Led Zeppelin – Physical Graffiti
Label: |
Swan Song – SS 2-200 |
|---|---|
Format: |
|
Country: |
Australia |
Released: |
|
Genre: |
Rock |
Style: |
Blues Rock |
Tracklist
| A1 | Custard Pie | 4:20 | |
| A2 | The Rover | 5:44 | |
| A3 | In My Time Of Dying | 11:08 | |
| B1 | Houses Of The Holy | 4:01 | |
| B2 | Trampled Under Foot | 5:38 | |
| B3 | Kashmir | 9:41 | |
| C1 | In The Light | 8:46 | |
| C2 | Bron-Yr-Aur | 2:07 | |
| C3 | Down By The Sea Side | 5:15 | |
| C4 | Ten Years Gone | 6:55 | |
| D1 | Night Flight | 3:37 | |
| D2 | The Wanton Song | 4:10 | |
| D3 | Boogie With Stu | 3:45 | |
| D4 | Black Country Woman | 4:30 | |
| D5 | Sick Again | 4:40 |
Companies, etc.
- Manufactured By – WEA Records Pty. Limited
- Distributed By – WEA Records Pty. Limited
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
- Recorded At – Headley Grange
- Recorded At – Stargroves
- Recorded At – Island Studios
- Recorded At – Olympic Studios
- Mixed At – Olympic Studios
- Mixed At – Electric Lady Studios
- Lacquer Cut At – ARC, Artarmon – MX174933
- Lacquer Cut At – ARC, Artarmon – MX174934
- Lacquer Cut At – ARC, Artarmon – MX174935
- Lacquer Cut At – ARC, Artarmon – MX174936
- Pressed By – ARC, Artarmon
Credits
- Artwork [Tinting Extraordinaire] – Maurice Tate
- Design Concept [Package] – Peter Corriston
- Executive-Producer – Peter Grant
- Illustration [Window] – Dave Heffernan*
- Lacquer Cut By [Runout Etching Δ] – Tony Taurins
- Mixed By – Keith Harwood (tracks: A1 to A3, B2, B3, C1 to C4, D1 to D5)
- Other [Guitar Lost Courtesy Of] – Nevison* (tracks: A2)
- Other [Guitar Salvaged By The Grace Of] – Harwood* (tracks: A2)
- Photography By – Roy Harper
- Producer – Jimmy Page
- Recorded By – Ron Nevison (tracks: A1, A3, B2, B3, C1, C4, D2, D5)
- Recorded By [Overdubs] – Keith Harwood (tracks: A1, A2, B2, B3, C1, C4, D2, D5)
Notes
℗© 1975
Die-cut jacket, printed inner sleeves and insert.
Houses Of The Holy: [...]/Mixdown [...] at Electric Ladyland
The runout engraving (for Variant 1), indicated on Side A & C as '~~', is a stand-in for a pair of horizontal upturned parentheses, ed like the common symbol for a gull.
Die-cut jacket, printed inner sleeves and insert.
Houses Of The Holy: [...]/Mixdown [...] at Electric Ladyland
The runout engraving (for Variant 1), indicated on Side A & C as '~~', is a stand-in for a pair of horizontal upturned parentheses, ed like the common symbol for a gull.
Barcode and Other Identifiers
- Matrix / Runout (Side A label): MX 174933
- Matrix / Runout (Side B label): MX 174934
- Matrix / Runout (Side C label): MX174935
- Matrix / Runout (Side D label): MX174936
- Matrix / Runout (Side A runout; hand-engraved, variant 1): MX 174933 B SS 2-200 •1 ~~
- Matrix / Runout (Side B runout; hand-engraved, variant 1): △ MX 174934-C SS 2-200-2
- Matrix / Runout (Side C runout; hand-engraved, variant 1): MX 174935 C SS 2-200 •3 ~~
- Matrix / Runout (Side D runout; hand-engraved, variant 1): Å MX174935•C SS2-200-4
- Matrix / Runout (Side A runout; hand-engraved, variant 2): A MX 174933 SS 2-200 -1
- Matrix / Runout (Side B runout; hand-engraved, variant 2): A MX 174934 B SS 2-200 -2
- Matrix / Runout (Side C runout; hand-engraved, variant 2): A MX 174935 B SS 2-200 -3
- Matrix / Runout (Side D runout; hand-engraved, variant 2): A MX 174936 B SS 2-200 -4
- Matrix / Runout (Side A runout; stamped, variant 3): A MX 174933 SS 2-200 -1
- Matrix / Runout (Side B runout; stamped, variant 3): A MX 174934 B SS 2-200 -2
- Matrix / Runout (Side C runout; stamped, variant 3): A MX 174935 B SS 2-200 -3
- Matrix / Runout (Side D runout; stamped, variant 3): A MX 174936 B SS 2-200 -4
- Matrix / Runout (Side A runout; stamped, variant 4): A MX174933 SS 2-200-1
- Matrix / Runout (Side B runout; stamped, variant 4): A MX174934-B SS 2-200-2
- Matrix / Runout (Side C runout; stamped, variant 4): A MX174935-B SS 2-200-3
- Matrix / Runout (Side D runout; stamped, variant 4): A MX174936-B SS 2-200-4
- Other (A&B printed inner sleeve, lower right): SS 2-200A
- Other (C&D printed inner sleeve, lower right): SS 2-200B
Other Versions (5 of 475)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Physical Graffiti (2×LP, Album, Stereo) | Swan Song | SSK 89400 | UK | 1975 | |||
| Physical Graffiti (2×LP, Album) | Swan Song | HSWS 681-01/02 | Spain | 1975 | |||
| Physical Graffiti (2×LP, Album, Stereo) | Swan Song | SSK 89 400-O, SSK 89 400 (O), SSK 89 400 | 1975 | ||||
|
New Submission
|
Physical Graffiti (Cassette, Album) | Swan Song | SK 489400 | UK | 1975 | ||
|
Recently Edited
|
Physical Graffiti (2×LP, Album, Reissue) | Swan Song | W 89400 | Italy | 1975 |
Recommendations
Reviews
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An ambitious & daring diverse rock album mixing plenty of hard rock, slow moving blues shuffles, twelve string acoustic guitar instrumentals, folk songs & ballads, long winding funk jam masterworks, eastern trance treasures, Beatle-ish pop & down-n’-dirty rock-n-roll romps on a plethora of multi-faceted songs on one monumental album. The first disc contains classics while the second disc is a collection of left over songs from their previous albums, mostly the fourth and fifth album.
They all had the individual talent - Page was an unimpeachable riff writer & producer, bassist & keyboardist John Paul Jones is an arranger without equal, John Bonham is hands-down the most ferocious drummer ever & while we can ignore vocalist Robert Plant's hammy lyrical preoccupation with swords and sorcery he possesses the quintessential rock howl.
This is Led Zep at the height of their talent & maybe their last truly great moment. A monolithic epic masterpiece of rock.
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