Coldplay – Parachutes
Label: |
Parlophone – 527 7831 |
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Format: |
Vinyl
, LP, Album, Repress
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Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
A1 | Don't Panic | 2:17 | |
A2 | Shiver | 4:59 | |
A3 | Spies | 5:18 | |
A4 | Sparks | 3:47 | |
A5 | Yellow | 4:29 | |
B1 | Trouble | 4:30 | |
B2 | Parachutes | 0:46 | |
B3 | High Speed | 4:14 | |
B4 | We Never Change | 4:09 | |
B5 | Everything's Not Lost | 5:25 | |
B6 | Life Is For Living | 1:37 |
Companies, etc.
- Marketed By – EMI
- Distributed By – EMI
- Phonographic Copyright ℗ – EMI Records Ltd.
- Copyright © – EMI Records Ltd.
- Published By – BMG Music Publishing Ltd.
- Mixed At – MHB Productions
- Mastered At – Sterling Sound
- Recorded At – Matrix Studios
- Recorded At – Wessex Sound Studios
- Recorded At – Parr Street Studios
- Recorded At – Rockfield Studios
- Recorded At – Orinoco Studios
- Designed At – Blue Source
Credits
- A&R – Dan Keeling
- Computer [Computer Magic] – Mark Phythian
- Design – Coldplay
- Design [Assistant] – Mark Tappin
- Engineer – Ken Nelson
- Engineer [Assistant] – Paul Read
- Management – Phil Harvey
- Mastered By – George Marino
- Mixed By – Micheal H. Brauer*
- Performer [Coldplay] – Will Champion
- Photography By – Tom Sheehan (3)
- Photography By [Cover Photograph] – Coldplay
- Producer – Ken Nelson (tracks: A1 to B2, B4 to B6)
- Producer, Engineer, Mixed By – Chris Allison (tracks: B3)
Notes
Mixed for MHB Productions. Recorded at intervals between November 1999 and May 2000 at Matrix, Wessex, Parr Street and Rockfield Studios (except 'High Speed' recorded Summer 1999 at Orinoco).
℗ 2000, except track B3 ℗ 1999 The copyright in this sound recording is owned by EMI Records Ltd. © 2000 EMI Records Ltd.
Made in the EU.
Issued with picture inner bag. Track B6 is hidden (not mentioned anywhere in the release).
527 7831 is the catalog number for the UK.
To differentiate this release from Coldplay - Parachutes, check the runout inscriptions.
℗ 2000, except track B3 ℗ 1999 The copyright in this sound recording is owned by EMI Records Ltd. © 2000 EMI Records Ltd.
Made in the EU.
Issued with picture inner bag. Track B6 is hidden (not mentioned anywhere in the release).
527 7831 is the catalog number for the UK.
To differentiate this release from Coldplay - Parachutes, check the runout inscriptions.
Barcode and Other Identifiers
- Barcode (UPC-A, scanned): 724352778317
- Barcode (UPC-A, text): 7 24352 77831 7
- Label Code: LC 0299
- Rights Society (circled): bel BIEM
- Price Code (F): PM 520
- Matrix / Runout (Side A runout, stamped, variant 1): 5277831 2A
- Matrix / Runout (Side B runout, stamped, variant 1): 5277831 2B
- Matrix / Runout (Side A runout, stamped, variant 2): 5277831 4A E
- Matrix / Runout (Side B runout, stamped, variant 2): 5277831 4B 3
- Matrix / Runout (Side A runout, stamped, variant 3): 5277831 4A
- Matrix / Runout (Side B runout, stamped, variant 3): 5277831 3B
Other Versions (5 of 157)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Parachutes (CD, Album) | Parlophone | 7243 5 27783 2 4, 527 7832 | Europe | 2000 | ||
Parachutes (CD, Album) | EMI Music Canada | 7243 5 27783 2 4 | Canada | 2000 | |||
Recently Edited
|
Parachutes (LP, Album) | Parlophone | 7243 5 27783 1 7, 527 7831 | Europe | 2000 | ||
Recently Edited
|
Parachutes (CD, Promo) | EMI Records Australia | CHUTE001 | Australia | 2000 | ||
Recently Edited
|
Parachutes (CD, Album, Stereo) | Nettwerk America | 0 6700 30162 2 3 | US | 2000 |
Recommendations
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2014 UK, Europe & USLP, Album, Reissue, Remastered
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Reviews
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Took me a few minutes to realise which copy I have, but it’s definitely this repress. However, the quality is outstanding on my SL1200. Super crisp. You can hear every instrument. Chris’s voice is so clear. This was one of the albums I owned when I first started driving - brings back many memories.
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I own this pressing and a 2000 1st pressing - and I can say that they sound exactly the same to me. Although I am unable to do a direct side by side comparison, this is my favourite album of all time and I know it intimately, so I can say safely that the two pressings are identical in sound to my ears. The weight of this pressing in the hand is slightly heavier than the 1st pressing- but there isn't a lot to separate the two.
I have to it the sound is absolutely fantastic - and I had heard previously that when Parachutes was pressed to vinyl originally it was a direct tape transfer from the original master tapes. I am unsure if this pressing is the same, but my guess is that it is pressed the same, as it sounds identical and really pure to me. The detail and clarity sounds the same on both pressing. -
Wow, this sounds incredible from a pressing perspective as the soundstage is very distinct and great spacing. Also no detectable surface noise.
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Edited 7 years agoI'm not sure about this repress or how it was followed through or who by but I spoke to ken nelson (producer) about the initial 2000 release; so you purists know, tracks: A1 to B2, B4 to B6 on the 2000 release were direct-from-tape transfers, not transferred digitally, not messed with, not remastered, not subject to awfull digital filters or pre ringing. A1 to B2, B4 to B6 on the 2000 release are the best possible window to the studio recordings that are available (unless one owns the master tape). How these tracks were handled is especially rare for a millennium release.
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