Barry Adamson – Moss Side Story
Tracklist
Act One 'The Ring's The Thing' | |||
A1 | On The Wrong Side Of Relaxation | ||
A2 | Under Wraps | ||
A3 | Central Control | ||
A4 | Round Up The Usual Suspects | ||
Act Two 'Real Deep Cool' | |||
A5 | Sounds From The Big House | ||
A6 | Suck On The Honey Of Love | ||
B1 | Everything Happens To Me | ||
B2 | The Swinging Detective | ||
Act Three 'The Final Irony' | |||
B3 | Autodestruction | ||
B4 | Intensive Care | ||
B5 | The Most Beautiful Girl In The World | ||
B6 | Free At Last |
Companies, etc.
- Phonographic Copyright ℗ – Mute Records Ltd.
- Copyright © – Mute Records Ltd.
Credits
- Arranged By [Strings] – Bill McGee*
- Art Direction [Direction] – Joe Ewart
- Cello – Audrey Riley (tracks: A1, A6, B5 to 6)
- Directed By, Producer – Barry Adamson
- Engineer [Recording], Producer [Assistant] – Paul Kendall
- Ensemble [Freedom Choir] – Mick Harvey (tracks: A6, B6)
- Mastered By [Cut] – John Dent
- Mixed By – Paul Kendall
- Orchestrated By [Strings] – Bill McGee*
- Organ [Hammond] – Seamus Beaghen (tracks: A2, A5 to 6, B2 to 3, B6)
- Performer [All Other Instruments, Samples, Sequences and Treatments] – Barry Adamson
- Piano – Seamus Beaghen (tracks: A2, A5 to 6, B1, B5 to 6)
- Rhythm Guitar – Seamus Beaghen (tracks: A2, B2)
- Violin – Sonia Slany (tracks: A1, A6, B6)
Notes
Cover and labels: Barry Adamson's Moss Side Story
"In a black and white world
murder brings a touch of colour..."
Special thanks to the Johnstone crew
This album is dedicated to Carol, Lily, and Albert Adamson - Love forever
Mastered at The Exchange
Made in Great Britain
(P) 1988 Mute records limited
(C) 1989 Mute records limited
Comes with a printed inner sleeve.
"In a black and white world
murder brings a touch of colour..."
Special thanks to the Johnstone crew
This album is dedicated to Carol, Lily, and Albert Adamson - Love forever
Mastered at The Exchange
Made in Great Britain
(P) 1988 Mute records limited
(C) 1989 Mute records limited
Comes with a printed inner sleeve.
Barcode and Other Identifiers
- Barcode (Text): 5 016025 310531
- Matrix / Runout (Side 1 (variant 1)): STUMM 53 A1
- Matrix / Runout (Side 2 (variant 1)): STUMM 53 B1 OUT DEMONS OUT
- Matrix / Runout (Side 1 (variant 2)): STUMM 53 A1 PR-P THE EXCHANGE
- Matrix / Runout (Side 2 (variant 2)): STUMM 53 B1 OUT DEMONS OUT D (symbol) PR-P
Other Versions (5 of 24)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
Moss Side Story (CD, Album) | Mute | 7 71420-2, CDSTUMM53 | USA & Canada | 1989 | ||
New Submission
|
Moss Side Story (LP, Album) | Restless Records | 7 71420-1, STUMM 53, 71420-1 | US | 1989 | ||
New Submission
|
Moss Side Story (LP, Album, 12", Maxi-Single) | Mute | STUMM 53, VG 50465, VG 2144Z | Greece | 1989 | ||
New Submission
|
Moss Side Story (Cassette, Album) | Mute | C STUMM 53 | UK | 1989 | ||
Recently Edited
|
Moss Side Story (CD, Album) | Mute | CD STUMM 53 | UK | 1989 |
Recommendations
Reviews
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Murky, claustrophobic, tense, melancholic, bittersweet at places, this is the first of a series of imaginary soundtracks that Barry Adamson began to craft so well in the late 80s. A cinematic masterpiece, highly recommended to those who are looking for dark, sophisticated soundscapes.
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Edited 5 years agoThis album is one of my favourite of all times! I was introduced Barry Adamson by a friend of mine in the mid 90s. His "Oedipous, Schmoedipous" album was realised then & I kept listening... it was a month later that Barry bacame essential to me... I followed him after, have always been intrigued by his cinematic mood, the sense of "blackness" & his sophisticated lyrics! It wasn't until the mid 2000's that I got this release, a stock copy from a warehouse... I was quite shocked in the beginning at how murky, desperate & full of anxiety it sounded, it still sounds that way and even more!!! So, take a listen if you like dark, avant-gardish, soundtrack-sounding albums! Very well done Barry, thanks a million!!!
Release
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Recently Edited
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