Alan R. SpletEraserhead Original Soundtrack

Label:

Alternative Tentacles – VIRUS 30

Format:

Vinyl , LP, Album, Partially Mixed

Country:

UK

Released:

Genre:

Stage & Screen

Style:

Experimental

Tracklist

A1 Digah's Stomp
Written-ByThomas "Fats" Waller*
A2 Lenox Avenue Blues
Written-ByThomas "Fats" Waller*
A3 Stompin' The Bug
Written-ByPhil Worde
A4 Messin' Around With The Blues
Written-ByPhil Worde
B In Heaven (Lady In The Radiator Song)
Written-ByPeter Ivers

Companies, etc.

  • Phonographic Copyright ℗Alternative Tentacles
  • Copyright ©Peer International Corp.
  • Copyright ©David Lynch
  • Pressed ByMPO

Credits

  • Composed By, Producer [Soundtrack Designed And Produced By]David Lynch
  • Coordinator [Business Coordinator]Steven M. Martin
  • Design, Concept ByDouglas Brian Martin
  • Lacquer Cut ByPorky (5)
  • Organ [Pipe Organ]Fats Waller (tracks: A1, A2, A4)
  • Photography By [Cover Photos]Frederick Elmes

Notes

℗ Alternative Tentacles Records Ltd.
© Copyright 1976. David Lynch.

Includes printed inner sleeve with credits.
Some copies also include the mini-poster of "The Baby"

Barcode and Other Identifiers

  • Matrix / Runout (Side A, etched): Virus 30 A¹ A Porky Prime Cut. MPO
  • Matrix / Runout (Side B, etched): Virus 30 B¹ A Porky Prime Cut. MPO

Other Versions (5 of 27)

View All
Title (Format) Label Cat# Country Year
Eraserhead Original Soundtrack (LP, Album, Indianapolis Pressing) I.R.S. Records SP70027 US 1982
New Submission
Eraserhead Original Soundtrack (LP, White Label, Album) Alternative Tentacles VIRUS 30 UK 1982
New Submission
Eraserhead Original Soundtrack (LP, Album, Repress) I.R.S. Records SP70027 US 1982
Recently Edited
Eraserhead Original Soundtrack (LP, Album) I.R.S. Records SP70027 Canada 1982
New Submission
Eraserhead Original Soundtrack (Cassette, Album) I.R.S. Records CS 70027 Canada 1982

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Reviews

  • Bradx's avatar
    Bradx
    This was the film that my friend Lyndon described to me in full detail back in 77 or 78. It sounded like a must-see. It came to a small cinema near me pretty soon after, so I got to see it too. I describing it to my family over one Sunday lunch but it didn't seem to appeal to them.

    Unlike anything else around, although I suppose some German expressionist films come close. The pace, the industrial music, the black & white, nightmarish quality and the alienation were suited to my angst ridden teenage mind.

    I bought the album when it came out. My copy had a very large, cinema poster with it, which was on my wall for many years. I've still got it somewhere.

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