Bruce SpringsteenStreets Of Philadelphia

Label:

Columbia – 660065 2

Format:

CD , Maxi-Single

Country:

Europe

Released:

Genre:

Stage & Screen

Style:

Pop Rock

Tracklist

1 Streets Of Philadelphia
Mixed ByBob Clearmountain
ProducerChuck Plotkin
3:48
2 If I Should Fall Behind 4:42
3 Growin' Up 3:26
4 The Big Muddy 4:34

Companies, etc.

  • Phonographic Copyright ℗Bruce Springsteen
  • Copyright ©Sony Music Entertainment Inc.
  • Distributed BySony Music
  • Published ByBruce Springsteen
  • Published ByBruce Springsteen Music
  • Published ByRamrod Music
  • Glass Mastered AtDADC Austria

Credits

  • Photography By [Cover]Neal Preston
  • Written-ByB. Springsteen*

Notes

J-card case.

On front cover:
Music from the Motion Picture Philadelphia

On inlay:
Track 1: Taken from the Epic Soundtrax release: Philadelphia (Music From The Motion Picture)
Uncredited: Tracks 2 to 4 are recorded live and taken from the SMV In Concert / MTV Unplugged

Track #3 has an incorrect time of "3:13" printed on the artwork, actual time should be "3:26" as corrected above.
Track #4 has an incorrect time of "4:11" printed on the artwork, actual time should be "4:34" as corrected above.

Track 1: Bruce Springsteen
Tracks 2 & 4: Bruce Springsteen Music
Track 3: Bruce Springsteen Music/RAMROD MUSIC

© 1994 Sony Music Entertainment Inc./"Columbia" is the exclusive trademark of Sony Music Entertainment Inc./Distribution Sony Music

On disc:
The Copyright In This Sound Recording Is Owned By Bruce Springsteen
Original Sound Recording Made By Bruce Springsteen
℗ 1992, 1993 (track 1) Bruce Springsteen

Made in Austria.

Barcode and Other Identifiers

  • Barcode (Text): 5 099766 006529
  • Barcode (Scanned): 5099766006529
  • Label Code: LC 0162
  • Price Code (Boxed): CB 608
  • Other (Sony Format Code): CD-MS
  • Other (Manufacturing code): 01-660065-14
  • Rights Society: SACEM SDRM SACD SGDL
  • Rights Society: BIEM
  • Matrix / Runout (Variant 1, mirrored): 01-660065-14 13 A3 [DADC Austria logo]
  • Matrix / Runout (Variant 2, mirrored): 01-660065-14 13 B4 [DADC Austria logo]
  • Matrix / Runout (Variant 3, mirrored): 01-660065-14 13 B5 [DADC Austria logo]
  • Matrix / Runout (Variant 4, mirrored): 01-660065-14 13 A9 [DADC Austria logo]
  • Matrix / Runout (Variant 5, mirrored): 01-660065-14 13 A8 [DADC Austria logo]
  • Matrix / Runout (Variant 6, mirrored): 01-660065-14 13 A2 [DADC Austria logo]
  • Matrix / Runout (Variant 7, mirrored): 01-660065-14 13 A12 [DADC Austria logo]
  • Matrix / Runout (Variant 8, mirrored): 01-660065-14 13 A14 [DADC Austria logo]
  • Matrix / Runout (Variant 9, mirrored): 01-660065-14 13 B1 [DADC Austria logo]
  • Matrix / Runout (Variant 10, mirrored): 01-660065-14 13 B9 [DADC Austria logo]
  • Matrix / Runout (Variant 11, mirrored): 01-660065-14 13 A10 [DADC Austria logo]
  • Matrix / Runout (Variant 12, mirrored): 01-660065-14 13 A5 [DADC Austria logo]

Other Versions (5 of 33)

View All
Title (Format) Label Cat# Country Year
Streets Of Philadelphia (CD, Single, Promo, Cardboard Sleeve) CBS/Sony SAMP 2063 Spain 1993
Recently Edited
Streets Of Philadelphia (CD, Single, Promo, Cardboard Sleeve) Columbia SAMP 2063, SAMPCD 2063 Europe 1993
Recently Edited
Streets Of Philadelphia (CD, Maxi-Single, Stereo) Columbia 44K 77383 US 1994
Streets Of Philadelphia (7", 45 RPM, Single, Stereo) Columbia 38-77384 US 1994
Recently Edited
Streets Of Philadelphia (Philadelphia - Music From The Motion Picture) (CD, Single, Cardboard Sleeve) Columbia COL 660065 1, 660065 1 Europe 1994

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Reviews

  • djrichmatthews's avatar
    djrichmatthews
    Edited 20 years ago
    BIG TIME kudos to Bruce Springsteen (and an Oscar to boot) for recording the one song that could have altered his careet forever. Although gay/lesbian/transgender rights were already prevalent and in most metropolitan areas of the US the topic was no longer taboo, Bruce - the iconic example of white Midwest USA - took a really big chance and recorded a deeply moving, profound piece about the horrible discrimination that a gay man potentially faces on a day to day basis. And he did it from a first person point of view... meaning that Bruce risked being labeled as gay because he sung the song from the point of view of a gay man. That probably wouldn't be an isssue with most recording artists just because the entertainment industry is probably the largest proponent of gay rights simply by having gay men and women in power positions and in front of the camera. But Bruce is one of the few artists with the exception of maybe John Mellencamp, who potentially could have lost a huge fan base by taking the risk he did. Instead, they stuck with him. And hopefully if they weren't already, a lot of fans opened their eyes and saw gay men and women from a different perspective - one they could identify with. Thanks Bruce.

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