Stephen Schwartz – Wicked (The Soundtrack)
Label: |
Verve Records – 602475112280 |
|---|---|
Format: |
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Country: |
US |
Released: |
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Genre: |
Stage & Screen |
Style: |
Soundtrack |
Tracklist
| A1 | Jenna Boyd– | No One Mourns The Wicked |
| A2 | Ariana Grande– | Dear Old Shiz |
| A3 | Michelle Yeoh– | The Wizard And I |
| B1 | Cynthia Erivo– | What Is This Feeling? |
| B2 | Cynthia Erivo– | Something Bad |
| B3 | Cynthia Erivo– | Dancing Through Life |
| C1 | Ariana Grande– | Popular |
| C2 | Cynthia Erivo– | I'm Not That Girl |
| C3 | Michael McCorry Rose– | One Short Day |
| D1 | Jeff Goldblum– | A Sentimental Man |
| D2 | Ariana Grande– | Defying Gravity |
Companies, etc.
- Phonographic Copyright ℗ – Universal Studios
- Copyright © – Universal Studios
- Phonographic Copyright ℗ – Republic Records
- Copyright © – Republic Records
- Record Company – UMG Recordings, Inc.
- Phonographic Copyright ℗ – Verve Label Group
- Copyright © – Verve Label Group
- Distributed By – UMG Commercial Services
- Mastered At – Record Technology Incorporated – 44881
- Pressed By – Vantiva, Guadalajara, Mexico – 1281377
- Pressed By – Vantiva, Guadalajara, Mexico – 1281378
- Pressed By – Vantiva, Guadalajara, Mexico – 1281379
- Pressed By – Vantiva, Guadalajara, Mexico – 1281380
- Recorded At – Air Lyndhurst Studios
- Recorded At – Ozdustland Studio
- Recorded At – Power Station
- Mixed At – McLean Stage
- Mixed At – Robert Wise Stage
- Lacquer Cut At – Sterling Sound
- Exclusive Retailer – Target (11)
Credits
- Arranged By [Arranger], Orchestrated By [Orchestrator] – Jeff Atmajian
- Arranged By [Arrangers] – Stephen Oremus
- Art Direction, Design – Joe Spix
- Bassoon – Simon Chiswell
- Cello – Vicky Matthews
- Clarinet – Nick Rodwell
- Conductor – Stephen Oremus
- Contractor [Orchestra Contractor] – Isobel Griffiths Ltd.
- Contractor [Vocal Contractor] – Jasper Randall
- Coordinator [Soundtrack Coordination] – Maggie Gaus
- Double Bass – Steve Rossell
- Editor [Supervising Music Editors], Supervised By – Jack Dolman
- Engineer [Assistant Song Engineer] – Jason Soudah
- Engineer [Assistante Engineers] – Wil Jones
- Engineer [Choir Recording Engineer] – Ian Kagey
- Engineer [Recording Engineer], Mixed By [Orchestral Mixer] – Nick Wollage
- Engineer [Recordist] – John Prestage
- Ensemble – Wendi Bergamini
- Ensemble [Children's Vocal Ensemble] – Theo Lowenstein (2)
- Executive-Producer [Executive Album Producer] – Marc Platt*
- Executive-Producer [Executive In Charge of Music] – Michael Knobloch
- Flute – Karen Jones (3)
- French Horn – Richard Watkins
- Guitar, Bass, Rhythm Section – Greg Wells
- Harp – Hugh Webb
- Keyboards – Greg Wells
- Lacquer Cut By – JN-H*
- Leader [Orchestra Leader] – Jeremy Isaac
- Legal [Music Business & Legal Affairs] – Tanya Perara
- Management [Business Affairs] – Samantha Finkel
- Marketing – Stephanie Perez
- Marketing [Digital] – Sarah Gaupel
- Marketing [International Marketing] – Zoe Briggs
- Marketing [Soundtrack Marketing & Production] – Nikki Walsh
- Mixed By [Additional Mixing] – Laurence Anslow
- Mixed By [Mixer] – Greg Wells
- Music By, Lyrics By – Stephen Schwartz
- Music Librarian [Librarian] – Jill Streater
- Musical Assistance [Assistant to Music Supervisor] – Lucy Evans (2)
- Musical Assistance [Lead Music Preparation] – Jordan Cox
- Musical Assistance [Music Assistant] – Bronwen Chan
- Musical Assistance [Music Assistants to Mr. Schwartz] – John Angier (3)
- Musical Assistance [Music Associate] – Benjamin Holder
- Musical Assistance [Music Preparation] – James Reagan (3)
- Musical Assistance [Music Trainees] – Sarah Burrell
- Musical Assistance [Musical Production Assistant] – Millie Davies
- Oboe – Tim Rundle
- Orchestrated By [Additional Orchestrations] – Jonathan Beard*
- Orchestrated By [Orchestration Mockups] – Kevin Kliesch
- Percussion – Julian Poole (2)
- Piano – Simon Chamberlain
- Producer [Album Produced By] – Stephen Schwartz
- Producer [Music Production] – Marisa Torbert
- Producer [Vocal Production] – Cynthia Erivo
- Saxophone – Sam Mayne
- Score Editor [Orchestra Editing] – Ashley Andrew-Jones
- Supervised By [Music Supervisor] – Maggie Rodford
- Supervised By [Production Music Supervised by] – Dominick Amendum
- Supervised By [Supervising Vocal Editor & Engineer], Editor, Engineer – Robin Baynton
- Timpani – Chris Baron
- Trombone – Phil White*
- Trumpet, Flugelhorn – Phillip Cobb*
- Tuba, Tuba [Cimbasso] – Owen Slade
- Viola – Sue Dench
- Violin – Warren Zielinski
Notes
Issued in a gatefold jacket with printed inner sleeves.
Hype sticker on front top left shrinkwrap.
℗ & © 2024 Universal Studios, Republic Records, a division of UMG Recordings, Inc. & Verve Label Group, a division of UMG recordings, Inc., except for track 10, ℗ 2024 Universal Studios.
In the runouts, the Vantiva matrix and "STERLING" are laser-etched, while the rest is hand-etched.
Hype sticker on front top left shrinkwrap.
℗ & © 2024 Universal Studios, Republic Records, a division of UMG Recordings, Inc. & Verve Label Group, a division of UMG recordings, Inc., except for track 10, ℗ 2024 Universal Studios.
In the runouts, the Vantiva matrix and "STERLING" are laser-etched, while the rest is hand-etched.
Barcode and Other Identifiers
- Barcode (Text): 6 02475 11228 0
- Barcode (Scanned): 602475112280
- Other (Side A label): 602475112280A
- Other (Side B label): 602475112280B
- Other (Side C label): 602475112280C
- Other (Side D label): 602475112280D
- Other (LP1 sleeve): 602475112280-1.1
- Other (LP2 sleeve): 602475112280-2.1
- Matrix / Runout (Side A runout): 44881.1(3)... 602475112372 - A (1) (1281377) 01010214 JN-H STERLING
- Matrix / Runout (Side B runout): 44881.2(3)... (1281378) 01010115 602475112372 - B (1) JN-H STERLING
- Matrix / Runout (Side C runout): (1281379) 01010231 44881.3(3)... 602475112372 - C (1) JN-H STERLING
- Matrix / Runout (Side D runout): (1281380) 01010130 44881.4(3)... 602475112372 - D (1) JN-H STERLING
Other Versions (5 of 25)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Wicked (The Soundtrack) (CD, Album, Stereo) | Republic Records | 602475112181.1, 602475112181 | USA, Canada & Europe | 2024 | ||
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New Submission
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Wicked (The Soundtrack) (2×LP, Album, Green Marbled) | Verve Records | 602475112235 | US | 2024 | ||
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New Submission
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Wicked (The Soundtrack) (2×LP, Album, Picture Disc, Stereo) | Verve Records | 602475112242 | Worldwide | 2024 | ||
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New Submission
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Wicked: The Soundtrack (13×File, AAC, Album, 256 kbps) | Verve Records | none | Worldwide | 2024 | ||
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New Submission
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Wicked (The Soundtrack) (2×LP, Album, Pink [Cloudy Pink]) | Verve Records | 602475112228 | Worldwide | 2024 |
Recommendations
Reviews
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A lot of complaints about surface noise on here, but I didn't experience that. I had a lot of pops but after running a dryer sheet over it, it plays perfect. That said, it's flat sounding. Disappointing amount of dynamic range. Grateful and albums are beautiful, and the songs are great. I don't regret my purchase, but I expected it to sound better.
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Too noisy for a true audiophile but for a casual collector who likes colored vinyl, it's listenable and enjoyable. These were pressed in Mexico. -
Beautiful pressing. Although it's not perfect, mine is not unlistenable. I do believe the soundtrack wasn't properly mixed for this format (The Wizard and I sounds really compressed). Overall a great item for collectors and fans of the movie 💚🩷.
8/10 -
Abysmal pressing. Surface noise throughout and defects all over the vinyl. Even a skip present on our copy. Obviously rushed. Doubt they even tested these. -
Way too much static that doesn't come off with cleaning! And on Ariana and Idina's beautiful arias... I exchanged the first copy for a second copy and one disc was super scratchy both times (Side C the first time, Side A the second time). YMMV: my Target was super nice and gave me back store credit, but technically their system is not allowed to give returns for opened vinyl records. But of course, how would we know to return it unless we open it to see that it's defective... Buy another pressing if you want better audio quality! I'm quite disappointed because the blended color scheme was my favorite disc design. -
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Good dynamic and the color looks really nice. But definitely some surface noise. It’s pretty annoying that there was constant ticking heard in the beginning of Dancing Through Life when Jonathan started singing. Every syllable was followed by a ticking sound.
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Edited 6 months agoThis was my go-to pressing because of the color split, which looks great. The records play flat and the dynamics are fantastic, albeit with some surface noise. My inner sleeves came a little roughed up and the quality on the gatefold isn't so great though, and not as nice as some European manufacturers.
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