishing Ltd. (BMI) & Sony ATV Music Publishing Ltd. (ASCAP).
Recorded at The Church Studios, London.
Mixed at Capitol Studios, Los Angeles & Electric Lady Studios, New York.

A4 published by Universal Music Publishing Ltd. (BMI) & Songs of Universal, Inc.
Recorded at Dean Street Studios, London.
Mixed at Capitol Studios, Los Angeles & Electric Lady Studios, New York.

A5 published by Universal Music Publishing Ltd. (BMI) & Write Me A Song Publishing (GMR), A. PUB ENT.
Recorded at Air Studios, London & British Grove Studios, London.
Mixed at Electric Lady Studios, New York.

B1 published by Universal Music Publishing Ltd. (BMI) & Kurstin Music / EMI April Music, INC. (ASCAP).
Recorded at Metropolis Studios, London.
Mixed at MixStar Studios, Virginia Beach.

B2 published by Universal Music Publishing Ltd. (BMI) & Sweet Science (ASCAP).
Recorded at West Point Studios, Dean Street Studios & Air Studios, London.
Mixed at Electric Lady Studios, New York.

B3 published by Universal Music Publishing Ltd. (BMI) & Chrysalis Music Ltd., a BMG Chrysalis company (APRA/ASCAP).
Recorded at Sam's Studio, London & Smecky Studio, Prague.
Mixed at Electric Lady Studios, New York.

B4 published by Universal Music Publishing Ltd. (BMI) & Kurstin Music / EMI April Music, INC. (ASCAP).
Recorded at Metropolis Studios, London.
Mixed at Electric Lady Studios, New York.

B5 published by Universal Music Publishing Ltd. (BMI), Mars Force Songs, LLC (ASCAP) and BMG Rights Management (US) LLC; exclusively istered by BMG / ZZR Music, LLC-Universal Music (ASCAP).
istered by Universal Music Publishing (ASCAP) / 80's Baby Entertainment (ASCAP).
Recorded at Glenwood Recording Studios, Los Angeles.
Mixed at Capitol Studios, Los Angeles & Electric Lady Studios, New York.

B6 published by Universal Music Publishing Ltd. (BMI) & Sony ATV Music Publishing Ltd. (ASCAP).
Recorded at The Church Studios, London.
Mixed at Capitol Studios, Los Angeles & Electric Lady Studios, New York.

Barcode and Other Identifiers

Barcode (Scanned): 0634904074012
Barcode (Text): 634904074012
Rights Society: BMI
Rights Society (Tracks A1 to A3, B1, B2, B4 to B6): ASCAP
Rights Society (Track A5): GMR
Rights Society (Track B3): APRA/ASCAP
Matrix / Runout (Side A runout, variant 1): ^ XLLP740 (A1) BF10465-01 A1 RKS STERLING
Matrix / Runout (Side B runout, variant 1): BF10465-01 B1 XLLP740 (B1) RKS STERLING
Matrix / Runout (Side A runout, variant 2): ^ XLLP740 (A2) BF10465-01 A2 RKS STERLING
Matrix / Runout (Side B runout, variant 2): BF10465-01 B1 XLLP740 (B1) RKS STERLING
Matrix / Runout (Side A runout, variant 3): XLLP740-A3 BF10465-01 A3 RKS STERLING
Matrix / Runout (Side B runout, variant 3): XLLP740-B3 BF10465-01 B2 RKS STERLING
Matrix / Runout (Side A runout, variant 4): XLLP740 (A1) BF10465-01 A1 RKS STERLING 3T
Matrix / Runout (Side B runout, variant 4): BF10465-01 B1 XLLP740 (B1) RKS STERLING ^14
Matrix / Runout (Side A runout, variant 5): XLLP740-A3 BF10465-01 A3 RKS STERLING VZI+
Matrix / Runout (Side B runout, variant 5): XLLP740-B3 BF10465-01 B2 △ I S⋀ RKS STERLING
Matrix / Runout (Side A runout, variant 6): XLLP740 (A1) 3X BF10465-01 A1 RKS STERLING
Matrix / Runout (Side B runout, variant 6): XLLP740 (B1) VIN BF10465-01 B1 RKS STERLING
Matrix / Runout (Side A runout, variant 7): XLLP740-A3 BF10465-01 A3 RKS STERLING VIƧΛ
Matrix / Runout (Side B runout, variant 7): XLLP740-B3 BF10465-01 B2 RKS STERLING
Matrix / Runout (Side A runout, variant 8): XLLP740 (A1) BF10465-01 A1 711 RKS STERLING
Matrix / Runout (Side B runout, variant 8): XLLP740 (B1) RKS STERLING 2X BF10465-01 B1
Matrix / Runout (Side A runout, variant 9): XLLP740 (A1) BF10465-01 A1 RKS STERLING ΛF
Matrix / Runout (Side B runout, variant 9): XLLP740 (B1) 4=V RKS STERLING BF10465-01 B1

Other Versions (5 of 45)

View All

	Title (Format)	Label	Cat#	Country	Year
Recently Edited	25 (CD, Album, Stereo)	Columbia	88875175952	US	2015
Recently Edited	25 (LP, Album, Stereo, 180g, RTI Pressing)	Columbia	88875176771, 88875176771 S1	US	2015
Recently Edited	25 (CD, Album, Stereo)	Hostess Entertainment Unlimited	XLCD740J, BGJ-5252	Japan	2015
New Submission	25 (11×File, AAC, Album, 256 kbps)	XL Recordings	none		2015
Recently Edited	25 (CD, Album)	XL Recordings	XLCD740	Europe	2015

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Reviews

Techtronix Feb 8, 2024
Edited one year ago

Good recording, the bass goes deep and fast and complements Adele's voice well. Wide soundstage and a quiet background. Printed The inner sleeve is quality, just wished for lyrics.
filmalishev Nov 3, 2023
Quality of the vinyl half good half not really. But happy to have it in collection
Browser.e46 May 26, 2023
Play this in my old Braun P1 with a Pickering sxv 3000 element on 0.9 gramms pressure and it still sounds great, both the lows and the highs. No rumbles, ticks or clicks... Great release imo
I_love.vinyl Jul 2, 2022
Edit : I got a new copy today. MUCH BETTER!!! Only some clicks and some surface but sounds really good!!

Original : Terrible pressing.. it came with a lot scuffs and marks on the vinyl. It has so many pops and so much surface noise! What a shame because the album is so good!😭
gaburrito Oct 26, 2021
It sounds great, but the paper inner sleeve left a bunch of scratch marks on the surface of the record. One of the them causes a couple of clicks on Track 4 which is really a bummer since that’s one of my favorite tracks on the album.
cataldoto Jun 29, 2021
Least poppy of the 3 Adele's not as strong though as 19 or 21 for me.
Der.kleine.Sammler May 7, 2021
Sounds perfect to me, that's a very good pressing over here!
mhk246 Apr 25, 2021
This is a pretty good pressing. The cover has a really cool texture and I like the inner sleeve artwork. There is a bit of surface noise on side A, but it isn’t terrible. Another small issue is that I wish the highs in the album were just a little bit clearer, because a couple songs aren’t too clear. I actually think I like this better than 21, because the beats and production of the songs are very different, which just makes each song more memorable. Definitely pick this up if you like the album.
rosspamp Mar 20, 2021
Poor mastering for vinyl sounds very compressed (loudness wars) like it was the cd master
waltegag000 Sep 23, 2020
Edited 4 years ago

This guy was selling this vinyl on eBay. But for $1,000,00?!?!? No way I’m buying! Here’s a link to it tho: https://www.ebay.com/itm/Adele-25-Deluxe-Edition-Vinyl-Untouched/301882373636?hash=item4649977604%3Ag%3A1JkAAOSwuAVW0FXu&LH_All=1 If anyone is selling for a WAY cheaper price let me know.

Adele (3) – 25

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