Can – Future Days
Label: |
Mute – 9385-1 |
|---|---|
Format: |
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Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Psychedelic Rock |
Tracklist
| A1 | Future Days | 9:34 | |
| A2 | Spray | 8:28 | |
| A3 | Moonshake | 3:02 | |
| B | Bel Air | 20:00 |
Companies, etc.
- Recorded At – Inner Space Studio
- Published By – Spoon Music
- Published By – Messer Music
- Lacquer Cut At – The Soundmasters
- Licensed From – Spoon Records
- Licensed To – Mute Artists LLC
- Phonographic Copyright ℗ – Spoon Records
- Phonographic Copyright ℗ – Spoon Records Ltd.
- Copyright © – Spoon Records
- Copyright © – Spoon Records Ltd.
- Pressed By – Rainbo Records – S-92366
- Pressed By – Rainbo Records – S-92367
- Remastered At – Sonopress
Credits
- Artwork [Cover] – Richard J. Rudow
- Bass, Recorded By – Holger Czukay
- Composed By, Written-By, Producer – Can
- Drums – Jaki Liebezeit
- Guitar – Michael Karoli
- Keyboards, Other [Alpha 77] – Irmin Schmidt
- Lacquer Cut By [Vinyl Cut] – Kevin Metcalfe
- Photography – Personal Can Archives
- Recorded By – Volker Liedtke
- Remastered By – Andreas Torkler
- Remastered By [Attendance] – Jono Podmore
- Supervised By [Vinyl Mastering] – Jono Podmore
- Vocals – Kenji "Damo" Suzuki*
Notes
℗ & © 2014 Spoon Records under exclusive license to Mute Artists LLC
mute.com spoonrecords.com
Remastered Edition appears on spine.
Housed in an embossed cover, including a printed inner sleeve and a card with code.
mute.com spoonrecords.com
Remastered Edition appears on spine.
Housed in an embossed cover, including a printed inner sleeve and a card with code.
Barcode and Other Identifiers
- Matrix / Runout (Side A runout stamped, [S-92366] etched): X SPOON 9-A -21605- S-92366
- Matrix / Runout (Side B runout stamped, [S-92367 THE SOUNDMASTERS] etched): S -92367 X SPOON 9-B -21605- THE SOUNDMASTERS
- Barcode (Printed): 7 24596 93851 5
- Barcode (Scanned): 724596938515
- Rights Society: GEMA
Other Versions (5 of 89)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Future Days (LP, Album) | United Artists Records | UAS 29505 | UK | 1973 | ||
| Future Days (Cassette, Album) | United Artists Records | TCK 0510 | 1973 | ||||
| Future Days (LP, Album) | United Artists Records | UAS 29 505 I | 1973 | ||||
| Future Days (LP, Album, Stereo) | United Artists Records | UAS 29505, UAS 29.505 | 1973 | ||||
| Future Days (LP, Album, Embossed Cover) | United Artists Records | UAS 29505 | Italy | 1973 |
Recommendations
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2000 CanadaVinyl —LP, Album -
Reviews
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The remastering seems to have sucked the life out of this record which is a shame. Stick with a 1973 UA pressing.
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Great album and it sounds quite good. Decent soundstage, etc. but the pressing is quite noisy. Oh, well Still enjoying it. -
Buh. Fresh out of the wrapper and it's like a box of Rice Crispies in milk. Also really tight on the spindle. I've been surprised at the lack of QC with new vinyl. I'm OK with surface noise, but a brand new LP that costs $ 20 -30 should sound brand new. I have chanced onto copies of records that are dead quiet after 30+ years of play. And they cost half the price.
Thank you for coming to my Ted Talk, I gotta go yell at a cloud now. -
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Edited 4 years agoMine has plenty of snap/crackle/pop noticeable across the quiet sections of Bel Air -- this after repeated attempts with the spin clean. Luckily most of that track is not quiet, so it's not bad. Side 1 also has some noise, but again, not terribly noticeable because there aren't many quiet ages.
The hype sticker mistakenly says this album was recorded in 1971. (Actually 1973.) It also mentions this being "Double Vinyl" which it isn't. Wonder who designed the sticker -- maybe the guy who ran the record press?
No code. -
Zero issues with my copy, specifically with side II, no snap crackle pop......Excellent pressing, all these CAN reissues are brilliant! -
I got this spoon reissue and the Bel Air side is super noisy. My favorite can track too. First side is clean. Be cautious about this pressing. I’m pretty sure the noise is in different spots for each person so it’s most likely shit quality control at the pressing plant. Be warned. -
I purchased this album yesterday and have listened to it a couple of times after giving it a thorough cleaning. I don't have any issues with it at all. Since it is apparently pressed using the original master tapes any anomalies were probably there from the beginning. I am very happy with the album.
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I had quite a noisy pressing, too. Today I did the wood glue trick and probably 75% of the noise is gone. I’m going to glue it once more and I’m sure it’ll sound even cleaner.
Release
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