Ramp (3)Come Into Knowledge

Label:

ABC Blue Thumb – BT-6028

Format:

Vinyl , LP, Album

Country:

US

Released:

Genre:

Funk / Soul

Style:

Soul-Jazz

Tracklist

A1 The American Promise
Written-ByRoy Ayers
6:30
A2 I Just Love You
Written-ByRoy Ayers
4:55
A3 Give It
Written-ByEdwin Birdsong
4:40
A4 Everybody Loves The Sunshine
Written-ByRoy Ayers
3:42
B1 Come Into Knowledge
Written-ByWilliam Allen
4:37
B2 Try, Try, Try
Written-ByRoy Ayers
4:55
B3 Daylight
Written-ByWilliam Allen
4:12
B4 Look Into The Sky
Written-ByRoy Ayers
4:42
B5 Deep Velvet
Written-ByRoy Ayers
3:33

Companies, etc.

  • Phonographic Copyright ℗Blue Thumb Records, Inc.
  • Phonographic Copyright ℗ABC Records, Inc.
  • Copyright ©ABC Records, Inc.
  • Recorded AtElectric Lady Studios
  • Recorded AtRecord Plant, Los Angeles
  • Published ByRoy Ayers Ubiquity
  • Published ByMichelle Bird Music
  • Published ByBrainfood Music
  • Produced ForRamp Music Productions
  • Pressed ByColumbia Records Pressing Plant, Santa Maria

Credits

  • Arranged ByWilliam Allen
  • Art DirectionKats Abe*
  • BassNate White
  • Co-producerWilliam Allen
  • Drums, PercussionJohn Manuel
  • EngineerRon Johnson*
  • GuitarLandy Shores
  • Illustration [Cover]Masaki Sato (2)
  • Lead VocalsSibel Thrasher
  • ManagementRoy-Ayer-Productions
  • ProducerRoy Ayers
  • Typography [Lettering]Bill Franks

Notes

Labels:
Co-produced for Ramp Music Productions

Back cover:
Co-produced for Ramp Productions

Recorded at Record Plant, Hollywood, Calif.

This album is dedicated to everybody in Cincinnati

Distinguishable from the other version Ramp (3) - Come Into Knowledge
for " ℗1977 Blue Thumb Records, Inc." in the lower part of the labels.

℗ 1977 ABC Records, Inc., Los Angeles, Calif. 90048, New York, N.Y. 10019. Printed in U.S.A.

Publisher: Roy Ayers Ubiquity (ASCAP) except *
A1: *Michelle Bird Music (ASCAP)
A3: *Michelle Bird Music (ASCAP)
B1: *Brainfood Music (BMI)
B3: *Brainfood Music (BMI)

Some copies have a 'Demonstration' gold stamp.

Barcode and Other Identifiers

  • Matrix / Runout (Label side A): (BT-6026-A)
  • Matrix / Runout (Label side B): (BT-6026-B)
  • Matrix / Runout (Runout variant #1 side A etched): BT6028A-1A S1 SXT E2
  • Matrix / Runout (Runout variant #1 side B etched): BT6028B-1B S2 SXT C3
  • Matrix / Runout (Runout variant #2 side A etched): BT6028A-1A S2 SX B4
  • Matrix / Runout (Runout variant #2 side B etched): BT6028B-1B S2 SXT C
  • Matrix / Runout (Runout variant #3 side A etched): BT6028A-1A S1 SX F
  • Matrix / Runout (Runout variant #3 side B etched): BT6028B-1A SX S1 C 1
  • Matrix / Runout (Runout variant #4 side A etched): BT6028A-1A S1
  • Matrix / Runout (Runout variant #4 side B etched): BT6028B-1A S1
  • Matrix / Runout (Runout variant #5 side A etched): BT6028A-1A SX S2 B2
  • Matrix / Runout (Runout variant #5 side B etched): BT6028B-1B S2 SX A3
  • Rights Society: ASCAP
  • Rights Society (B1, B3): BMI

Other Versions (5 of 19)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Come Into Knowledge (LP, Album, Stereo, Santa Maria Pressing) ABC Blue Thumb BT-6028 US 1977
New Submission
Come Into Knowledge (Cassette, Album) ABC Blue Thumb BT-6028 US 1977
New Submission
Come Into Knowledge (8-Track Cartridge, Album, Stereo) ABC Blue Thumb BT-6028 US 1977
Recently Edited
Come Into Knowledge (CD, Album, Reissue, Stereo) P-Vine Records PCD-7281 Japan 2007
Recently Edited
Come Into Knowledge (CD, Album, Reissue, Remastered) Verve Records B0009776-02 US 2007

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Reviews

  • Mellowness's avatar
    Mellowness
    I'm laughing on the comments right now !!
    This album is a MASTERPIECE, EVERY SINGLE TRACK IS A KILLER !!!
    Roy Ayers produced this album one year after his last album with his own band "Roy Ayers Ubiquity". Edwin Birdsong and William Allen, who were in the band as well, co-produced this album.
    This is one of the 3 best Roy Ayers productions, with "Vibrations" and "Everybody Loves The Sunshine", released one year earlier (1976).
    Soul-Jazz at its very best. INCREDIBLE SOULFUL BANGER !!!
    • robcob's avatar
      robcob
      Not a great album at all but Come into Knowledge and Daylight make up for that
      • venicefromgood's avatar
        venicefromgood
        Hello everyone! Where is the promo copy ? I have a copy but i found only the unofficial promo copy
        • tranzyd's avatar
          tranzyd
          I am a huge R.Ayers fan, and have collected all of this 60s,70s and 80s albums (over 22 titles) and own this one too on vinyl & CD, but I find the vocals super hard to listen too and even irritating, is it just me ? not one of my go to R.Ayers work to be honest.
          • davidmichalis's avatar
            davidmichalis
            overated , not in the same leauge as roys own albums.
            • georgeholdingbeanz's avatar
              Does anyone have a cover in good condition!? I am in need of a cover only, many thanks
              • soulside.net's avatar
                soulside.net
                just perfect this one
                so much love and groove
                open up your heart then there is no reason to say something negative.
                ROY is what the world needs
                • alan.james's avatar
                  alan.james
                  The 180g 2008 reissue is just a digital sound source likely be from the CD, (com) pressed on vinyl thats why the label called it remastered!!!!!. The 1st early 00's reissue sounds much better.
                  • alan.james's avatar
                    alan.james
                    99c album till the mid eighties. Massively overrated. If it wasn't for the likes of Daddy O (Stetsasonic) and 'Jazzy' Jeff Townes introducing Jazz breaks and samples to Hip Hop, albums like this would probably have remained obscure, even with the Ayers/Birdsong connection. 'Daylight' is nice though.
                    • jordan-23's avatar
                      jordan-23
                      For me, I can't get enough of this album. Different songs have grown on me over time, and I'm always changing which one is my favorite. I find the dual female vocals mesmerizing and totally unique. This is a one off album which does not really sound like anything else I can think of. It's hard to go wrong when Roy Ayers and Edwin Birdsong have an imprint on a project.

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