Robert MilesChildren

Label:

Platipus – PLAT 18

Format:

Vinyl , 12", 45 RPM, 33 ⅓ RPM

Country:

UK

Released:

Genre:

Electronic

Style:

Trance

Tracklist

A Children (Remix) 7:30
AA1 Children (Vocal Mix) 6:50
AA2 Children (Guitar Mix) 7:21

Companies, etc.

  • Licensed FromDBX Records
  • Distributed BySRD
  • Recorded AtSound Master Studio
  • Mixed AtSound Master Studio
  • Copyright ©Platipus Records
  • Phonographic Copyright ℗Jeity Music
  • Pressed ByMPO

Credits

  • Producer [Produced], Performer [Performed], Arranged ByRoberto Milano*
  • SleeveMark Neal

Notes

The A-Side ("Remix") is more commonly known as the "Dream Version" and plays at 45 RPM, other side 33 RPM.

Licensed from DBX Records Italy
Distributed by SRD in U.K.

© 1995 Platipus Records
℗ 1995 Jeity Music
Made in Italy

Barcode and Other Identifiers

  • Barcode (Text): 7 90307 02171 5
  • Barcode (Scanned): 790307021715
  • Matrix / Runout (Side A): PLAT 18 A1 MPO
  • Matrix / Runout (Side B): PLAT 18 AA1 MPO

Other Versions (5 of 68)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Children... (12", 33 ⅓ RPM, Stereo) DBX Records DBX 015 Italy 1995
Children (12", 33 ⅓ RPM) Boy Records (4) BOY-348 Spain 1995
Children (The Remixes) (12", 45 RPM, 33 ⅓ RPM) Yeti Records YR 9514 Belgium 1995
Children (12", Maxi-Single, 33 ⅓ RPM, Green) Boy Records (4) BOY-348 1995
Recently Edited
Children (12", 33 ⅓ RPM, Stereo) BMG Records (UK) Ltd. 74321 34832 1 UK 1996

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Reviews

  • boyd_westerman's avatar
    boyd_westerman
    as said by ian_s May 17, 2014, you can thank Kimball Colins from Aazh in Orlando Florida for breaking this track. Simon Berry heard it there and immediately signed it to Platipus.
    • antplate's avatar
      antplate
      Jose Padilla's Essential Mix from September 1995 introduced the Guitar Mix to many people,... which is by no means a less beautiful song than the main (Remix) version everyone knows and loves.

      Ironically, I hadn't then heard the now anthemic piano version when I bought the 12" back in 1995. A time when you could buy, enjoy and rinse music for many months in advance of it going into the pop charts.. old man shouting at clouds, yadda, yadda...
      • Johnmarcus's avatar
        Johnmarcus
        Edited 3 years ago
        From the moment I heard those first few bass notes of the intro I loved this track, and was lucky enough to get an early copy, I played it to my friends, they weren't that impressed, I played it out great reaction & I think that night it was on Pete Tongs show for the first time so may have helped. Yes it became a huge commercial track, and we have all heard it so many times, but so what its still a great tune. From that deep bassline to the driving beats, that piano line and the strings all masterfully blended to create a huge track and a trance classic.
        • RoryHoy's avatar
          RoryHoy
          Edited 8 years ago
          Seeing as Robert Miles died recently - I'd thought I'd review this wonderful track from back in the day. I'm not really much a fan of Trance (more of a Breakbeats, Funk and House person) but I have to it this is a great tune with a very iconic melody with some slick production to boot. Always this tune being used a lot on adverts back in the day and the track has aged incredibly well for a track from 1995.

          RIP Robert Miles - Let your music live on forever!
          • Bobbyfc's avatar
            Bobbyfc
            Oakenfold opened up with this at a club in Birmingham in 1995 that was aired on Radio 1's essential mix. The mix he played was a mash up of the vocal and guitar versions and is awesome.......the intro of the vocal version but with the guitar rift in the background. I think it might be something that he did in the studio for himself as I have never hear anyone else play it.......anyone have any ideas about this track?
            • chrissyboy73's avatar
              chrissyboy73
              This is probably the best pressed 12" I have in my entire collection.
              • spectrum's avatar
                spectrum
                Before this track became overplayed and chopped into a cheap nasty radio edit this was a hugely respected and sought after track. When this was released on Platipus, DJ's were literally clambering over each other at the counter to get hold of a copy in my local record store. I'm lucky enough to have grabbed one of those myself at that time and won't be parting with it anytime soon. Much ridiculed after it's release and subsequent fame and overplaying but a track that actually has aged very well after all this time.
                • ian_s's avatar
                  ian_s
                  Edited 10 years ago
                  This release sold around 3,000 copies. Platipus signed the tune after hearing it being played on acetate in a club in Florida.
                  • Clearly_Groovy's avatar
                    Clearly_Groovy
                    A True classic for sure!

                    I dont think there has been a piece of trance music that incorporates a piano and an offbeat bassline to such wonderfull effect.

                    Normally a track like this which is played so often, you can easily get sick of but Children is one of those tunes I will never tire of.

                    A good sign of things to come from a label that still went on to release some of the best underground trance.
                    • Universe's avatar
                      Universe
                      Edited 18 years ago
                      There was a period of a few months between late summer 1995 and early 1996 when we Platipus fans were all raving about this track. It was so obvious from the very first listen that it would be picked up by a major label and become a huge hit. During these months I don't anybody saying a bad word for this record.

                      I used to delight in playing this loudly months before it became a hit, just to give my neighbours a taste of what was to come.

                      Years on, this track still proves to be part of dance music heritage, and still stops you dead in your tracks.

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