Miles Davis – Volume 2
Tracklist
| A1 | Take-Off | |
| A2 | Weirdo | |
| A3 | Would'n You | |
| A4 | I Waited For You | |
| A5 | Ray's Idea (Alternate Master) | |
| A6 | Donna | |
| B1 | Well You Needn't | |
| B2 | The Leap | |
| B3 | Lazy Susan | |
| B4 | Tempus Fugit (Alternate Master) | |
| B5 | It Never Entered My Mind |
Companies, etc.
- Phonographic Copyright ℗ – Manhattan Records
- Copyright © – Manhattan Records
- Pressed By – Pathé Marconi EMI, Chatou – 349319
- Pressed By – Pathé Marconi EMI, Chatou – 349320
- Recorded At – Van Gelder Studio, Hackensack, New Jersey
- Recorded At – WOR Studios
- Mastered At – TELDEC
Credits
- Alto Saxophone – Jackie McLean (tracks: A3, A6)
- Bass – Percy Heath (tracks: A1, A2, A4, A5, B1 to B5)
- Design [Cover] – Miles*
- Drums – Kenny Clarke (tracks: A3, A6)
- Liner Notes – Leonard Feather
- Photography By – Francis Wolff
- Piano – Horace Silver (tracks: A1, A2, B1 to B3, B5)
- Recorded By – Rudy Van Gelder (tracks: A1, A2, B1 to B3, B5)
- Remastered By – Rudy Van Gelder (tracks: A3 to A6, B4)
- Tenor Saxophone – Jimmy Heath (tracks: A4, A5, B4)
- Trombone – Jay Jay Johnson* (tracks: A3 to A6, B4)
- Trumpet – Miles Davis
Notes
Tracks A1, A2, B1 to B3, B5 recorded March 6, 1954.
Tracks A3, A6 recorded May 9, 1952.
Tracks A4, A5, B4 recorded April 20, 1953.
DMM (Direct Metal Mastering)
Pressed in but sold and distributed in the US. - Rear of the sleeve states: "BLUE NOTE is a ed trademark of Capitol Records, Inc. ©℗ 1985 Manhattan Records, a division of Capitol Records, Inc. Manufactured for Manhattan Records and Capitol Industries/EMI Inc., by EMI ... Printed in U.S.A.".
Originally came with a gold-colored obi style wrapper touting the "audiophile" quality European pressing.
Tracks A3, A6 recorded May 9, 1952.
Tracks A4, A5, B4 recorded April 20, 1953.
DMM (Direct Metal Mastering)
Pressed in but sold and distributed in the US. - Rear of the sleeve states: "BLUE NOTE is a ed trademark of Capitol Records, Inc. ©℗ 1985 Manhattan Records, a division of Capitol Records, Inc. Manufactured for Manhattan Records and Capitol Industries/EMI Inc., by EMI ... Printed in U.S.A.".
Originally came with a gold-colored obi style wrapper touting the "audiophile" quality European pressing.
Barcode and Other Identifiers
- Barcode: 0 7777-81502-1
- Matrix / Runout (Side A runout): BST 81502 DA 21 ... M9 349319 3
- Matrix / Runout (Side B runout): BST 81502 DB 21 ... M9 349320 3
Other Versions (5 of 89)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Volume 2 (LP, Compilation, Remastered, Mono) | Blue Note | BLP 1502 | US | 1956 | ||
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New Submission
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Volume 2 (LP, Compilation, Remastered, Mono) | Blue Note | BLP 1502 | US | 1956 | ||
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New Submission
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Volume 2 (LP, Compilation, Repress, Mono) | Blue Note | BLP 1502 | US | 1957 | ||
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New Submission
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Volume 2 (LP, Compilation, Remastered, Repress, Mono) | Blue Note | BLP 1502 | US | 1957 | ||
|
New Submission
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Volume 2 (LP, Compilation, Remastered, Mono, NY23/Lex) | Blue Note | BLP 1502 | US | 1957 |
Recommendations
Reviews
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I was amazed how good this sounded, I compared to other recently bought Miles Davis albums that are AAA (Kevin Grey cuts) pressed at RTI and it holds up quite well in fact I would say I can not hear any quality differences in sound stage, imaging or fullness of sound. DMMs have a mixed reputation and I have a few (dol,waxtime) that I can say are not near the quality of this pressing, also I am surprised that early recording (1952-54) were comparable to albums done years later but they do. I did not compare this to other (Volume 2) Mono LP's and I was going to get the 75th blue note version but I have had a lot of issues with those pressings (very hit or miss). I was able to find this version under $20 NM and I am very happy with it, any other vintage Mono AAA in NM I could get was 4-5 times the price and not worth it to me at this time. I also wanted to get a good LP version in anticipation of Blue Notes (Volume 1) that will release this year under the Classic Vinyl Series (80) that is cut by Kevin Grey AAA it will be interesting to compare once I have that version to my DMM (Volume 2)
Release
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