Tracklist
1 | Tease Me Please Me | 4:44 | |
2 | Don't Believe Her | 4:55 | |
3 | To Be With You In Heaven | 4:48 | |
4 | Wind Of Change | 5:10 | |
5 | Restless Nights | 5:44 | |
6 | Lust Or Love | 4:22 | |
7 | Kicks After Six | 3:49 | |
8 | Hit Between The Eyes | 4:33 | |
9 | Money And Fame | 5:06 | |
10 | Crazy World | 5:08 | |
11 | Send Me An Angel | 4:34 |
Companies, etc.
- Phonographic Copyright ℗ – PolyGram Records, Inc.
- Copyright © – PolyGram Records, Inc.
- Copyright © – Almo Music Corp.
- Copyright © – Copyright Control
- Copyright © – Testatyme Music
- Recorded At – Goodnight LA Studios
- Recorded At – Wisseloord Studios
- Mixed At – Goodnight LA Studios
- Mixed At – Wisseloord Studios
Credits
- Bass – Francis Buchholz
- Design, Art Direction – Icon Of Hollywood & London*
- Drums – Herman Rarebell
- Engineer – Keith Olsen
- Engineer [Assistant At Goodnight L.A. Studios] – Shay Baby
- Engineer [Assistant At Wisseloord Studios] – Attie Bauw
- Engineer [Second Assistant At Goodnight L.A. Studios] – Tom Fletcher
- Engineer [Second Assistant At Wisseloord Studios] – Albert Boekholt
- Guitar, Lead Guitar – Rudolf Schenker
- Lead Guitar, Guitar – Matthias Jabs
- Management – Scott McGhee
- Mixed By – Shay Baby
- Photography By – Wanelle Fitch
- Photography By [Band Photo] – Ross Halfin
- Producer – Scorpions
- Vocals – Klaus Meine
Notes
℗ 1990 Polygram Records Inc.
© 1990 Polygram Records Inc.
Gang vocals on “Tease Me, Please Me” performed by our friends from Phonogram Europe and PolyGram U.S.A.
Bang vocals on “Crazy World” performed by our friends, the Wisseloord gang
Management for McGhee Entertainment
© 1990 Almo Music Corp./Testatyme Music (ASCAP)
All rights . by Almo Music Corp./Copyright Control.
Except tracks 3, 4, 9, 11 Copyright Control
Released in a standard jewel case with dark tray and a 12 page booklet.
© 1990 Polygram Records Inc.
Gang vocals on “Tease Me, Please Me” performed by our friends from Phonogram Europe and PolyGram U.S.A.
Bang vocals on “Crazy World” performed by our friends, the Wisseloord gang
Management for McGhee Entertainment
© 1990 Almo Music Corp./Testatyme Music (ASCAP)
All rights . by Almo Music Corp./Copyright Control.
Except tracks 3, 4, 9, 11 Copyright Control
Released in a standard jewel case with dark tray and a 12 page booklet.
Barcode and Other Identifiers
- Barcode (Scanned): 042284690829
- Barcode (Text): 0 422‒846908‒2 9
- Label Code: LC 0268
- Price Code: PG 900
- SPARS Code: DDD
- Rights Society: BIEM│STEMRA
- Rights Society (Tracks 1, 2, 5 to 8, 10, Publishing): ASCAP
- Matrix / Runout (Variant 1): 846 908-2 01 >
- Matrix / Runout (Variant 2): 846 908-2 02 >
- Matrix / Runout (Variant 3): 846 908-2 02 +
- Matrix / Runout (Variant 4): 846 908-2 01 > ZA
- Matrix / Runout (Variant 5): 846 908-2 02 + YX
- Matrix / Runout (Variant 6): 846 908-2 01 > YC
- Matrix / Runout (Variant 7): 846 908-2 01 > YF
- Matrix / Runout (Variant 8): 846 908-2 02 + ZJ
- Matrix / Runout (Variant 9): 846 908-2 02 + ZB
- Matrix / Runout (Variant 10): 846 908-2 02 + YW
- Matrix / Runout (Variant 11): 846 908-2 02 + YP
- Matrix / Runout (Inner ring): MADE IN
Other Versions (5 of 218)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Crazy World (CD, Album, PDO) | Mercury | 846 908-2 | US | 1990 | |||
Recently Edited
|
Crazy World (LP, Album) | Popron | 50 059-1 | Czechoslovakia | 1990 | ||
Crazy World (LP, Album, Stereo, PRS Pressing) | Mercury | 846 908-1 | Europe | 1990 | |||
Crazy World (CD, Album) | Phonogram | 846 908-2 | Europe | 1990 | |||
Recently Edited
|
Crazy World (CD, Album, Club Edition, BMG) | Mercury | 846 908-2 | US | 1990 |
Recommendations
Reviews
-
Edited 3 years agoOther than being the only Scorpions album to reach the top of the charts in their native country, "Crazy World" is the first in a decade not to be produced by Dieter Dierks, whose penchant for slick, sanitized studio recordings was incompatible with the band's freshly accomplished, meaningful input. Featuring decidedly workmanlike production, broadly appealing songwriting and a satisfyingly guitar-savvy approach, the customary energetic rockers and sublime slower numbers contained within impress as effluent and sophisticated, with the empowering "Wind of Change" and dreamy "Send Me An Angel" boasting the requisite style, immediacy, majesty and sentiment of classic arena rock whilst being entirely transcendent and ubiquitous (which the latter composition became). Despite the common assertion that hard-rock reached its artistic and commercial nadir with relative upstarts Guns N' Roses' "Appetite For Destruction", some veteran European bands followed their US counterparts in changing their profile, disposition and sound as per the increasingly anti-rock international zeitgeist. Scorpions, taking their cue from the all-purpose lyrics and majestic sweep of the inspirational American rock anthem, i.e. universal references, irresistible sing-a-long choruses and indelible hooks, dispensed with the edgy, distinctly macho hedonism, eroticism and mystical aura that had defined them, instead opting to emphasize emotive themes and melodies. Thankfully, it was a conversion that paid dividends, resulting in the German rock outfit's most intimate, radio-friendly material to date.
Serving up a crowd-pleasing platter of gloriously overdriven, masterfully executed melodic rock with a renewed sense of focus and instrumental muscularity, Scorpions had not quite jumped the shark as others of their ilk did in an attempt to remain relevant, preferring to target the sensitivity to soaring balladry of mainstream audiences whilst proving that the grit, heaviness and enthusiasm of their "Blackout" period had not waned entirely. "Crazy World" may not be reminiscent of the aggressive, full power metallic outings of their imperial phase, but it is a real treat for those who favour more tempered rock atmospheres over bombastic glossiness, though not to the point of sacrificing the dependable factors, namely piercing vocals, sharp rhythms and even sharper riffs.
RATING: 4.5/5 -
WOW...The Winds of Change. Why can't American bands write this professional music, instead of sounding like PARTY ANIMALS in every song. The Germans have the EURO-CLASS style of writing with panache & poise while my own country of America has to many bands that write songs about partying all night. This band just has the magnetic draw of song power & desire to be the best. It shows. I love these guys.......
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