Pink Floyd – The Dark Side Of The Moon
Tracklist
| 1 | Speak To Me | 1:08 | |
| 2 | Breathe | 2:49 | |
| 3 | On The Run | 3:51 | |
| 4 | Time | 6:50 | |
| 5 | The Great Gig In The Sky | 4:44 | |
| 6 | Money | 6:23 | |
| 7 | Us And Them | 7:50 | |
| 8 | Any Colour You Like | 3:26 | |
| 9 | Brain Damage | 3:47 | |
| 10 | Eclipse | 2:12 |
Companies, etc.
- Marketed By – EMI
- Distributed By – EMI
- Recorded At – Abbey Road Studios
- Phonographic Copyright ℗ – EMI Records Ltd.
- Copyright © – EMI Records Ltd.
- Mixed At – Das Boot Recording
- Mastered At – Das Boot Recording
Credits
- Artwork [Rayograms] – Stylorouge
- Backing Vocals – Liza Strike
- Bass Guitar, Vocals, Synthesizer [Vcs3], Tape [Effects] – Roger Waters
- Cover [20th Anniversary Cover] – Storm Thorgerson
- Cover [30th Cover Design] – Storm Thorgerson
- Cover [Original] – Hipgnosis (2)
- Engineer – Alan Parsons
- Engineer [Assistant, 5.1 Surround Mix] – Joel Plante
- Engineer [Assistant] – Peter James
- Graphics [20th Anniversary Cover] – Stylorouge
- Graphics [Heartbeat, From The Idea By] – Roger Waters
- Graphics [Original], Artwork [Original] – George Hardie
- Keyboards, Vocals, Synthesizer [Vcs3] – Richard Wright
- Mastered By [Assistant, 5.1 And Stereo Mastering] – Joel Plante
- Mastered By [5.1 And Stereo Mastering] – James Guthrie
- Mastered By [Assistant, 5.1 And Stereo Mastering] – Gus Skinas
- Mixed By [5.1 Surround Mix] – James Guthrie
- Mixed By [Mixing Supervised By] – Chris Thomas
- Percussion, Tape [Effects] – Nick Mason
- Photography By [20th Anniversary Cover] – Tony May (4)
- Photography By [Band Photos, 20th Anniversary Cover] – Jill Furmanovsky
- Photography By [Front Photography] – Rupert Truman
- Photography By [Original] – Hipgnosis (2)
- Photography By [Photos 4 And 11 Courtesy Of] – Adrian Maben
- Photography By [Stained Glass] – Lead And Light
- Producer – Pink Floyd
- Technician [DSD Authoring For SACD] – Gus Skinas
- Vocals, Guitar, Synthesizer [Vcs3] – David Gilmour
Notes
30th Anniversary Edition SACD.
SACD layer: 5.1 remix and stereo remaster.
CD layer: stereo remaster.
Recorded at Abbey Road Studios, London between June 1972 and January 1973.
Mixed and mastered at Das Boot Recording.
Few tracks have significantly different durations printed on the album cover.
1. Speak To Me - (No duration)
2. Breathe - 3:57
3. On The Run - 3:31
4. Time - 7:05
10. Eclipse - 2:06
Made in Japan (printed on the disc)
Made in EU (printed on the back cover)
Printed in the EU (printed on the back cover)
Digital Remaster Ⓟ 2003
© 2003 EMI Records Ltd.
Jewel case with transparent tray and 20 page booklet with glossy cover. Some copies have a round black/blue hype sticker on front cover with white font.
Not to be confused with similar versions The Dark Side Of The Moon, which are manufactured by Sonopress.
SACD layer: 5.1 remix and stereo remaster.
CD layer: stereo remaster.
Recorded at Abbey Road Studios, London between June 1972 and January 1973.
Mixed and mastered at Das Boot Recording.
Few tracks have significantly different durations printed on the album cover.
1. Speak To Me - (No duration)
2. Breathe - 3:57
3. On The Run - 3:31
4. Time - 7:05
10. Eclipse - 2:06
Made in Japan (printed on the disc)
Made in EU (printed on the back cover)
Printed in the EU (printed on the back cover)
Digital Remaster Ⓟ 2003
© 2003 EMI Records Ltd.
Jewel case with transparent tray and 20 page booklet with glossy cover. Some copies have a round black/blue hype sticker on front cover with white font.
Not to be confused with similar versions The Dark Side Of The Moon, which are manufactured by Sonopress.
Barcode and Other Identifiers
- Barcode (Text): 7 24358 21362 1
- Barcode (Scanned): 724358213621
- Rights Society: BEL/BIEM
- Label Code: LC 0542
- Price Code (F:): PM 554
- Matrix / Runout (SACD layer Variant 1): 5821362 HD 27
- Matrix / Runout (CD layer Variant 1): 5821362 CD 5
- Mastering SID Code (Variant 1): IFPI L275
- Mould SID Code (Variant 1): IFPI 4500
- Matrix / Runout (SACD layer Variant 2): 5821362 HD 27
- Matrix / Runout (CD layer Variant 2): 5821362 CD 5
- Mastering SID Code (Variant 2): IFPI L275
- Mould SID Code (Variant 2): IFPI 45TA
- Matrix / Runout (SACD layer Variant 3): 5821362 HD 20
- Matrix / Runout (CD layer Variant 3): 5821362 CD 5
- Mastering SID Code (Variant 3): IFPI L275
- Mould SID Code (Variant 3): IFPI 45U4
- Matrix / Runout (SACD layer Variant 5): 5821362 HD 8
- Matrix / Runout (CD layer Variant 5): 5821362 CD 1
- Mastering SID Code (Variant 5): IFPI L275
- Mould SID Code (Variant 5): 45T3
- Matrix / Runout (SACD layer Variant 6): 5821362 HD 24
- Matrix / Runout (CD layer Variant 6): 5821362 CD 5
- Mastering SID Code (Variant 6): IFPI L275
- Mould SID Code (Variant 6): IFPI 45U4
- Matrix / Runout (SACD layer Variant 7): 5821362 HD 7
- Matrix / Runout (CD layer Variant 7): 5821362 CD 2
- Mastering SID Code (Variant 7): IFPI L275
- Mould SID Code (Variant 7): 45T8
- Matrix / Runout (SACD layer Variant 8): 5821362 HD 20
- Matrix / Runout (CD layer Variant 8): 5821362 CD 5
- Mastering SID Code (Variant 8): IFPI L275
- Mould SID Code (Variant 8): 45U4
- Matrix / Runout (SACD layer Variant 9): 5821362 HD 21
- Matrix / Runout (CD layer Variant 9): 5821362 CD 4
- Mastering SID Code (Variant 9): IFPI L275
- Mould SID Code (Variant 9): 45T9
- Matrix / Runout (SACD layer Variant 11): 5821362 HD 26
- Matrix / Runout (CD layer Variant 11): 5821362 CD 5
- Mastering SID Code (Variant 11): IFPI L275
- Mould SID Code (Variant 11): IFPI 45U0
- Matrix / Runout (SACD layer Variant 12): 5821362 HD 19
- Matrix / Runout (CD layer Variant 12): 5821362 CD 1
- Mastering SID Code (Variant 12): IFPI L275
- Mould SID Code (Variant 12): 45TC
- Matrix / Runout (SACD Layer Variant 14): 5821362 HD 11
- Matrix / Runout (CD layer Variant 14): 5821362 CD 4
- Mastering SID Code (Variant 14): IFPI L275
- Mould SID Code (Variant 14): 45TC
- Matrix / Runout (SACD Layer Variant 15): 5821362 HD 11
- Matrix / Runout (CD layer Variant 15): 5821362 CD 2
- Mastering SID Code (Variant 15): IFPI L275
- Mould SID Code (Variant 15): 45TC
- Matrix / Runout (SACD Layer Variant 16): 5821362 HD 15
- Matrix / Runout (CD layer Variant 16): 5821362 CD 1
- Mastering SID Code (Variant 16): IFPI L275
- Mould SID Code (Variant 16): 45T3
Other Versions (5 of 1436)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
The Dark Side Of The Moon (LP, Album, Winchester Pressing, Wly Mastering, Gatefold) | Harvest | SMAS-11163 | US | 1973 | ||
|
Recently Edited
|
The Dark Side Of The Moon (LP, Album, Stereo, Circle On Back, Gatefold) | EMI Electrola | 1 C 062-05 249 | 1973 | |||
|
Recently Edited
|
The Dark Side Of The Moon (LP, Album, Stereo, Gatefold) | Harvest | 3C 064-05249 | Italy | 1973 | ||
| The Dark Side Of The Moon (LP, Album, Stereo, Gatefold) | Harvest | 3C 064-05249 | Italy | 1973 | |||
|
Recently Edited
|
The Dark Side Of The Moon (LP, Album, Repress, Stereo, Gatefold) | Harvest | 5C 062-05249, 5C062-05249 | Netherlands | 1973 |
Recommendations
-
2005 EuropeSACD —Hybrid, Multichannel, Stereo, Album, Reissue, Remastered -
-
-
-
2011 USA & EuropeSACD —Hybrid, Multichannel, Stereo, Album, Limited Edition, Reissue, Remastered -
-
-
-
-
2011 EuropeCD —Album, Reissue, Remastered, Stereo
Reviews
-
For those who wonder what sound differences there are between the SACD (DSD) and the CD (PCM) layer. In this link I ed a side-by-side comparison that you can play with. The CD layer sounds louder but if you listen to the compensated version, it is very difficult to notice any difference.
https://soundtoggle.io/aoliver/tdsotm_sacd -
This 30th anniversary 2003 Hybrid CD/SACD sounds wonderfully impressive as a 5.1 surround experience. In an A/B comparison on my multitrack editing app, if you lower the volume of the CD layer of the hybrid SACD by 2dB then it sounds exactly the same as the 1992 remastered CD (EMI 7243 8297522 9, EU pressed). There has clearly been compression applied in the 2003 remaster to achieve the extra ~3dB of loudness. The other differences are that the 2003 wave file is inverted as compared to the 1992 CD, and it has almost 3 seconds less in the first track's intro. There are several differences, some quite distinct, in the track mark placements in the 2003 and 1992 remasters. Both discs are worth owning for their individual advantages: the 1992 CD for its fully dynamic uncompressed audio, and the 2003 Hybrid SACD for its high definition 5.1 surround sound option. -
yes ginnnn!!!!
but also, I have sort of damaged mine, it's weird there are not really any scratches on it..but it skips in the beginning and then later in the middle...but i cleaned it with just water and a microfibre cloth....did i damage my own sacd,,,i did it because i thought i saw grease on it..did i ruin my only copy of dsotm sacd...
yes ginnnn!!
-
It is best enjoyed with a glass of gin in a darkened room. The SACD surround release will be the fifth version of this classic rock Pink Floyd album that I have owned. Having listened to the stereo 2 channel release on vinyl and CD for the past 3 decades I am quite familiar with the music content and the 2 dimensional stereo sound stage. I bought the SACD release just to hear the 5.1 Dolby Surround remix effects and I am very pleased by the immersive experience. But I do wonder what the earlier Alan Parsons Quadraphonic remix sounded like.
Release
See all versions
Data Correct
Data Correct
For sale on Discogs
Sell a copy
110 copies from $11.36