E.S.T. – Strange Place For Snow
Label: |
ACT (4) – ACT 9011-2 |
|---|---|
Format: |
CD
, Album
|
Country: |
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Released: |
|
Genre: |
Jazz |
Style: |
Contemporary Jazz |
Tracklist
| 1 | The Message | 5:10 | |
| 2 | Serenade For The Renegade | 4:26 | |
| 3 | Strange Place For Snow | 6:46 | |
| 4 | Behind The Yashmak | 10:22 | |
| 5 | Bound For The Beauty Of The South | 5:06 | |
| 6 | Years Of Yearning | 5:40 | |
| 7 | When God Created The Coffeebreak | 6:33 | |
| 8 | Spunky Sprawl | 6:23 | |
| 9.1 | Carcrash | 5:05 | |
| 9.2 | (silence) | 3:00 | |
| 9.3 | Untitled Hidden Track | 9:46 |
Companies, etc.
- Licensed To – ACT Music + Vision GmbH + Co. KG
- Marketed By – ACT Music + Vision GmbH + Co. KG
- Manufactured By – ACT Music + Vision GmbH + Co. KG
- Manufactured By – Optimal Media Production – A259201
- Phonographic Copyright ℗ – Superstudio Gul
- Copyright © – Sony Music Entertainment (Sweden) AB
- Recorded At – Atlantis Studio
- Recorded At – Roam Studio
- Mixed At – Roam Studio
- Mastered At – Atlantis Studio
Credits
- Art Direction, Design – Fredrik Nilarp
- Double Bass – Dan Berglund
- Drums, Percussion – Magnus Öström
- Grand Piano, Keyboards – Esbjörn Svensson
- Mastered By – Tommy Lydell
- Mixed By – Janne Hansson
- Photography By – Carl Hjelte
- Recorded By – Åke Linton (tracks: 1)
- Written-By, Performer, Producer – E.S.T.
Notes
Recorded at Atlantis in December 2001, except track 1 recorded at Roam Studio in April 2001
Mixed at Atlantis January 2002
Mastered at Atlantis
℗ 2002 Superstudio Gul, a division of Diesel Music AB
© 2002 Sony Music Entertainment (Sweden) AB
Manufactured and marketed under exclusive license by ACT Music + Vision GmbH+Co.KG
Made and printed in EC
Track 9 actually lasts for 17:51 and contains a hidden track (track 9.3), separated from track 9.1 by 3:00 of silence.
Mixed at Atlantis January 2002
Mastered at Atlantis
℗ 2002 Superstudio Gul, a division of Diesel Music AB
© 2002 Sony Music Entertainment (Sweden) AB
Manufactured and marketed under exclusive license by ACT Music + Vision GmbH+Co.KG
Made and printed in EC
Track 9 actually lasts for 17:51 and contains a hidden track (track 9.3), separated from track 9.1 by 3:00 of silence.
Barcode and Other Identifiers
- Barcode (Text): 6 14427 90112 5
- Label Code: LC 07644
- Rights Society: GEMA/BIEM
- Matrix / Runout (Variants 1-5): manufactured by optimal media production A259201-01
- Mastering SID Code (Variants 1-5): ifpi L571
- Mould SID Code (Variant 1): IFPI 9708
- Mould SID Code (Variant 2): IFPI 9709
- Mould SID Code (Variant 3): IFPI 9712
- Mould SID Code (Variant 4): IFPI 9703
- Mould SID Code (Variant 5): IFPI 9706
Other Versions (5 of 8)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
Strange Place For Snow (CD, Album) | Superstudio Gul | GUL C-5, SSD 506191 2, 5061912000 | Sweden | 2002 | ||
|
Recently Edited
|
Strange Place For Snow (CD, Album) | Superstudio Gul | CK 86545, GUL C-5 | US | 2002 | ||
|
Recently Edited
|
Strange Place For Snow (CD, Album) | Superstudio Gul | CK 86545 | Canada | 2002 | ||
|
New Submission
|
Strange Place For Snow (CD, ) | Superstudio Gul | GUL C-5 | Sweden | 2002 | ||
|
New Submission
|
Strange Place For Snow (CD, Album) | Superstudio Gul | CK 86545, GUL C-5 | US | 2002 |
Recommendations
Reviews
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Edited 18 years agoThe first time I listened to this release, in 2002, it was on a shameful obsolete CD player, the only one I had at this moment. The sound was horrible, but melodies were there. A cold, scandinavian jazz, very slow, so moving. Since that time, I invested in a good hi-fi system, I can now listen to a CD with a real sound... And I had a surprise with this one... What a disappointing production ! Compared to most of my jazz CD in my collection, this one is well below the average. Strange thing for this famous trio... One of the best track on this release is "Behind The Yashmak" ; about ten minutes of progressive breathtaking melody and ambient breaks. But in my view, pleasure is spoiled by a bad production, not enough clean. What is a good sound ? A sound as near as possible to the live performance. I saw E.S.T, live in a small theatre, no amplification, just acoustic sound, pure sound. They played this track, and now it's difficult for me to find again the feeling I had at this moment...
Release
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