The Rolling StonesBetween The Buttons

Label:

London Records – LL. 3499

Format:

Vinyl , LP, Album, Mono

Country:

Canada

Released:

Genre:

Rock

Style:

Pop Rock

Tracklist

A1 Let's Spend The Night Together 3:29
A2 Yesterday's Papers 2:20
A3 Ruby Tuesday 3:12
A4 Connection 2:13
A5 She Smiled Sweetly 2:42
A6 Cool, Calm & Collected 4:15
B1 All Sold Out 2:15
B2 My Obsession 3:20
B3 Who's Been Sleeping Here? 3:51
B4 Complicated 3:18
B5 Miss Amanda Jones 2:48
B6 Something Happened To Me Yesterday 4:58

Credits

  • Arranged ByThe Rolling Stones
  • Artwork [Drawings]Charlie Watts
  • Photography ByGered Mankowitz
  • ProducerAndrew Loog Oldham
  • Written-ByMick Jagger

Barcode and Other Identifiers

  • Matrix / Runout (Runout side A, etched, variant 1 ): XARL-7616-1 L
  • Matrix / Runout (Runout side B, etched, variant 1 ): XARL-7617-1 L
  • Matrix / Runout (Runout side A, etched, variant 2 ): XARL-7616-2 L
  • Matrix / Runout (Runout side B, etched, variant 2): XARL-7617-2 L

Other Versions (5 of 332)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Between The Buttons (LP, Album, Mono) Decca LK 4852, LK.4852 UK 1967
Recently Edited
Between The Buttons (LP, Album, Mono) London Records LL 3499 US 1967
Recently Edited
Between The Buttons (LP, Album, Stereo, 1st Pressing - Monarch Pressing) London Records PS 499, PS-499 US 1967
Between The Buttons (LP, Album, Stereo) Decca SKL 4852, SKL.4852 UK 1967
New Submission
Between The Buttons (LP, Album, Mono) London Records LLU 14417, SLLU 14147, 31-14147 Uruguay 1967

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Reviews

  • 78rpms's avatar
    78rpms
    this pressing has a true dedicated mono mix (there is an extra time at the end of the Yesterdays papers), while I have another Canadian mono pressing on the maroon labels which is actually a fold-down mono from the stereo mix. wandering why nobody didnt put any comments on this yet ; ) and if its claimed that all us mono versions are fold-downs does this make this Canadian pressing unique and rare? Yesterdays Papers is not the only song where you can tell the difference, this is an interesting mix.
    • georgetunes's avatar
      georgetunes
      what about edward nicky H.? his keyboards-essential to lp- yes?
      • Adam_A's avatar
        Adam_A
        Edited 4 years ago
        One of the last albums to have Brian Jones’ fingers all over it, you're really reminded about what a tinkering genius he was with defining the sound of the Stones in the 1960s, and how ultimately it could never last. He was too playful and too erratic for what would be needed to push the Stones into their next destination as rock gods. At the end of the day, it was always Mick & Keith writing the songs, but it was in Brian's laboratory. As far as albums that Brian Jones had influence on, I'd say this was his best. So many hits here, and each track has little flourishes throughout that makes them quirky and signature. "Satanic Majesties" would take the Stones on a one-off course, and then afterward with Beggars Banquet you were quickly losing Brian Jones’ influence. Just look at how stoned he is on the front cover of Between the Buttons to get a sense of where things were headed. So here he is, at his most genius I'd say.

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