Nick Cave And The Bad Seeds* – Let Love In
Label: |
BMG – LPSEEDS8 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| A1 | Do You Love Me? | 5:56 | |
| A2 | Nobody's Baby Now | 3:52 | |
| A3 | Loverman | 6:21 | |
| A4 | Jangling Jack | 2:47 | |
| A5 | Red Right Hand | 6:10 | |
| B1 | I Let Love In | 4:14 | |
| B2 | Thirsty Dog | 3:48 | |
| B3 | Ain't Gonna Rain Anymore | 3:46 | |
| B4 | Lay Me Low | 5:08 | |
| B5 | Do You Love Me? (Part 2) | 6:12 |
Companies, etc.
- Phonographic Copyright ℗ – Mute Records Ltd.
- Copyright © – Mute Records Ltd.
- Published By – Mute Song Ltd.
- Manufactured By – [PIAS]
- Marketed By – [PIAS]
- Distributed By – [PIAS]
- Recorded At – Townhouse 3
- Recorded At – Metropolis Audio
- Mixed At – Metropolis Audio
- Mastered At – EMI Studios 301
- Engineered At – Atlantis Sound
- Engineered At – Vielklang Studio, Berlin
- Engineered At – GT Eden
- Produced At – Assorted Images
- Pressed By – Optimal Media GmbH – BE50957
Credits
- Design – Robert Hales
- Engineer [Assistant Engineer At Metropolis] – Tim Johnston
- Engineer [Assistant Engineer At Townhouse III] – Giles Cowley
- Engineer [Demos Done With, At Atlantis] – Dave Mc Cluney*
- Engineer [Demos Done With, At GT Eden] – Victor Van Vugt
- Engineer [Demos Done With, At Vielklang] – Patrik*
- Mastered By – Don Bartley
- Mixed By – Tony Cohen
- Photography By – Polly Borland
- Producer [Produced By] – Tony Cohen
Notes
Some copies include a code for FLAC or MP3.
Printed inner sleeve.
From front sticker:
Includes code
Recorded at Townhouse III, London, September '93 and Metropolis, Melbourne, December '93.
Mixed at Metropolis
Mastered at 301, Sydney
Sleeves produced at Assorted Images
Made in the EU.
℗ 2011 Mute Records Ltd, A BMG Company
© 2014 Mute Records Ltd, A BMG Company
Printed inner sleeve.
From front sticker:
Includes code
Recorded at Townhouse III, London, September '93 and Metropolis, Melbourne, December '93.
Mixed at Metropolis
Mastered at 301, Sydney
Sleeves produced at Assorted Images
Made in the EU.
℗ 2011 Mute Records Ltd, A BMG Company
© 2014 Mute Records Ltd, A BMG Company
Barcode and Other Identifiers
- Barcode (Text): 5 414939 710810
- Barcode (Scanned): 5414939710810
- Label Code: LC05834
- Rights Society: SABAM/BIEM
- Matrix / Runout (Etched runout side A, variant 1): BE50957-01 A1 LPSEEDS8
- Matrix / Runout (Etched runout side B, variant 1): BE50957-01 B1 LPSEEDS8
- Matrix / Runout (Etched runout side A, variant 2): BE50957-01 A1 LP SEED S8 =S
- Matrix / Runout (Etched runout side B, variant 2): BE50957-01 B1 LPSEEDS8 3Λ
- Matrix / Runout (Etched runout side A, variant 3): BE50957-01 A1 LP SEED S8 Γဥ
- Matrix / Runout (Etched runout side B, variant 3): BE50957-01 B1 LPSEEDS8 3⊥
- Matrix / Runout (Side A variant 4): BE50957-01 A1 LPSEED S8
- Matrix / Runout (Side B variant 4): BE50957-01 B1 -1= LPSEEDS8
Other Versions (5 of 107)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Let Love In (LP, Album) | Mute | STUMM 123 | UK | 1994 | |||
| Let Love In (CD, Album) | Indisc | 2100855 | Belgium | 1994 | |||
|
Recently Edited
|
Let Love In (CD, Album) | Disques Vogue | 74321197282 | Europe | 1994 | ||
|
Recently Edited
|
Let Love In (CD, Album) | Mute | D 31158, D31158 | Australia | 1994 | ||
|
Recently Edited
|
Let Love In (CD, Album, Club Edition) | Mute | 61645-2 | US | 1994 |
Recommendations
Reviews
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Edited 27 days agoMy pressing is clean as a whistle. Not a pop or click on the whole record. This sounds amazing to my ears. Nick Cave & The Bad Seeds records don’t have conventional mixes on their records. Another band that is similar to them in that department is The Cure. Honestly, I find this pressing really good. To me it sounds punchy and detailed. Sure the record sounds a little forward which some may qualify as “boxy” but there is good instrument separation and it creates a very unique vibe. That’s the best I can explain it.
Anyway here is the equipment I listened this record on:
TT: Fisher MT-6225
Cart: AT-VM95ml
Amp: Harman/Kardon hk495i
Speakers: Tannoy C-8 -
Edited one year agoOverall, really cool. The vocals on the first song sound horrible in the mix… distant and compressed. The band sounds great when they break through the vocals. The rest of the album though, is incredible. Not audiophile, a bit compressed at times, but probably the best we can get for this album. -
I was concerned about reviews but had to have this. Maybe I got lucky, but my copy sounds great. No noise, excellent separation, and clarity.
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Excellent pressing (at least my copy...). But mixing is weird. It sounds a bit boxed, remote, congested, a bit as if playing from underwater.
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Quality control on this is awful. Pressing itself sounds good but a brand new record shouldn't have a great big fat dirty fingerprint on the first track, as well as scratches and divots causing loud pops. Very disappointing because otherwise its a great record.
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People who write this version sounds good, should have their ears checked out by a doctor. Yes there are some good moments, but mostly it sounds flat and compressed. The cover is also not so good and looks like a scan from another sleeve. I guess I will have to continue my search and sell this one...
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Haven’t heard the original pressing but this one sounds spot on to me. 9/10
Sounds really good. Very enjoyable -
I have the same pressing, same EAN,.. But i dont have the sticker on front with mp3 , also no code included. BMG seems to spend up their money.. -
Good sound but ugly cover art. Looks like a poor scan of the original. You can even see some photocopied dust and scribbles if you look closely. Sound wise it's great. A bit cold and digital perhaps. I would get the original DMM pressing.
Release
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