Charles Bruck – Appels - Voix Dans Un Vaisseau D'Airain - Froissements D'Ailes - Arsis Et Thésis / Lost Paradise - Violin Control
Label: |
INA-GRM – AM 821.10 |
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Series: |
Collection GRM |
Format: |
Vinyl
, LP
|
Country: |
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Released: |
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Genre: |
Classical |
Style: |
Contemporary |
Tracklist
A1 | Michaël Levinas– | Appels | 7:35 |
A2 | Michaël Levinas– | Froissements D'Ailes | 2:49 |
A3 | Michaël Levinas– | Arsis Et Thésis Ou La Chanson Du Souffle | 6:50 |
A4 | Michaël Levinas– | Voix Dans Un Vaisseau D'Airain, Chants En Escalier | 8:04 |
B1 | Thomas Kessler– | Lost Paradise | 12:55 |
B2 | Thomas Kessler– | Violon Control | 11:26 |
Companies, etc.
- Record Company – Musique Française d'Aujourd'hui
- Published By – Éditions Salabert
- Published By – Éditions Heugel
- Published By – Éditions EFM
- Recorded At – Studios INA-GRM
- Phonographic Copyright ℗ – INA-GRM
- Distributed By – Harmonia Mundi
- Printed By – Montreuil Offset
- Pressed By – Polygram Industries Messageries
- Lacquer Cut At – C.I.D.I.S. Louviers
Credits
- Composed By – Thomas Kessler (tracks: B1, B2)
- Producer [Regie], Edited By [Montage] – F. Bayle*
- Technician [Technique GRM Des Dispositifs de Transformations] – R. Bulski*
Notes
Appels (Editions Salabert) pour 11 instruments
Froissements d'ailes (Editions Heugel)
Arsis et Thésis ou la chanson du souffle (Editions E.F.M.)
Voix dans un vaisseau d'airain, chants en escalier (Editions Salabert) pour 3 instruments, soprano et dispositif
Lost Paradise pour 5 instruments composed during the spring of 1975
Violon control pour violon et synthétiseur
Enregistrement GRM
Levinas' works here are electro-acoustic compositions. He uses filtered microphones and an idiosynchratic mixing of the amplified orchestra in order to transform their sound live (transformation en direct) into a research of the deep and hidden characteristics of the acoustic instruments.
Kessler wrote his works for acoustic and electronic instrument. It is up to the musician to decide how he is going to balance the two. In every piece there is an equal mix of electronic and acoustic instruments, who have to confront each other.
℗ 1978 INA-GRM
Gatefold jacket
Froissements d'ailes (Editions Heugel)
Arsis et Thésis ou la chanson du souffle (Editions E.F.M.)
Voix dans un vaisseau d'airain, chants en escalier (Editions Salabert) pour 3 instruments, soprano et dispositif
Lost Paradise pour 5 instruments composed during the spring of 1975
Violon control pour violon et synthétiseur
Enregistrement GRM
Levinas' works here are electro-acoustic compositions. He uses filtered microphones and an idiosynchratic mixing of the amplified orchestra in order to transform their sound live (transformation en direct) into a research of the deep and hidden characteristics of the acoustic instruments.
Kessler wrote his works for acoustic and electronic instrument. It is up to the musician to decide how he is going to balance the two. In every piece there is an equal mix of electronic and acoustic instruments, who have to confront each other.
℗ 1978 INA-GRM
Gatefold jacket
Barcode and Other Identifiers
- Matrix / Runout (A): 310 82110 LPL5331 1Y DU1 380 POLYGRAM
- Matrix / Runout (B): GRM 821 10 LPL 5391 2Y 380 CIDIS
- Rights Society: SACEM SACD SDRM SGDL
- Price Code (Printed on back cover): S
- Price Code (On sticker): HM 50
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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New Submission
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Appels - Voix Dans Un Vaisseau D'Airain - Froissements D'Ailes - Arsis Et Thésis / Lost Paradise - Violin Control (LP, Repress) | INA-GRM | AM 821.10 | Unknown |
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