Suffering Luna – Diary Of A Battered Child / La Reina Del Rosario
Label: |
Life Is Abuse – T-34 |
|---|---|
Format: |
Vinyl
, 7", 33 ⅓ RPM, Reissue, Repress
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Sludge Metal |
Tracklist
| A | Dystopia (3)– | Diary Of A Battered Child |
| B | Suffering Luna– | La Reina Del Rosario |
Credits
- Artwork [Dystopia Lyric Sheet] – Rev. Tin-Ear
- Artwork [Insert Collage] – Will Crom
- Artwork [Inside Poster] – John Zunich
- Artwork [Matrix Labels] – Dumpster Dive (Moer)
- Artwork [Suffering Luna Lyric Sheet] – Messee
- Cover [Dystopia Cover] – Mauz
- Cover [Suffering Luna Cover] – Sean Cole (3)
- Logo [Dystopia] – Vomet*
- Photography By [Flap Photo] – Exum
Notes
Double sided, 8 , oversized, fold-over sleeve.
Includes double sided insert with artwork, thanks and band info.
Originally released by Pessimiser/Theologian Records in Spring 1995. This repress uses the same lacquer plates.
There are no printed catalog numbers on the release, catalog number taken from runouts.
Dystopia side: Recorded Spring 1995.
Suffering Luna side: Recorded in November 1994.
Runouts are etched.
Includes double sided insert with artwork, thanks and band info.
Originally released by Pessimiser/Theologian Records in Spring 1995. This repress uses the same lacquer plates.
There are no printed catalog numbers on the release, catalog number taken from runouts.
Dystopia side: Recorded Spring 1995.
Suffering Luna side: Recorded in November 1994.
Runouts are etched.
Barcode and Other Identifiers
- Matrix / Runout (Side A runout): T-34-A HIT ME DAD
- Matrix / Runout (Side B runout): T-34-B
Other Versions (1)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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Diary Of A Battered Child / La Reina Del Rosario (7", 33 ⅓ RPM, EP) | Theologian Records | T-34 | US | 1995 |
Recommendations
Reviews
-
Edited 13 years agoThe version of Diary Of A Battered Child on this split is the same as the version on The Aftermath with the exception of the missing Breakfast Club samples heard at the beginning and end of the version on The Aftermath, which were probably applied to the recording around the time of the compiling of tracks for that album.
I personally prefer the 7" version without those goofy samples as I feel they distract from the really heavy and depressive atmosphere of this song, particularly during the reeling, sludgy breakdown at the end. I guess it's just hard for me to not find Breakfast Club samples a bit funny.
Release
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