The Alan Parsons ProjectI Robot

Label:

Legacy – MOVLP888

Format:

Vinyl , LP, Album, Reissue, Stereo , 180 Gram
Vinyl , LP, Stereo , 180 Gram
All Media , Deluxe Edition, Remastered , Legacy Edition, 35th Anniversary

Country:

Europe

Released:

Genre:

Rock

Style:

Prog Rock

Tracklist

A1 I Robot
Arranged By [Choir], ConductorAndrew Powell
BassDavid Paton
ChorusThe English Chorale
Chorus Master [Choirmaster]Bob Howes*
Cimbalom, KanteleJohn Leach
ClavinetEric Woolfson
DrumsStuart Tosh
GuitarIan Bairnson
Programmed By [Projectron, Synthi-A]Alan Parsons
Soprano VocalsHilary Western
Synthesizer [Yamaha Cs10]Duncan Mackay
Written-ByEric Woolfson
6:02
A2 I Wouldn't Want To Be Like You
BassDavid Paton
DrumsStuart Tosh
GuitarIan Bairnson
KeyboardsEric Woolfson
VocalsLenny Zakatek
Written-ByEric Woolfson
3:23
A3 Some Other Time
Acoustic GuitarIan Bairnson
Arranged By [Orchestra], ConductorAndrew Powell
Backing VocalsTony Rivers
BassDavid Paton
Cimbalom, KanteleJohn Leach
DrumsStuart Tosh
GuitarIan Bairnson
Mellotron [Projectron]Alan Parsons
Piano, ClavinetEric Woolfson
VocalsPeter Straker
Written-ByEric Woolfson
4:06
A4 Breakdown
Acoustic GuitarIan Bairnson
Arranged By [Orchestra, Choir], ConductorAndrew Powell
BassDavid Paton
DrumsStuart Tosh
Electric Piano [Wurlitzer]Eric Woolfson
GuitarIan Bairnson
Mellotron [Projectron]Alan Parsons
SynthesizerDuncan Mackay
VocalsAllan Clarke
Written-ByEric Woolfson
3:50
A5 Don't Let It Show
Arranged By [Orchestra], ConductorAndrew Powell
BassDavid Paton
Drums, PercussionStuart Tosh
GuitarIan Bairnson
OrganEric Woolfson
Piccolo TrumpetJohn Wallace (4)
VocalsDave Townsend
Written-ByEric Woolfson
4:26
B1 The Voice
Arranged By [Orchestra], ConductorAndrew Powell
BassDavid Paton
Drums, PercussionStuart Tosh
GuitarIan Bairnson
KeyboardsEric Woolfson
Mellotron [Projectron], VocoderAlan Parsons
VocalsSteve Harley
Written-ByEric Woolfson
5:25
B2 Nucleus
BassDavid Paton
ChorusThe English Chorale
Chorus Master [Choirmaster]Bob Howes*
Cimbalom, Zither [Kantele]John Leach
Drums, Gong [Water Gongs]Stuart Tosh
GuitarIan Bairnson
KeyboardsEric Woolfson
Loops [Tape Loops], Mellotron [Projectron], EffectsAlan Parsons
Written-ByEric Woolfson
3:31
B3 Day After Day (The Show Must Go On)
Acoustic GuitarIan Bairnson
Backing VocalsJack Harris
BassDavid Paton
DrumsStuart Tosh
GuitarIan Bairnson
Organ [Hammond]Andrew Powell
Pedal Steel GuitarB.J. Cole*
Piano [Jangle Piano]Eric Woolfson
Sequenced By [Synthi-A]Alan Parsons
VocalsJack Harris
Written-ByEric Woolfson
3:49
B4 Total Eclipse
Arranged By [Orchestra, Choir], ConductorAndrew Powell
ChorusThe English Chorale
Chorus Master [Choirmaster]Bob Howes*
Written-ByAndrew Powell
3:09
B5 Genesis Ch.1. V.32
Acoustic GuitarIan Bairnson
Arranged By [Orchestra, Choir], ConductorAndrew Powell
Backing VocalsTony Rivers
BassDavid Paton
Chorus Master [Choirmaster]Bob Howes*
DrumsStuart Tosh
GuitarIan Bairnson
KeyboardsEric Woolfson
Written-ByEric Woolfson
3:31
C1 U.S Radio Commercial For I Robot 1:01
C2 Boules (I Robot Experiment) 1:59
C3 I Robot (Hilary Western Soprano Vocal Rehearsal)
Soprano VocalsHilary Western
1:33
C4 Extract 1 From The Alan Parsons Project Audio Guide 1:04
C5 Extract 2 From The Alan Parsons Project Audio Guide 0:57
C6 I Wouldn't Want To Be Like You (Backing Track Rough Mix) 3:28
C7 Some Other Time (Complete Vocal By Jaki Whitren)
VocalsJaki Whitren
3:43
C8 Breakdown (Early Demo Of Backing Riff) 2:09
C9 Extract 3 From The Alan Parsons Project Audio Guide 0:31
C10 Breakdown (The Choir) 1:51
D1 Don't Let It Show (Eric Woolfson Demo) 3:26
D2 Day After Day (Early Stage Rough Mix) 3:40
D3 Genesis Ch. 1 V.32 (Choir Session) 2:18
D4 The Naked Robot (Early Instrumental Mixes) 10:19

Companies, etc.

  • Record CompanySony Music Entertainment
  • Licensed FromWoolfsongs Ltd.
  • Phonographic Copyright ℗Woolfsongs Ltd.
  • Phonographic Copyright ℗RCA Records
  • Copyright ©RCA Records
  • Published ByWoolfsongs Ltd.
  • Published ByCareers Music, Inc.
  • Published ByUniversal Music
  • Manufactured ByMusic On Vinyl B.V.
  • Distributed ByMusic On Vinyl B.V.
  • Pressed ByRecord Industry – 96761
  • Mastered AtDNA Mastering
  • Designed AtHipgnosis (2)
  • Designed AtRyan Art

Credits

  • A&RDarren Salimeri*
  • Compiled By [Legacy Edition Compiled For Reissue By]Tim Fraser-Harding
  • CoordinatorKelly Gateson
  • Design [Reissue]Simon Ryan
  • Design [Robot]George Hardie
  • Design [Sleeve], Photography ByHipgnosis (2)
  • Engineer [Assistant]Patrick Stapley*
  • IllustrationSteve Manning (3)
  • Liner Notes, Executive-Producer, Design Concept [Sleeve Concept]Eric Woolfson
  • Mastered By [Expanded]Dave Donnelly
  • Producer, Engineer, Liner NotesAlan Parsons
  • Reissue ProducerJeff Magid

Notes

Sticker on plastic wrapping:
"Music On Vinyl - Exclusively Remastered - 180 Gram Audiophile Vinyl Pressing".

Released in a gatefold sleeve. Including a 8 page booklet with rare photos & liner notes by Alan parsons.

Side Three & Four tracks licensed by Woolfsongs Ltd.
All compositions © 1976 Woolfsongs Ltd / Careers Music Inc.
istered by Universal Music.
Manufactured & distributed by Music On Vinyl B.V. for Sony Music Entertainment. All Rights Reserved.

© 1977, 2013 RCA Records, a division of Sony Music Entertainment
℗ 1977, 1979 Woolfsongs Ltd, 1977 RCA Records, a division of Sony Music Entertainment.

This package contains previously released material.

Steve Harley and Duncan Mackay appear by courtesy of EMI Records Ltd.
Allan Clarke appears courtesy of Chigreen Ltd.
Peter Straker appears courtesy of Goose Productions Ltd.

The running times for tracks C6 - C8 are printed inaccurately into the booklet. The correct one are printed on the label.

Made in the EU.

Barcode and Other Identifiers

  • Barcode (Text): 8 718469 533800
  • Barcode (String): 8718469533800
  • Matrix / Runout (Side A Hand etched): 96761 1A MOVLP 888
  • Matrix / Runout (Side B Hand etched): 96761 1B MOVLP 888
  • Matrix / Runout (Side C Hand etched): 96761 1C MOVLP 888
  • Matrix / Runout (Side D Hand etched): 96761 1D MOVLP 888
  • Rights Society: BIEM/STEMRA

Other Versions (5 of 290)

View All
Title (Format) Label Cat# Country Year
Recently Edited
I Robot (LP, Album, Gatefold) Arista AL 7002 US 1977
I Robot (LP, Album, Stereo, Gatefold) EMI Electrola 1C 064-99 168, 1 C 064-99 168 1977
I Robot (LP, Album, Stereo, Gatefold) Arista SPARTY 1012 UK 1977
Recently Edited
I Robot (LP, Album, Stereo, Gatefold) Arista 7C 062-99168 Sweden 1977
I Robot (LP, Album, Gatefold) Arista ASTJ(D) 35 South Africa 1977

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Reviews

  • darkooo80's avatar
    darkooo80
    Edited 5 months ago
    This is just superb pressing. I never had any issues with MOV, unlikely many of the "audiophile* labels, especially MOFI.
    • Markymarkvinylnut's avatar
      Yeah, I agree with what's been said here. This is a very sleek good quality piece of vinyl. I'm increasingly finding very good records by Music On Vinyl. CLEAN, flat, dynamic and very nicely mastered. Would I spend a small fortune on a 45rpm of this? ..nah! This is gorgeous and hits the spot everytime. The Mingus Ah Hum by MoV is also fabulous and restores my faith in modern vinyl production...
      • tomwebb101's avatar
        tomwebb101
        Stupendously good release as is so often the case for me with MOV.... the pressing is as quiet as any ive got while being flat and centered (something the pricey APP AND mofi stuff doesnt always end up being!). The mastering of this ittedly already near perfectly engineered recording shines through... it really is a demo disc for a relatively measly £25 to show off any system regardless of price. I wont even bother buying the 45rpm Mofi or the One Steps which may sound 5% to 10% better but they incur 500% the cost. Less flipping sides is always better for an album listening especially one with a proggy concept to it. Colour me EXTREMELY satisfied indeed.

        Tested on a Pioneer PL51 with Ortofon 2m Black LVB 250 edition, Unison S8 integrated amp and Tannoy Kensington GR loudspeakers
        • benji.taylor's avatar
          benji.taylor
          Can someone please explain the difference (sonically) between this release and the other 2011 MOV pressing??

          I've been searching through Hoffman forums, reviews and reddit posts for the past hour or two and have been finding wildly contradictory reports. Some say the legacy edition is a brand new remaster (different than the one done in 2007), others claim the additional outtakes to be the only difference. It's incredibly frustrating. Legacy's website eludes to this being a new mastering, but I can't find anyone to comment on it versus the previous versions. And for that matter, does it differ from the one used by Mofi on their SACD and 45prm versions? Which remaster version are they using?

          If anyone can help with this, it would be greatly appreciated!
          • Slow-Mover's avatar
            Slow-Mover
            I cannot say enough good things about the this pressing and the quality of the remaster. I will not deny any potential sound complaints anyone else might have, as I am an okay trained ear so to speak, but there is always someone deeper down the rabbithole.

            The bonus material is also very interesting and adds to the overall package quite nicely.
            • bq-sounds's avatar
              bq-sounds
              New remaster personally overseen by Alan Parsons + 14 bonus tracks + booklet. 2 LP 180-gram audiophile vinyl by Music on Vinyl. Sounds better than ever. A classic. Iconic.
              • b0ssh0gg's avatar
                b0ssh0gg
                Edited 4 years ago
                This version sounds good, but it's not the best version on vinyl. Maybe in this price range it is. The sound is very clear, excellent separation, and more than enough bass, although it could use a bit more punch. The problem with this version is the treble is a touch too hot, which results in some rather shrill and unpleasant high notes (high-pitched vocals and guitars in particular). It is also a louder pressing compared to the UHQR version, which drastically outperforms this release with its stunning sound density. While that release is significantly more expensive, it is still possible to obtain a copy of MFSL's 2016 45RPM remaster. The 45RPM version is on par with the UHQR for quality, but I haven't compared them side-by-side yet to see which is king. Nevertheless, the extra cost of the UHQR is not necessary to reach the best level of quality for the brilliant 'I Robot' unless it is wanted for collection purposes.

                The vinyl is perfectly flat to my eye, and the high-gloss gatefold is heavy. The 8-page booklet included has some interesting liner notes from the talented and always-humble Alan Parsons. As this is my 4th copy of this album, the different album cover looks great in the collection. Contrary to the pictures here, my copy came in a thick, resealable plastic outer sleeve with a different hype sticker. It's not quite the thick plastic we would see on a Japanese audiophile pressing, but a nice touch nonetheless.
                • charlyb212's avatar
                  charlyb212
                  Best version on Vinyl of I Robot in my opinion!

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