Offspring*Smash

Label:

Epitaph – 86432-2

Format:

CD , Album

Country:

USA & Canada

Released:

Genre:

Rock

Style:

Punk

Tracklist

1 Time To Relax 0:25
2 Nitro (Youth Energy) 2:27
3 Bad Habit 3:43
4 Gotta Get Away 3:52
5 Genocide 3:33
6 Something To Believe In 3:17
7 Come Out And Play
Vocals [Extra]Jason "Blackball" McLean
3:17
8 Self Esteem 4:17
9 It'll Be A Long Time 2:43
10 Killboy Powerhead
Written-ByThe Didjits*
2:02
11 What Happened To You? 2:12
12 So Alone 1:17
13 Not The One 2:54
14.1 Smash 2:53
14.2 Untitled 1:15
14.3 Untitled 5:00
14.4 Untitled 1:32

Companies, etc.

  • Phonographic Copyright ℗Epitaph Records
  • Copyright ©Epitaph Records
  • Glass Mastered AtDisctronics USA – 129737
  • Published ByGamete Music
  • Published ByWestbeach Music
  • Published ByTouch And Go Records (2)
  • Recorded AtTrack Record (3)
  • Recorded AtThe Hook
  • Mixed AtTrack Record (3)
  • Mastered AtFuture Disc

Credits

  • Art DirectionKevin Head (2)
  • Backing VocalsRon*
  • BassGreg K*
  • DrumsRon Welty
  • Engineer [2nd]Ulysses Noriega
  • Engineer [Additional]Ken Paulakovich
  • GuitarNoodles (5)
  • Mastered ByEddie Schreyer*
  • Photography By [Band]Lisa Johnson (5)
  • Producer, EngineerThom Wilson
  • VocalsDexter Holland
  • Written-ByThe Offspring (tracks: 1 to 9, 11 to 14)

Notes

Track 14 (10 mins, 40 secs) consists of 4 parts; first is the listed track "Smash", followed by an afterword by the album's narrator and an 'Acoustic Jam'-version of "Come Out And Play". This is followed by five full minutes of silence before reaching the hidden bonus track, which is a simple guitar/drum riff taken from "Baghdad" (original title of the track "Tehran", which featured on their self-titled debut album).

Recorded and mixed at Track Record, North Hollywood
Additional recording at The Hook, North Hollywood
Mastered at Futuredisc

All songs published by Gamete Music BMI and istered for the world by Westbeach Music BMI 1994, except "Killboy Powerhead", published by Touch and Go Records

© & ℗ 1994 Epitaph
Printed in Canada

Barcode and Other Identifiers

  • Barcode (Text): 0 4577-86432-2 6
  • Barcode (Scanned): 045778643226
  • Rights Society: BMI
  • Matrix / Runout (Variant 1): 129737-D1-4324-2 DISCTRONICS USA **86432-2**
  • Matrix / Runout (Variant 2): 129737-D3-5098-1 DISCTRONICS USA *86432-2*
  • Matrix / Runout (Variant 3): 129737-D3-5088-1 DISCTRONICS USA *86432-2*

Other Versions (5 of 151)

View All
Title (Format) Label Cat# Country Year
New Submission
Smash (Cassette, , Demo) Epitaph none US 1993
Recently Edited
Smash (LP, Album) Epitaph 86432-1 US 1994
Recently Edited
Smash (Cassette, Album) Epitaph 86432-4 US 1994
Recently Edited
Smash (CD, Album, Stereo) Epitaph OXX 1127-1 Brazil 1994
Smash (CD, Album) Epitaph 86432-2 US 1994

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Reviews

  • Irreversible90's avatar
    Irreversible90
    Great 90's album from the Offspring. Has great songs Like "self esteem" and "gotta get away". My personal favorite is "genocide". This album never gets old.
    • bull85's avatar
      bull85
      Track 14 (10 mins, 40 secs) consists of 4 parts; first is the listed track "Smash", followed by an afterword by the album's narrator and an 'Acoustic Jam'-version of "Come Out And Play". This is followed by five full minutes of silence before reaching the hidden bonus track, which is a simple guitar/drum riff taken from "Baghdad" (original title of the track "Tehran", which featured on their self-titled debut album)

      Nope. After the listed track goes the afterword, that's right; after that goes a drum with guitar play as in track 5 "Genocide", and then, after 5 minutes of silence, - 'Acoustic Jam'-version of "Come Out And Play" as a hidden track, which only appears on CD and not on vinyl. However, on vinyl there is the afterword and that Genocide No. 2 (or "Baghdad"); from this I understand that those are parts of the main track and only the acoustic jam "come out and play" is a bonus.
      • MiXCHure's avatar
        MiXCHure
        Edited 19 years ago
        You want true punk? This is it. Aggressive, fast, and annoying at times, this CD shows what The Offspring sounded like before they opted for a softer sound in the late 90s. The lyrics loudly tackle political subjects in that stereotypical punk-rock way. It's not the best punk CD ever made, but it is sort of catchy. So if you want to listen to stereotypical "real punk," then listen to this. If you want stereotypical "pop-punk," then listen to Offspring's newer stuff. Either way, you're not going to get anything too original.

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